The War And Peace

Can a leader succeed in influencing the world? Or is he, as any other human being, only a nutshell tossed to the waves of history with no ability to affect it? Tolstoy pondered this question in War and Peace. Ehud Barak, controversial former prime minister and a decorated commander on the battlefield, contemplates it in this film. Twenty years after he was forced to resign from the premiership due to the failure of the 2000 Camp David summit, 78-year-old Barak observes his own history and the history of the State of Israel with disillusioned clarity, while trying to figure it all out - "What if?"

The first Bikkuriman film, showing how the war between Akuma vs. Tenshi began

This is a unique, mind-blowing series of 52 individual war documentaries. Each volume provides an original program packed with combat action and expert in-depth commentary and features spectacular footage from 20th Century's key conflicts.

Military operators-from the great Patriotic war to the present day. The film is about those who, risking their lives, are always in the thick of things, but are behind the scenes.

The life and death of the men who are bound by violence.

What are the powers of darkness? What does black magic lead to? Is it possible to be friends with the devil, what will this friendship give and what will be the retribution? The program considers several stories that are told by their participants, people who are faced with the other world.

An award-winning Japanese film about a child's experiences during the Second World War.

Through stories, Memorial Day ceremonies and his letters, Ami was always a present absence for his nephew Shaked, the film's director. Following his grandmother's declining health, Shaked applies to the Defence Ministry for nursing care. His claim is rejected. Their refusal leaves him confused. Fifty years after Ami's death, a shocking truth is unveiled.

In an unspecified war-torn European country, two young girls, aged about 8 and 4, struggle to survive, the older girl having to find food and shelter. When a truckload of soldiers, having gang-raped a discarded naked woman, spots them in a house, the girls are forced up into the attic, but there appears to be no escape. Then the older girl tears their clothing, smears red muck over them, and orders the 4-year-old to lie still. This has the desired effect of convincing the men the girls had been raped and murdered, and they leave.

Starting in 1988, a fierce battle raged between the two neighbouring states of Armenia and Azerbaijan (until 1991 part of the Soviet Union) over Nagorno-Karabakh. In 1994, an armistice gave control of Karabakh and the Azeri territory in-between to Armenia. Director Vadan Hovhannisyan shows the footage he shot as an independent war reporter on the front 12 years ago. He runs across the battlefield with a shaky camera, under a fierce shower of bullets. Scrawny soldiers with sunken eyes spend their days smoking, waiting and taking cover in trenches. Fallen comrades are carried down forest paths. Then, Hovhannisyan revisits the soldiers now, bringing prints of stills and frontline footage on his laptop. Although they have put on some weight, many of them are "victims of the peace," as Hovhannisyan calls it in his voice-over.

Leo Bianchetti has just finished his military service but then is again called to arms; after 10 years on various fronts, he finds himself again in Italy to guard a bridge destroyes by the Germans that he doesn't want to leave.

Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.

The twelfth 'Japan Gangster War' film.

Children are preparing for a war, preparing to kill. For some, it’s just toys, but for others, it is broken fates. And everywhere they are the toys in the adults hands.

Samad Returns from War

Early years after the war. The bourgeoisie is falling, and they are being taxed for their profits during WWII. Abdyl is an accountt who helps the bourgeoisie and fascist collaborators by hiding their gold in his home and manipulating documents.

This film tells the story of the economic war between the four main companies of the large retailers. This war symbolizes the transformation of the economy of the consumption over the last 50 years. It also questions the present and future stakes: how to imagine the 21th century's consumption style.