There Is No Gravity Streaming Avec Sous Titres En Français

The film is dedicated to the fate of children evacuated from besieged Leningrad. Orphanages were created at the expense of collective farms, in which hundreds of orphaned children were brought up. Not a single film has been made about how children lived in these institutions. There are fewer and fewer eyewitnesses of those events, only from them you can learn the truth.

Hannah walks through the city, observing people and objects, searching for something, looking at delicious pastries. She is on her way to an appointment with a tarot reader and inside and house space unfolds like the walls of a dream, only to reveal a pair of rummaging thieves. Alone, Hannah is entering a mystery and the clues are sparse and uncertain. She floats like a jellyfish, but perhaps there is no such thing.

"There is Nothing Underneath the West Virginia Wing" (2018) revolves around Project Greek Island bunker, a vast and elaborate underground bomb shelter that was designed to house members of Congress in the aftermath of a nuclear attack. Now declassified and open for public tours, the bunker was covertly maintained for 30 years in a state of readiness beneath the Greenbrier Hotel in White Sulphur Springs, West Virginia. Heath's video focuses on the eerie spaces of the vacant shelter and its remarkable blast doors which were engineered by the Mosler Vault Company whose bank vaults famously survived the atomic blast at Hiroshima.

Shot in film and hand processed by the director for over 20 years, Lucefece mixes personal, political and mythical views on reality exorcizing old ghosts. Stories from the director's childhood, together with conversations with his father, that fought in the colonial war in Africa and later was arrested, prepare the scenario for a profound reflexion on today's world. The film spirals like a snake travelling through time, an eternal recurrence, mixing documentary with film essay and autobiographical tones.

Jacek - a middle-aged man, uses the services of a company that transforms people into trees. The process of his transformation is supervised by Doctor Buk and therapist Melisa, who make sure that he is fully aware of the consequences and that his decision is not accidental.

Official Nikolai Pokrovsky marries young Vera, his colleague. The newlyweds are not quite happy. Necessity makes Vera sell home-made cakes. Arriving from America, Obolensky, a longtime friend of Pokrovsky, conquers the heart of Vera from the first days of their acquaintance. She does not refuse him trips out of town and soon her behavior becomes public. Upon learning of his wife's infidelity, Pokrovsky, before their eyes, commits suicide. Consciousness of guilt acts heavily on Vera - she loses her mind.

Produced by Elena Sangro and funded by the Commitee of Motenegrin Exiles (including the former Queen Milena), the film tells the full story of the heroic conduct of Montenegrin people during the First World War.

It is a documentary story about five legends of russian cinema: Nonna Mordyukova, Tatyana Okunevskaya, Tatyana Samoylova, Lidiya Smirnova and Vera Vasileva. These wonderful women tell about their lifes and careers in hour interview.

1980 German Super 8 short work.

A retrospective of events in director Louis van Gasteren’s life from 1964 to 1969, filmed by him in that period and reflected on from his vantage point over 40 years later at the age of 90.

Time, the incessant rotation of everything on itself and around others. When our orbits, at times, get aligned, we build memory, we gain duration. Morhed images, animated abstract textures and Natasha Heidsieck Mak's text/voice compose the flow of the video It It brings into light the mutual - conflictual relationship between content and interface images

Directed by Adria Lang

This film at the most fundamental level, a personal project; i) examining the use and production of images/representations of Lebanon and Beirut both in the West and in Lebanon itself, ii) recording the interactions and experiences while working in Lebanon, focusing on the undertaking of this representational process as a Lebanese and a westernized, foreign-born mediator with cultural connections and baggage of both the West and Lebanon and some of the disparities and disjunctions arising in each, and iii) situating the work between genres looking from the inside out at each and engaging critically at the assumptions imposed and thus broken in this site of complexity one’s identity is found and constructed in.

A Bulgarian secret service agent is sent undercover to a big Western European company.

Three friend discuss about death and what is means to them on their way to a funeral.

A portrait of Spanish visual artist, writer and art critic Elena Asins (1940-2015), a key figure in geometric abstraction since the sixties.

It tells the story of a person who is stuck with the concept of home and attaches a lot of meaning to small things, cnoosing herself as a weapon ata Russian roulette table and the battle of her inner roulette.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

Straight to video horror/comedy directed by Minoru Kawasaki

A reflection on the landscape and a dialogue with the welsh poet Dylan Thomas. Images are in-camera editing, three Super 8 cartridges of three minutes by chapter. All four chapters or ‘territories’ are dialectical connexions between sound and image, improvisation related to the image, and montage thought through the sound.