There Is

A woman is found dead and three other women, incarcerated at a psychiatric hospital. The body belonged to the wife of the hospital President, Dr. Kiriyama who has gone missing since the day of the murder. As Detective Hayashida and his partner start to investigate the case and interview the women linked to the victim, they soon find themselves tangled in a web of the women’s lies and deceptions.

Early documentary about the Moscow metro: the early project, the development and the people working on it.

Bakit may Kahapon Pa? (Why Is There a Yesterday?) is a 1996 Filipino drama film directed by Joel Lamangan. It is about a village girl who is mysteriously spared when a platoon of soldiers led by Colonel Valderamma (Garcia) massacres her family along with peasants accused of sympathizing with the communists. When the girl has grown up, her body has healed but her mind is yet to recover from the horrible experience. She continues to thirst for revenge and crafts a scheme to exact retribution. She eyes the head of the military mission who instigated the carnage that she survived. He is now a well-admired retiring general who is about to cap his career with the service's highest honors.

For medical advice, Carlos and his wife, Julia go on vacation to a fashion beach. The hotel gets a new host, Roldós, known seducer of scandalous history that lives in the suite next to the couple. Julia hears a piano melody and below the door finds a message asking her to meet in one place. Faced with this audacity, Julia reacts with dignity but curiousity as well. The recklessness of the seducer gets to the point that Carlos realizes this 'relationship' causing a scene of jealousy. Blinded by deception, the follows the supposed rival and Julia and the other people in the hotel heard gunshots. An inspector arrives to investigate the disappearance of Roldós and all suspicion falls on Carlos.

A documentary about alcoholism. The late Joe Pirro, a well known American therapist with over 30 years' experience in handling patients suffering from alcoholism deals with its main symptoms and characteristics. 36 dramatized sequences illustrate the development and effects of the disease. The final section deals with possibilites for rehabilitation.

While wandering solitary in the city, Bruno discovers that his personality alternates with another. Such scrutiny will disturb him and make him to face himself in a quest that will even bring him face to face with death.

We all live in continuous hypnosis, and those people who awake from the dream and start to live their own lives frighten the rest of us. This film documents András Feldmár's thoughts, thoughts that make listeners very uneasy, thoughts that prompt us to search our souls. Through his thoughts we become acquainted with a man who continually searches his own soul and has a way of thinking that makes us very uneasy.

It is the week before full lockdown is in place. Guy, a fresh graduate overseas, is in a dilemma: should he return to Malaysia for good? Or should he stay and try to look for a job in the midst of a pandemic? Just as he is trying to make a decision, his phone rings: it’s his mom.

In Is there something else I’ve lost? the camera does not function as an instrument that illustrates a narrative. Instead, this film is a portrait of a character. The reality of this character is organized both through the camera movements and the editing process. However, who or what is “I” mentioned in the title?

A short collection of footage and music from the American band The Byrds

British animated feature film

The Residents have enjoyed many attachments over the years, but none more unique than "Bunny." Their relationship flourished in the 70's when Bunny's eccentric ideas often pointed the group in unexpected directions, but Bunny eventually grew distant and his appearances at the El Ralpho Studios declined. Then, after a lapse of several years, a video tape arrived in the mail.

Viva Ruiz invites transgender AIDS activist, artist, and beloved friend Chloe Dzubilo (1960–2011) to speak via never before seen Hi-8 footage filmed by Chloe's then-partner Kelly McGowan in the 1990s. The process triangulates mother (Chloe), lover (Kelly), and child (Viva) in a deliberate ritual to uplift the spirit and legacy of an ancestral teacher. Through artifacts from the moment when video first became accessible and before mobile phone cameras became ubiquitous, we witness Chloe declare herself and her sisters as leaders in art, advocacy and culture for evermore. Commissioned by Visual AIDS in 2019 as part of STILL BEGINNING, a program of seven short videos responding to the ongoing HIV/AIDS epidemic.

Documentary - Meet Wes Davis, a 33-year old teacher and musician, two trades that rely heavily upon coffee consumption. On Valentine's Day in 2010, he decided to break up with coffee and see if he could make it 21 days. Set in sunny San Diego in a neighborhood called Ocean Beach, Buzzkill takes a light-hearted look at life, work, music, people, and of course, coffee. Along the way, Wes talks to hippies, yuppies, friends, dermatologists, tea gurus, coffeeshop owners, and the metal detector guy. Buzzkill is not anti-coffee, or even pro-coffee. It's not "Super Size Me" with caffeine. Shot with no crew or budget, it's an honest documentation of one man's quest to better himself and those around him in the process. - Wes Davis

Recording memories of houses for ordinary people as scenarios of post-war Japan, composing images of destruction by stills and films with multiple exposure.

Two channel video by Éponine Momenceau in collaboration with Soundwalk Collective

There Is No Finish Line is a testament to the power that running can bring to our lives. The film celebrates the life and spirit of Joan Benoit-Samuelson, the first woman Olympic Gold medalist in the marathon.

As she sets outs to map Black intellectuals and activism in the United States, a young photographer, her camera and her books begin to produce a cartography that emerges from the transtemporal communication between people such as Gordon Parks, Angela Davis, Frederick Douglas, Melnea Cass, Rosa Parks, and Malcolm X. Using different textures and texts, the film reintroduces the question of which historical monuments should, in fact, be erected so that history is not forgotten.

A short experimental documentary on the effects of industrial society.