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This drama depicts the in-fighting between women in the palace from the reign of Jungjong to Injong, particularly the power struggle featuring Queen Munjeong and Jung Nan Jung, her sister-in-law, and the way they pulled the strings behind the scenes.
Watched by well over a billion viewers across the globe, the FIFA Women’s World Cup France 2019™ smashed records and set new standards. This Official Film, using a combination of intimate behind-the-scenes footage and access-all-area match coverage, conveys the passion that surrounded the action and traces the route to USA’s coronation in Lyon.
Japanese crime film
With Babies and Banners: Story of the Women's Emergency Brigade is a 1979 documentary film directed by Lorraine Gray about the General Motors sit-down strike in 1936–1937 that focuses uniquely on the role of women using archival footage and interviews. It provides an inside look at women's roles in the strike. The film was one of the first to put together archival footage with contemporary interviews of participants and helped spur a series of films on left and labor history in the US utilizing this technique. The film was also important in helping bring into view the history of American women being active in the public sphere, particularly in union and labor actions. The film was, further, ground breaking because it was produced and directed by women. It was nominated for an Academy Award for Best Documentary Feature.
Thais, Nathalia, Julia and Tetembua decide to open “The Brazilwood Store”, a men’s escort company as a solution to womxn's desires in search of casual sex.
The story of the film revolves around a married woman with children who discovers that her husband is cheating on her, and the same thing happens with the wives of her husband’s friends, so they all decide to leave the marital bed as a discipline for their husbands, which is beneficial for them, as each husband returns to his wife again after abandoning the betrayal.
Two Women is a Historical Drama starring Rachel Lee and Wu Ma.
The peculiarity of the performance "Two Women" by Vladimir Mirzoev on the Lenkom stage is in the specially developed plasticity of the characters. They seem to be in a somnambulistic state, either awake, asleep, existing, or not. In parallel with Turgenev's text, on counterpoint, the director unfolds his visual range, which enters into an obvious contradictory relationship with the words of the classic. The interaction of the characters on stage is absolutely independent of the author's remarks. Thus, Mirzoev visibly shades the intimate, to some extent Freudian motifs he saw in the play. However, Turgenev's text and Mirzoev's plastic searches turn "Two Women" into a curious stage experiment, rather unexpected for the aesthetics of Lenkom.
Altai is a sacred place, a concentration of special energy. There you can meet yourself and hear the true voice of your soul. The four heroines of the film embody all the wisdom of this extraordinary place, preserve its traditions and are the conductors of its power. Their sincerity, honesty above all with themselves, their vision of the world and their huge connection with this land are healing, as is Altai itself. They will show this place as they know it themselves — a place of power.
The documentary Olympic Women, directed by Laís Bodanzky, shows that the history of women in sport is often entwined with the history of women as a whole. While so many Brazilian women were fighting for the right to vote, to divorce, and the right to free speech, some were fighting for the right to be present at one of the biggest events on the planet: the Olympics. And something that should have been simple and natural, was not. Some Olympic appearances were dramatic. Others, isolated and lonely. Just as in society, women in sport had to earn their rights by force.
Four women — a wife, a mistress, a mother-in- law and a colleague met to decide who would kill the man who had annoyed everyone. But just as they could not share it during their lifetime, so now no one is ready to give up the right to commit retribution. However, new circumstances can reveal their true desires.
"Thirty years after the revolution which caused the departure of many Iranians, including of my family to France, I returned to Iran for a trip across the country, where, through my meetings with the women who remained there, I wished to capture the complexity of the arrangements of this people with the daily reality of their country. During the time of a film, like a colorful Persian carpet weaving made up of words, facts and gestures of women from different backgrounds, take shape the complex patterns of an ancestral art of living which continues to adapt to the realities of its society." -Sara Rastegar
A group of women being blackmailed by a gang in order to get them to steal money, the women struggle with all their skill, with the help of a security officer, to trap the gang
'Narir Kotha' (Women and War) is a tribute to the sacrifice and contribution of women during the Bangladesh Liberation War. The film explores issues of rape, genocide, and militant resistance through several stories of women from different backgrounds. Their wartime stories, whether as victims of rape and violence, as freedom fighters, as refugees, or as religious and ethnic minorities, are a testament to dignity and courage and a call for justice.—tarequemasud.org
It has been 10 years since the international community and local entities’ initiated their efforts towards the elimination of violence against women, the women of Afghanistan are still suffering victims of violence and lawlessness. The Taliban, no longer in power, is present in the shadows, and their brutal practices and policies towards women, especially in the countryside, are still profoundly visible. “Violence Against Women – 10 Years On” explores how, and why, this recurrent atrocity against women in Afghanistan continues to rise despite government and international community efforts to implement the law on the elimination of violence and the establishment of a High Commission for the Prevention of Violence against Women.
Episode 1. A plumber who drills a plumber who suddenly came to masturbate alone at home due to her husband's long-term business trip. She cools down her clogged desires. Episode 2. A business trip masseuse who injured her back while receiving a masseuse's seed . The masseuse relieves her back pain as well as her accumulated sexual desire with her trained and dazzling touch, Episode 3. A married woman who is intoxicated by her husband's affair while bearing the seeds of her co-worker . Shaved by the warm comfort of her co-workers, she engages in a hot affair
1. A wife who falls into a host and brings it to her when she has money. She begins to sell her body without her husband's knowledge to pay off the debt she has naturally accrued, and now she begins to fall for something other than a host. 2. A wife who continued her life as a widow thanks to her husband, who was tired every day. One day, she meets her former boss who has become a plumber, and after hearing about her difficult circumstances, she lends a small amount of money, but instead of repaying it over time, she begins to demand her body as well. At first, she could not help it, but the lewdness of married women burning without her husband's knowledge. Their ejaculation is gradually being tamed
Mosuo, located in South-West China, is the only Matrilineal society in China. The first record of Mosuo culture dates back more than two thousand years. Today, this tribe still retains their unique culture, in which people live with their mothers' families and never marry. Concepts such as 'father', 'husband' and 'wife' have no meaning in Mosuo culture. Men and women may sleep together at night, but during the day they return to their own families. Mosuo culture is one in which men and women live harmoniously, and where there is no difference in status between the genders. Director Chou Wah Shan is a former associate professor at Hong Kong University, whose area of interest is gender and sexuality. He spent more than a year with the Mosuo people, and the result is an intimate portrait of this fascinating tribe.