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One day a mail with a stranger's name arrived. Come to think of it, something similar happened in the past. It was a letter to someone who lived in my house. He must have been a tenant like me, so he might be receiving a mail delivered incorrectly like me somewhere. By the time the mail piled up and the name became familiar, it occurred to me to write a letter to the person. To the person who shared the same space as me, the person who saw what I see, the person who was the owner of the trace I lived in.
The plot takes place in pre-war Yugoslavia, and the protagonist, interpreted by Zvonko Lepetic, is Jefto, a prison guard who lives with his family as a tenant in a basement. The plot shows how, convinced that he is destined for great things, he betrays his family, a friend and subordinates everything to his vanity.
All the children have two eyes, a nose, a mouth, two ears and ten fingers or not'? Allegra is going to discover that there are all kinds of children.
Golf works as a debt collector in Khon Kaen. One day he wakes up early to go to work as usual. He meets many people, including a desperate man in debt who falls critically ill. The situation forces Golf to weigh his professional duty and his moral sense against each other.
Matsuko, an assistant professor of history, discovers ancient human bones at Toribeyama, and her student, Suzuko, starts to approach her. As Suzuko shows an unusual fascination with the bones, the two eventually become romantically involved. However, Naomi, a fellow assistant professor who harbors a rivalry with Matsuko, hires a journalist to secretly photograph Matsuko’s bedroom…
The father is sitting up in a skylift, and he is telling a fairy tale to his daughter. Wherever he moves during the day, in power stations, in old cafes, he tells, and what he tells takes shape!
Academician Konovalov is one of the ten outstanding surgeons of the 20th century, who for many years headed the N. Burdenko Research Institute of Neurosurgery. The slightest careless movement of a neurosurgeon, imperceptible even under a microscope, can result in a loss of memory, speech, the ability to think or feel for the patient. That is why neurosurgery is recognized throughout the world as the most elite field of medicine, because the area of influence of a doctor is the most delicate, the human brain.
Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?
Margherita Sarfatti, Mussolini's lover and advisor, was a woman who exerted a great influence on the Duce and on Italian cultural life. Through archival documents, autobiographical texts and love letters, the documentary paints a portrait of the woman who helped create the myth of the Duce.
In his film, Lothar Lambert has chosen to portray eleven women over forty in Berlin, interweaving accounts of their experiences, their current lives and their expectations for the future. The line-up includes a number of well-known Berliners such as Irene Schweitzer, who runs the shop “Kaufhaus Schrill” in Bleibtreustrasse, photographer Erika Rabau and painter Evelyn Sommerhoff. The women talk about their chaotic family backgrounds, dramatic twists and turns, courageous decisions, failed relationships, breakdowns and new beginnings, as well as the art of gritting your teeth in spite of all of life’s blows. In no uncertain terms the women tell the filmmaker how they came to be the people they are; they also chat unabashedly about their sexual antics and reflect en passant on the social climate in Germany.
Posthumous tribute paid by actor Luc Bernard to his older brother, director Guy Gilles ( 1938 - 1996 ). Documentary composed of interviews with some of his brother's friends and some actors from his main films, excerpts of which we see.
Parmin is always rejected by his wife, Sinta, when he wants to have sex. Sinta was traumatized by her half-sister and stepfather, so she married Parmin to cover up her pregnancy. Sinta falls into a lesbian relationship with Sumiyati, who is a lesbian because all her sisters are women, and her relationships with men are strictly monitored by her parents. Sumiyati already has another girlfriend, Novita, a wife who has a husband with another sexual disorder: sadism. Sumiyati was "raped" by her sister-in-law, and started to have feelings for men, especially when she also played with Parmin, instead of introducing Sinta to Novita. Sum also then falls in love with young man Arman. Sinta-Novita's relationship didn't last long, because her husband, who was abroad, returned home. Sinta speeds off using Novita's gift car and dies.
Based on the song “Quien engaña no gana”. The central theme is a journey in which whoever cheats loses, depicted through visual elements like roads, signs and a shining light sought after by many.
Amateur animation by 20-year-old Hikeaki Anno while he was studying at Osaka University of Arts. The short is an animated form of the idiom "even a poor marksman will hit the target with enough shots".
A boy who believes that there are only seven ways to die.
The radio series Chang Chen Ghost Stories was first launched in 1999 by anchor Zhang Zhen, and it has become the most successful horror radio program to date in China. "The Legend of the Girl Who Washed Her Face" is another creepy tale from this collection.
In the fourth and final instalment of Karel Vachek’s not-so-little Little Capitalist Tetralogy, preparations for an opera performance in the Czech capital’s art-nouveau National Theatre become the occasion for a reflection on rebels, dissidents, and others subversives who stand in battle, heroically and sometimes tragically, against majority opinion, established rules, or powerful institutions. "As the camera wanders over, around and through Prague’s lavish National Theatre, director J.A. Pitínský coaches singers through a rehearsal of Bedřich Smetana’s tragic opera Dalibor. Intercut with the tale of the 15th-century knight who, imprisoned, refused to name names, Vachek interviews, on the plush red seats of the empty theatre, a whole series of latter-day rebels.
The play revolves around Safwat El-Sherbiny, who comes out of the grave to tell Ghafir his story with his manager at work who was abusive to him, and was trying in various ways to get close to his beautiful wife, desirous of her.
In the shadows ours lights shows the way (or, the night is time to struggle).