The Woman In Black Streaming Avec Sous Titres En Franç

Liv is a frankly sexual being. She finds herself in a series of sexual relationships with men who, she says, fall too much in love with her and become opressive. Finally she meets a man who is very much like her, but that brings its own problems.

Osono and Eisuke would like to get married but with her up to her neck in debt due to her late father's illness and him trying to raise the funds to start a business, they can't afford to do so. Osono agrees to work as a geisha and eventually is tricked into becoming a businessman's mistress, all because she wants to help her lover. The businessman, in turn, is actually only interested in training her so he can hand her over to a palace official in exchange for a trade agreement...

The Woman at the Crossroads (German: Kreuzigt sie!) is a 1919 German silent film directed by Georg Jacoby and starring Pola Negri, Harry Liedtke and Albert Patry.[1] It is now believed to be a lost film.

A filmic response to Lynn Hershman Leeson’s text, Romancing the Anti-body (1995), exploring the jarring juxtapositions of friction, toxicity, joy and liberation that trans people, queers and femmes experience when playing as their own custom character creations in video game spaces.

Pei-xun, an early university graduate, is eager to take risks, and believes that she can play in the game of love. She soon finds out that in the adult world of love, love is not merely love - it is a war between different generations of women, and it is a war created with business and power struggles.

Successful architect Robert has a one-night stand with a mysterious lady in red. The next day they meet again, but Carolin is now a corporate lawyer working on a major contract for Robert ...

A man spies on an upper class woman having an illicit affair and blackmails her for sex. But she’s not the delicate flower that she appears to be.

What could be lovelier than Women's Lake - a magical summer setting near Berlin? Rosa, perhaps. She's the slightly melancholy guardian of the lake, spending her days in a boat, trapping fish and watching for poachers. Or her lover, the polished and prosperous Kirsten, with her perfect cottage on the shore of Frauensee. How does their relationship work, and what effect will the two young lesbians in the canoe have on it all? Thoughtful, complex and beautiful.

Four real estate agents have their car break down so they ask an old father and his daughter (Zerrin Dogan) if they can spend the night. In the morning the men rape the woman and kill her father. The daughter fights off a suicide thought to seek revenge on the men.

A woman takes revenge in the family of her lover.

Toshio, who works at an architectural firm, visits a fishing port to reminisce about his love with his girlfriend Kyoko, who died suddenly one year ago. On a small island, he meets a woman who looks just like Kyoko. Toshio becomes obsessed with the woman. Soon, a rumor spreads among the fishermen that the woman is the incarnation of a shark.

Lam Hung is a loudmouth street hooker with a useless crippled gambling-addicted husband Ching and son Man. Hung's friend Fei is an nightclub hostess, and Fei's lesbian sister Mei/Mooi seems bent on total self destruction after her girlfriend May dumps her for a boy. Mei becomes mixed up with tabloid journalist Wah, who convinces her to allow him to photograph her as she jumps off a building. Hung receives a marriage proposal from regular client Wai, a police officer. Causing trouble for all of them is Saur, the local loan shark and crime boss. Ching is in debt to Saur, he runs the club where Fei works, and he brings in Mainland girls who undercut the local streetgirl's prices. Wah and Mei become sort-of lovers, and Wah does a story on the streetwalkers, in order to influence public opinion against Saur and his mainlanders.

A boorish, snobish toothpaste factory owner, Constantino Nicosia, gives his wife and everyone a hard time having let success and wealth go to his head. But after the superticous Nicosia has an encounter with an elderly gypsy aunt, and a business trip to Romania results in another encounter with a suave vampire, named Count Dragalescu, Nicosia returns with blood-sucking like qualities which makes him re-examine his life and existence.

Driven by the constant quarrels with his wife and humiliated by a rich Milanese industrialist after asking him for a job, an unemployed person decides to steal a car from a garage guarded by a friend.

After seven years in jail, a woman is released and has to re-enter society.

Sung Chi Yu has been happily married for 10 years but has kept a secret from her husband Chi Hung and step-daughter Lai Kei: she is a transwoman. Everything falls apart when her husband discovers this secret. Meanwhile, Lai Kei develops her first emotions for love towards her male classmate Ghiu Ling Fung but he is hiding his own battle with gender identity. Since childhood, he has dared to think and behave like a girl but never dared to reveal it to his religious and conservative family who tell him to act like a man. In his teenage years he finds himself exploring the notion of love and identity with the help of an imaginary ideal feminine image named Rose. She springs from his heart and walks by his side through many hardships. Both Chi Yu and Ling Fung will have to overcome the prejudice of others to find happiness in themselves.

Xue Wan'er, who pursued free love, was not tolerated by her family and was deceived and used by her older sister. After her rebirth, she fought with her intelligence and courage against her enemies and fought against pedantic feudal ethics. After all kinds of twists and turns, her lover was lost and found. She also successfully recovered everything that belonged to her and started a new life.

After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son's biological origin.

Różewicz's play from 1968 is rather a dramatized picture, closer to the open formula of poetry than to the traditional dramatic structure. This is an important voice of a poet concerned about the future of the world. The drama shows a civilization threatened with extinction, dominated by consumerist ideals, mental emptiness, disappearance of authorities and moral decay. The title character symbolizes life, energy and the immutability of the basic laws of nature. In Barański's staging, he moves in a wheelchair. The piece consists of two parts. The first takes place in a botanical garden, the second in the scenery of a huge junkyard, which symbolizes modern civilization.