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Abandoned by his wife, Mitch finds respite from his depression by spying on beautiful new neighbor Jack; next thing you know, the pair becomes intimately acquainted. But trouble lies ahead: It seems that Jack's lover has ties to Manila's underworld, and Mitch soon finds himself in grave danger.
Laurent, a seemingly normal young man, is looking to join a witches’ sect that resides in a forest near his house. The only thing is Laurent’s wife Aline also needs to join the sect in order to complete his initiation. Aline is understandably reluctant, so the sect’s heads design a series of events designed to break her down.
Not seen in Hong Kong for many years, A Strange Woman was Li Pingqian's first film at Great Wall Film Studio. Adapted from the play La Tosca by French playwright Victorien Sardou, opera star Xiao Xiangshui (Bai Guang) helps her lover, a revolutionary, to escape from warlords. She finesses with both the head of the secret service (Yan Jun) and her lover's wife, but things do not turn out as planned. Li changed his usual pace to encompass a more conventional and dramatic film plot. Bold and flirtatious in her role, Bai Guang is equally over the top in appearance as Yan Jun. The tension in winning the heroine over drives the plot more than the themes of patriotism and loyalty in love.
A woman who has walked out of an unhappy marriage is unsuccessful trying to earn herself a new living and gets mixed with a man who is a murderer and tries to incriminate her.
Three women share the same apartment and the same goal, to find a wealthy husband and settle down.
Lyubanya, a hairdresser who has lost her job, and her eleven-year-old son find themselves in a difficult situation. She tries to borrow money from his girlfriend Simkina. She agrees to help, but only on the condition that Lyubanya will help her regain the man she loved, a certain Valeriy. Lyubanya must "accidentally" get acquainted with him and pretend to be his ideal, and when he falls in love with the "woman of his dreams" — leave him. Then Simkina will appear to "glue" Valeriy's broken heart, and at the same time their broken relationship. Out of desperation, Lyubanya joins in this game, but very quickly realizes that she has fallen in love. The heroine faces the question: how to tell Valeriy the truth about himself and their "casual" acquaintance?
Toni van Eyck became known with her leading role in this early "Aufklärungsfilm" (education film) Gefahren der Liebe/A Woman Branded (Eugen Thiele, 1931) opposite Hans Stüwe. She played a rape victim, who finally becomes a murderess.
In 1870's Tokyo, Den steals to support the daughter of her first marriage and her consumptive second husband. She falls in love with a young policeman, but is coerced into becoming the mistress of and procurer for a vice boss.
Feeling depressed, Yasuaki takes time off from work and spends his time aimlessly wandering the streets. One day he meets a woman who tells him that she has spent three years waiting for her lover to return. The two form a bond as they open up about their pasts.
Young and handsome boyfriend, Tae-ho, and her married girlfriend, Heo-jin were having sex in a motel when her husband Won-jae suddenly surprises her on the spot. Won-jae's obsession and madness with his unfaithful wife became more concrete through the problem solver Na-ri, eventually leading him to kidnap and detain his wife and make Na-ri seduce his wife's boyfriend Tae-ho into bed.
Based on a switched identity, in circumstances that are found in real life as well as fiction, this drama tells the story of two soldiers fighting together in World War I. Karl (Joachim Latsch) and Richard (Hans-Use Bauer) become close friends while serving time in a German POW camp. One day Karl manages a successful escape and goes to Richard's home where he seeks refuge posing as Richard. But Richard's wife Anna (Kathrin Waligura) has never given up hope that her husband is still alive -- a possibility that would shatter Karl's proposed new life. In fact, Richard did not die in the POW camp. This film shared the Grand Prix award at the 1985 Berlin Film Festival.
"A Woman" is a cinematic essay about identity. A search into the wounds of exile and a reflection on the function of memory. A haunting and intimate portrait of the director’s own mother. It is the story of an imitation artist, trying to adapt to the challenges of real life … as a woman.
Journalist Hossam is involved with three different women at the same time. Amira, the charming journalist who's well connected, Reem his rebel revolutionary secretary, and Hanadi the simple lady who's the victim of the collapse of a building.
A blind Naema lives with Khalil and Adib, a paper boy and a lottery seller who deals drugs. Aboud convinces Naema to sell flowers but unbeknownst to her, the flowers contain drugs.
The Countess Clara is in love with Andrea Valverde but agrees to marry the Count Guido when he learns that Andrew is his brother from his mother's side.
An experimental retrospective by Israela Shaer-Meoded.
Alice, a widowed Frenchwoman, goes on a vacation to Italy. Upon her return, she relates the particulars of her holiday. Within a 24-hour time frame, Alice gets on the wrong boat, winds up in Switzerland where she whiles away the hours at a casino, meets a handsome young German army deserter named Thomas, spends the night with her new acquaintance, pays his sizeable gambling debts, and helps him elude the authorities...
There is a world beyond our world where men say NO to Women when it comes to the making decision. Most women suffer extreme inequality, but only few women accept dangers and fights against it.
A man meets a woman on his hiking trip to Mountain Seorak, but she suffers from incurable diseases. He becomes infatuated with her hair. When he tells her about his feeling she promises him that she would leave her hair after she dies as part his heritage for the man. But when he looks for her later she is already dead, and her hair was already sold to another person. He meets another woman he becomes intimate with, but finds that she is his biological mother.