The Wind Blows Where It Wishes

Early work by Kenji Onishi.

A documentary about Áillohaš (Nils-Aslak Valkeapää), a musician, painter, and poet of the Sámi people in Finland.

Grieving over the death of an ex-girlfriend, Jia Le moves in to stay with an actor friend. The actor, however, often suffers spasms of pain in his body as he prepares to move to China for a better life. Before leaving, the actor performs in an adaptation of controversial writer Yukio Mishima's Noh Play, 'Dojoji'. Both men try to find a glimmer of happiness in their lives.

A gust of wind leads a man on a merry chase through the city, leaving a trail of destruction in his wake as he pursues his errant hat.

They destroyed his family. They thought he was too weak to do anything. They thought wrong.

Nasim is unable to carry on her daily life as usual. Something has changed for her.

Daracha is a 35-year-old woman who is well-educated and has a simple life with a set routine. After the failure of her first love, she has never opened up her heart to anyone. That is, until one day, Wayu arrives into her world. The younger man is in his late twenties but loves to live his life freely, without the restrictions of a nine-to-five job and other societal expectations. Despite being so different from each other, the two fall in love and are happy. However, everyone around Daracha considers this relationship to be unacceptable as Wayu does not have a stable job like her and spends his life only today without planning for the future or taking quick actions when problems arise.

Li Xifeng, who entered the palace seeking revenge for his father, was unexpectedly chosen to become a princess and sent to the Tujue to gather military intelligence. Li Xifeng initially intended to use the power of Khan Ji Lie to avenge his father, but he discovered that Ji Lie’s reason for seeking the marriage alliance was because his elder brother had become a hostage in the Tang Dynasty, and marrying her was just a means to manipulate the Emperor of Tang Dynasty. Behind Ji Lie’s attempts to please her, he also intended to exploit her princess status to gather information, but he found out that Li Xifeng was a fake princess. As the two individuals, harboring their respective grudges, went from concealing the truth to falling in love, they eventually found the happiness they desired.

A gorgeous housekeeper turns the tables on the men in a small Mediterranean coastal town by using their own vicious drinking game.

Kang Yeo-joo is a best-selling writer. She only writes crime stories, dealing with cruel murder cases. She constantly thinks about how to murder people for her novels. Kang Yeo-Joo is married to Han Woo-sung. He is a lawyer, specializing in divorce. He wrote a memo to his wife stating "If I cheat, I die."

György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.

Shiori Higuchi works at a town hall in Yakushima Island. She is in charge of a plan to hold a concert for the famous Tokyo Wind Orchestra. 10 members of the orchestra from Tokyo arrive on Yakushima Island, but they are not from the famous Tokyo Wind Orchestra.