The Women Of Cradley Heath Streaming Avec Sous Titres En Français

Seven players from the 1996 U.S. women's soccer team reunite to watch the Atlanta Olympics gold medal match together for the first time.

For millennia, women have cared for the deceased: as death-bed vigils, as undertakers, as guardians of funeral rituals. Then everything changed. Since we no longer die at home, men took over. But today a growing number of women are making a comeback. For the good of the deceased?

What would happen if you gathered all the lovers you have had in your life in a single room and let them interact for a week? For his 60th birthday, a self-absorbed composer, Adam (Hanns Zischler), does just that: he assembles seven of the most influential women from his life and invites them to his seduced lakeside cabin. The guest list includes Adam's current wife Eva (Cora Frost), along with their two children who live in Berlin; his gorgeous second wife Lulu (Adriana Altaras), who is an actress; and his down-to-earth first wife-turned-nun Berenice (Irm Hermann), with whom Adam has an embittered, estranged son Billy (Guntram Brattia), who shows up along with his wife. Also invited are a quartet of women with whom he had often overlapping trysts, including student Marion (Khyana El Bitar), sexy Jacqueline (Amelie zur Muhlen), opera singer Lucia (Isabel Hindersin), and of course, Lilith (Sabine Bach).

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

The mysterious disappearance of a girl brings together seven people from all different walks of life. They all have an intertwined connection to her disappearance in the most horrific, unfathomable, and despicable way. As money drives them to their greed, lies, and delirium, they face divine retribution as they struggle for their lives in a picturesque revenge. How far will they go to claim their innocence, and will anyone make it out alive?

This is a film about meanings. More precisely, this is a film about women and the search for meanings. It is also a film about the largest lake in Europe, Ladoga, with its natural beauty and complicated history. And also about how she lives these days, Ladoga and her women… Seven days on the road, more than a thousand km of road, interesting meetings, important life questions, sincere answers to them.

Fashion designer Soo-yeon is an attractive and talented as well as sexy woman who is always working and doesn't care for marriage. Then one day she suggests to her boyfriend, Cheon Tae-pyeong, to live together on a contract. She writes down the conditions of a contract that involves the fact that they sleep together once a week. Then one day, Yoon Min-woo, a wealthy plutocrat who used to be Soo-yeon's boyfriend, shows up and he tells her he wants to start over with her. She hides the fact that she's living with Tae-pyeong and dates Min-woo. Tae-pyeong soon senses something's up when Soo-yeon starts arriving home late and refuses to have sex. Soon after, Soo-yeon breaks up with Tae-pyeong and asks Min-woo to marry her, but she can't help but feel something missing inside her...

Business partners Storch and Søndergaard are in for a very confusing day. The birthday child Storch reminds Søndergaard that it is his wedding day, which prompts Søndergaard to immediately send flowers home to his wife. In response, Mrs Søndergaard sends a lunch invitation to her husband as well as a birthday card to Storch. The cards become mixed up with befuddling consequences for both couples. (Stumfilm.dk)

This drama depicts the in-fighting between women in the palace from the reign of Jungjong to Injong, particularly the power struggle featuring Queen Munjeong and Jung Nan Jung, her sister-in-law, and the way they pulled the strings behind the scenes.

94.6% of Script writers are women in Korea. Script writers are one of the representative job sectors which is well known to have the most non-regular workers in Broadcasting industry. Those women working for broadcasting have decided to form a labor union after suffering from low wages and long hours of labor that have not changed for more than two decades. ‘Labor union’ It reminded us of men in red headbands, vests and scary face! we’ve never thought of this except for considering it as a topic at TV programs we make. This is the first time in our life that we've ever been in a labor union, so too hard for us. We’re tired of our lives, again being beaten by the injustice in our workplace.

This contemporary domestic drama follows Lardima, the young wife of a man rich enough to provide her with the life of a princess. But her sadistic and obsessively jealous husband mistreats her. Following an accident, Lardima is imprisoned and forges a friendship with a female guard. Female solidarity in the face of everyday sexism, told with gut-wrenching style.

A man who was watching a promotional video for a sexy massage club of a beautiful woman on a monitor visits her and gets a massage.

Best friends in their youth, two women meet again to share a now meaningless tradition

Femmes d’Anvers en novembre is a dual projection piece rich in atmosphere and charm, filled with references to early French and American film noir – a deliberate homage, shot in close-up and medium close-up, to the smoking woman. The focus on the everyday activities of women (the core trope of Akerman’s masterpiece Jeanne Dielman) is a recurring theme in much of her work; Femmes d'Anvers signals a return to this motif. In it, Akerman tackles the thorny question of a person’s fundamental freedom to choose what to do with his or her body.

This documentary centers on the lives and work of six active and creative women who contribute to the social and cultural life of Haiti. Micheline Laudun Denis is a renowned pianist, Vivianne Gauthier is a dancer and dance teacher, Emerante De Pradines is a professional singer who introduced voodoo songs to Haiti's high society, Madeleine Desrosiers is a peasant healer from Jacmel, Odette Roy Fombrun is the author of books on history, geography and citizenship, and Paulette Poujol Oriol is the president of the League of Women for Social Action.

Ali is the image of modern Africa. He happily returns from a football match on his motorbike but a nasty surprise is waiting for him at his parents' home: he finds Haoua, his bride-to-be, waiting for him. The wedding is celebrated shortly afterwards and the two begin living together under the same roof. They are strangers but cannot stand each other. Haoua is the classic traditional woman who has just arrived from the village, God-fearing and faithful to the laws of tradition. Ali's friends advise him to look for a second wife. He meets Henriette, an uninhibited and provocative city girl, the woman of his dreams. To meet Henriette's constant requests, Ali 'borrows' some money from the coffers of commander Soleymane, but he is discovered and ends up in prison. Henriette is furious and leaves him, whilst Haoua cries for him in despair.