The Woman In Black Streaming Avec Sous Titres En Français

A comedic comic play about marriage and wives in a comic framework

In "Spaces #1", 8 beloved Greek directors shot, after commissioning by the Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book "Species of Spaces" by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. "Incredible thoughts of a woman on a tier" is Rinio Dragasaki's submission.

Alicia D'Amico was one of the best-known photographers of her time. She worked from the late 50's to 2001, when she died in Buenos Aires. Her best known work are portraits (writers and artists). And her most unknown photographs are dedicated to feminism, made during the last Argentine dictatorship until the end of her life.

In 1987, Federico (Felipe Vieira), who works for an Italian mafia, questions a decision made in a recent past, remembering moments together with his wife Giovanna (Marcela Cipriani). All this when going to another service, buy a Ford Model-A year 1929 with his partner Marcello (Fábio Vergani). What Federico still hasn't figured out is whether the choice he made was right or wrong, and whether those two options are still available.

Anna, married to a husband much older than she, longs to see her island, which is right across the island she lives. She has never visited it again since her marriage. Thus, she persuades Mathio, a young shepherd to take her there with a 'borrowed' boat. He accepts, hoping for a romantic adventure. However, all she wants is to see her island. Her husband follows her ...

Bai Suying, a talented athlete from a women’s sports academy, gives a stand-out performance at a school demonstration and is awarded “the outfit of a heroine.” Donning the swashbuckling costume, and pasting on a moustache, she hones her talents at archery and swordplay. Soon, a summons addressed to “my son Tiemin” arrives from her father, asking for help in reclaiming the Gongbao Herding Ground, which has been seized by the gang of Pan Debiao.

The Woman from Columbus Circle tells how a young investment banker's chance encounter in the subway with a beautiful, mysterious woman changes both his way of thinking and perception of the world.

A young aristocrat whose ruined father decided to marry her spends one last night as a bachelor at the boarding school ball. But there, cheerful students strip her of her clothes and she finds refuge precisely with her future husband whom she did not know. Of course, the marriage that was so repugnant to them fills them with joy.

Managing Director Erik Cassander is in financial strain and his only hope is a wealthy aunt.

Dong-hyuk's grandfather leaves him a mansion in his will. Dong-hyuk returns to Korea to take care of the place. However, he almost loses his life in the mansion. Every time he is in danger, Dong-hyuk escapes danger by the power of the Buddhist relic his mother gave him. Dong-hyuk goes to see the head Buddhist priest at Dae-rim Temple. Buddhist priest Dae-wu tells Dong-hyuk that his grandfather had some servants killed in the basement for not revealing that his mistress and his aide were having an affair. The enraged souls of the servants are causing this danger. Buddhist priest Dae-wu urges Dong-hyuk to leave but Dong-hyuk stays. The spirits are unable to approach Dong-hyuk because of his Buddhist relic. So they transform themselves into Dong-hyuk's fiancee and steal the relic. When the spirits threaten Dong-hyuk, Buddhist priest Dae-wu prepares to fight them.

Hong Kong movie

"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center

Biographical film about Eyne Kuliyeva, who was the first woman to be the head of a local governance in 1920s Soviet Turkmenistan.

The film tells the story of an old husband Hüsrev and Melek, who was first a servant and then his wife. With this marriage Hüsrev’s subconscious hidden passions are revealed.

Short film in which a group of children get to know the Enge Knijperman (the Grisly Pincher Man) who falls madly in love with the Onderstebovenvrouw (Upside-down Woman). However the 220-Volt-Witch and the Toilet Slave set out to spoil things. Experimental short by Aryan Kaganof, made under his birth name Ian Kerkhof.

The return of a young filmmaker to her home country, Cameroon, and her reunion with her mother.

Margit Norell - the woman behind the serial killer that was not there. She was a psychotherapist at Säters psychiatric clinic and supervised the psychologists and therapists in the 1990s treatment of Thomas Quick. The treatment method, based on object relations theory, focused on the development of repressed childhood memories with psychotherapy. In the case Thomas Quick argued that abuse in childhood meant that he started murdering people in adulthood. Whereupon Quick admitted one murder after another, and finally was convicted of eight murders.

Taiwan horror.

The picture is dedicated to the fate of Lyudmila Mikhailovna Kusakova - production designer of the Mosfilm film studio, who created costumes and sets for the cult Soviet films Anna Karenina, Pomegranate Bracelet, Aybolit-66, Ordinary Miracle, Pokrovskie Gates and many , many others.