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Documentary about possible ancient alien visitors to Earth.
The Beatles' arrival in America and the start of their US invasion. Paul McCartney's shocking and candid admission to taking LSD, a move which the UK press immediately seized upon. The Ballad of John and Yoko, chronicling the events surrounding Lennon's marriage. The news announcing the untimely death of manager Brian Epstein and the massive impact that this had on the group. The Beatles' trip to India, meeting the Maharishi Mahesh Yogi and exploring their mystic side. Behind the scenes footage and 'off the record' interviews given during TV rehearsals and private backstage moments. This captivating DVD features all of this and much more incredible footage of the key moments in the Beatles' career; it is an essential purchase for any die-hard fan of the Fab Four.
In a neighborhood of Mexico City, inhabit different characters. From a hardened general, suffering from delusions of persecution, to a recruit; two brothers dedicated to teaching music; two treasure hunters restless, and a friendly concierge who lives with her son, the popular Gordolfo Gelatino.
Bakit may Kahapon Pa? (Why Is There a Yesterday?) is a 1996 Filipino drama film directed by Joel Lamangan. It is about a village girl who is mysteriously spared when a platoon of soldiers led by Colonel Valderamma (Garcia) massacres her family along with peasants accused of sympathizing with the communists. When the girl has grown up, her body has healed but her mind is yet to recover from the horrible experience. She continues to thirst for revenge and crafts a scheme to exact retribution. She eyes the head of the military mission who instigated the carnage that she survived. He is now a well-admired retiring general who is about to cap his career with the service's highest honors.
It's about a hapless hipster who the ladies think for some reason is super handsome. They fall all over themselves trying to be close, making it difficult for him to carry on in life and hold down a job.
A sister comes to terms with what it means to come of age in rural isolation, but the adversity of the outside world is no comparison to the immensity of her imagination.
Twelve years ago Anya and Zhenya had a daughter, Nadya. They were very young, and their life soon became a problem. Zhenya ended up in jail, and Anya and Nadya ended up living with Zhenyas family. During the twelve years that have passed, Anya has done quite a lot of changes in her own and Nadya’s life, some of them involving Zhenya. The first time Zhenya went to jail – for beating Anya – he didn’t have to stay that long. But the second time he was sentenced to four years, for rape. During most of the twelve years Anya has worked with Zhenyas mother in their shoemaker’s workshop. Zhenyas father, a retired policeman, has come and gone in the shop, taken care of his granddaughter, but also had a relationship with Anya. When Sasha, Zhenya’s father, beats Anya and ends up in prison, Anya finally leaves Zhenyas family.
A documentary ode to legendary New York City video store Alan's Alley, where bizarrely arranged movies enticed clientele from cinephile to celebrity to local prison inmate. Charismatic owner Alan Sklar sifts through the nuance of his neon-flickering livelihood, in his store’s last days as a fixture in Manhattan’s Chelsea neighborhood.
To make a film about a poet, it is necessary to move away from all cinematographic purpose, all technical language, all aestheticizing intention; we should just think like him, in terms of image and animism, of arrow and spell. The film in question will then be a tree and every facet of his work a branch, the trunk his life. Thus this incipient metaphor will evolve in the form of the film, the body of the image is henceforth encircled by the cortex of sound, whose independent relief segregates its own layers of meaning, the cavities through which the silence of an army of ants searches for its center.
George is a clerk who captures a bandit and in return gets the boss' daughter.
We all live in continuous hypnosis, and those people who awake from the dream and start to live their own lives frighten the rest of us. This film documents András Feldmár's thoughts, thoughts that make listeners very uneasy, thoughts that prompt us to search our souls. Through his thoughts we become acquainted with a man who continually searches his own soul and has a way of thinking that makes us very uneasy.
A girl waits in the living room of her house for her boyfriend's arrival, but he warns her that he will arrive later than usual that night...
While wandering solitary in the city, Bruno discovers that his personality alternates with another. Such scrutiny will disturb him and make him to face himself in a quest that will even bring him face to face with death.
This film describes the narrator's childhood, the years before and after the Hungarian Soviet Republic, in a burlesque and fabulous style and with the humour of a child's fantasy.
Frank Flynn is summonsed from New York by his brother Charlie to Vanuatu. He arrives only to find Charlie dead, and becomes involved with his late brother's partner, Viv, and Viv's unhappy wife, Anna.
Minas de São Domingos is a small village built on a mine in the Alentejo region of Portugal. Today, the mine, which in other times kept its neighbours in employment, is no longer operating. It is difficult to imagine a future for this slightly forgotten land, criss-crossed by ruins that bear witness to a happier era, and virtually abandoned by inhabitants forced to leave to find work elsewhere. It’s summer, children play in the street, tourists camp next to the river, adults burst into traditional song in the ruins of the mine. Here, everything happens as a community, as if being together was the only possible answer to the question formulated by the film’s title.
Gentrification and displacement are affecting all big cities throughout the world, but none more egregiously than my hometown of New York City. As a Native New Yorker, I am disturbed to see my beloved hometown become a haven for the wealthy when it was once a city that valued culture and community over money. Before Covid happened, the sky seemed to be the limit for corporate greed and that is when I started making this film. I chose specifically to focus on two lower-class neighborhoods that are in peril- Queens and the Lower East Side. In documenting these neighborhoods under threat, I met local activists whose lives centered around maintaining the ethos of their community.