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A young man recalls a recent memory of his father through a small token left behind.

"There is, indeed, the unspeakable": inexplicable phenomena and surprising associations, mysterious outbreaks, torture chambers and substances that expand consciousness.

Presented at Documenta 14 in Athens.

Qui e là a giocare (1980) (Here and there to play) - one of the first "things" created by Ghezzi when he was working at the Rai headquarters in Genoa: a montage dedicated to gaming, from casinos to stadiums to Rai offices.

Artist, musician and filmmaker Stan Greengrass’ documentary explores the sacrifice of starting HRT for trans singers who rely on their voice for performance.

Media representations of immigrants dehumanize the people they portray. Not Quite Here, Not Quite There is a visual companion to a poem written by Diana Piña, focusing on the undocumented experience.

Two simple and progressive accumulations mingle with the confines of the Moffit Tunnel in the Rockies.

A short documentary capturing the recording sessions of The Weeknd's "My Dear Melancholy,"

From childhood to adulthood, Sam contends with the suicidal curse that has plagued her family for generations.

A father tries to make his little daughter understand the reason for his political imprisonment. The jungle serves as an allegory of society and the hunter as its danger.

Queering the haj. A man recollects a moment (was it any longer than that?) in the aptly named city of Mecca. A conversation ensues in the crowd. The touch of language. Framing shots by luminous shooter Taravat Khalili. Commissioned by LIFT for the Jacques Madvo project.

After his cancer diagnosis, an old man is given six months to live. His granddaughter’s camera gently captures his sense of belonging in China — the place he left behind but never forgot — and the story of his family in Singapore.

Capital punishment is a subject that evokes passion from friends and foes alike. But, few consider the effect it has on those whose actual job is to terminate a life—the executioners themselves. Delving deeply into the spiritual, psychological, and philosophical dichotomies within and surrounding capital punishment, director Patty Dillon portrays an emotional journey inside execution through firsthand accounts. From a man of God to men trained to protect lives suddenly required to take them, paths intersect as they discover freedom from their own personal prisons. And, although we tend not to humanize executioners, these men reveal to us emotional conflicts and scars related to a job they never sought, but now accept. We not only glimpse inside prison walls, but also inside the heads of complex men who can't help but question the meaning of life in a way that few of us can even fathom. - Sandy Wolf

The first demolition of a church in Sweden due to the fact that it is no longer needed.

In a world that’s deeply divided into zombie deniers and zombie believers, Carlotta, Colin and Paul are having a love triangle – only one of them is of the undead. In a world where the media's unsure how to report about the zombie outbreak without angering the sponsors, Carlotta invites her ex Paul into her house, ignoring the fact that he's actually a zombie - much to the dismay of her husband Colin, who had (unbeknown to her) killed Paul in the first place.

An Austrian comedy about a mayor who gets headwind from all sides. The very strict mayor (Karl Skraup) not only rejects the marriage of his son with a Viennese woman, but he also denies 40 kids their intended holiday--paid for by the provincial government--because they are illegitimate children. The entanglements only get bigger when two reporters start writing about it. When the local nurse (Maria Andergast) pretends to be the mayor's illegitimate daughter, his resistance is finally overcome.

Matt is interrupted during a suicide attempt, by his friend Andy, and what commences is a conversation about depression, suicide and understanding.