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A documentary recreating the life and writings of celebrated Irish author James Joyce with readings from his most famous works filmed on location in Dublin and Paris and hosted by Peter O'Toole.
There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”
A werewolf runs amok in a National Park. The survivors of several savage attacks must band together to last until morning.
A werewolf runs amok in a National Park. The survivors of several savage attacks must band together to last until morning.
Luka and his wife are transferred in a northern city. In their first trip, their car gets stuck in the snow.
A boy sends a letter to his mother telling his experience living in the capital
A reflection on the landscape and a dialogue with the welsh poet Dylan Thomas. Images are in-camera editing, three Super 8 cartridges of three minutes by chapter. All four chapters or ‘territories’ are dialectical connexions between sound and image, improvisation related to the image, and montage thought through the sound.
The story of the Los Angeles 'Kiss or Kill' music scene (2002-2007). Fed up with the wretched Sunset Strip pay-for-play policies, 'too cool for school' trendiness of the Silverlake scene and apathetic crowds, the bands that made up Kiss or Kill forged their own scene based on great music, cheap booze, low cover, and a mid-western sense of community and friendship. At it's peak, Kiss or Kill had more than 60 bands in its roster and over 1,000 local L.A. fans. But as Kiss or Kill grew and became more popular, it fell victim to the same 'venue-isms' of other L.A. clubs and eventually became the very thing it was fighting against.
As a result of a domestic accident, my grandmother started being monitored at home. Day and night cameras record her movements, interfering with her privacy. After some time observing, I began to notice something different with her.
A wealthy old man who has a dull complexion and has to hug a young man every night. The men continue to donate their bodies to the old man's legacy. This abnormally frenzied party eventually heads in an unexpected direction...
Straight to video horror/comedy directed by Minoru Kawasaki
David and Roberto, a couple of journalists stationed in DR Congo, take refuge from the war in a shelter. There is hidden Badou, a frightened and friendly child interested in photography. Will this be their last coverage?
A tailor's son ran away to become a juggler. A retired magician sees his troupe's downfall. A former aerialist will become a grandmother for the first time. Fire, knives, applause. At the circus, they saw the world.
On March 16, 2020, in Brasília, an anonymous and unknown Haitian challenged the head of the nation: “Bolsonaro, it’s over. You are not president anymore.” This film poem counterpoints this situation with two military operations of Minustah (United Nations Stabilization Mission in Haiti), commanded by Brazil, on july 6, 2005, and december 22, 2006, in Cité Soleil.
