The Voice In The Night

Shot at the estate of former Prime Minister William Lyon Mackenzie King. Nude men adorn the castle-like ruins.

In the picturesque Israeli Negev desert lays the Bedouin Village of El-Sayed. It has the largest percentage of deaf people in the world yet, no hearing aids can be seen because in El-Sayed deafness is not a handicap. The tranquility of the village is interrupted by Salim El-Sayed's decision to change his deaf son's fate using the Cochlear Implant Operation. This bionic implanted chip, that can make deaf people hear, is slowly reaching more secluded areas, even to El-Sayed which has neither paved roads nor electricity. Salim's decision is evoking great conflict in the village threatening the tradition of coexistence between deaf and hearing.

The story of the Mapuche peoples' struggle to retain their Indigenous culture in the modern world of Southern Chile. It is a story that acknowledges the cultural pride of Indigenous people, as well as the challenges of immigration and assimilation. A collective vision of a people trying to preserve that which is most sacred to them: their land and culture.

Concert held at Yokohama BLITZ.

María Luisa Bemberg was born into the highest echelons of Argentina’s society. Her family founded Quilmes, the nation’s biggest brewery, which expanded into a multinational. Bemberg, home-schooled by the best teachers and tutors, grew up in a social bubble. And she never made a secret of this, in as far as many of her films are set in the upper classes of different eras and narrate the politics of their respective periods through the prism of female opportunity, or the lack thereof – what could a woman do, behaviour in extramarital affairs included? Class, more often than not, was a trap, even if it might offer opportunities that many are denied. With María Luisa Bemberg: El eco de mi voz, Alejandro Maci paints a detailed and multifaceted picture of Argentina’s greatest female filmmaker, in which family and colleagues get their say as much as Bemberg herself, thanks to myriads of private and public recordings.

"Who plays me, hears my voices”, shows a recent moment in the life of Gaston Lafourcade, a classical pianist and harpsichordist who, at the age of 83, enters a recording studio for the first time in his life to record a solo album and to join his daughter, Natalia Lafourcade, who during a recess period in her career, decides to embark on this adventure as a love letter to her father and as a way to enjoy what brings them together, beyond blood ties: their deep love for music.

Echo with Women's Voices Their Involvement in Political Movements examines the women's movement and women's political participation in Taiwan over the past thirty years.

A Documentary depicting the life of a 27 years old Sudanese, working in an isolated horse stable in Dahban, Saudi Arabia trying to contact his family after not being able to call them for three months.

"Talad Phian​ Yindee" area is an old area of ​​Phatthalung Province. It has historical importance both in terms of space and connection with people and communities in the past.​ and through various stories and events​ Both in terms of architecture that was destroyed by a big fire. or in the context of common points in the area​ and the ways of the people in the community, including the Tom Yum Kung incident and the large COVID outbreak in Phatthalung The documentary explores the area and its people to look back at its glorious past​. and look to the future regarding the restoration and creative use of space.​ that the community participates in development to lead to the creation of creative art. Open space for expression of all voices in the urban community.

"The Female Voice of the Arctic" is a documentary about bright and successful modern women, representatives of ethnic groups of the Sakha Republic.

A documentary grotesque in which even the walls speak. Famous directors of St. Petersburg cinema recall their lives and work, and images of old films come to life to remind the viewer of themselves.

Ari Shemer was the greatest singer Israel knew in the 1970's, and a legend in his own lifetime. Decades later, Lenny Shemer, his grandson, turns out to be a musical prodigy and signs up for a famous reality-TV singing competition that may turn him into a pop sensation. So why is his father, Kobi, Ari's son, so underappreciated by his peers? How is it that the great talent seems to have skipped over him with such cruel nonchalance? This is a musical drama about the strange nature of talent, three generations of musicians and the echoes left between them.

An in-depth look at La Quebrada cliff divers’ ritual, featuring their daring 35-meter jumps into the sea, complemented by their own recited poetry and reflections from participants on faith, life, and death.

Half Spirit, a young woman who's spent the past year handcuffed to a radiator by her husband, begins to hear the voice of a spider named Jimminy. She escapes from captivity and falls in love with Gil, a drug dealer traveling to swap drugs for plutonium. She follows him, afraid to approach. She is followed by Badfly, who pushes women off of ledges, convinced that they can fly; he unsuccessfully tries to kill her, then falls for her. Gil is also followed by Priest, a demonic Catholic father with a penchant for pain. The whole sordid tale is narrated by Half Spirit as she writes the tale on her naked body as she lies dying in a hospital.

When fishing at sea, he always glimpses Guishan Island. Childhood memories and the villagers' distinct qualities were buried there during the village’s relocation. 'Now, we hide our homesickness in dreams'. Witnessing the island's tourism deeply affects displaced islanders.

The documentarial work on world wide famous flamenco dancer Sara Barba's latest show "voices"

60th entry in the 'Sealed Video' franchise from the production team of 'Honto ni Atta. Noroi no Video'.

In this documentary film, a companion to the book, Arai interviews five women from Ofunato, ages 79 to 100, who have survived as many as three tsunami in the past century! They talk about their childhood memories, their fortitude in the face of war and natural disaster, and the extraordinary depth of spoken Kesengo. Director Suzuki Yoi’s rich poetic sensibility offers a vision of humanity in all its complexity, as the film weaves together their Takuboku translations, poetry by the women themselves, and local songs. Their stories and their language will become a part of everyone who listens to their voices

Document of the XXVII Congress of the Italian Socialist Party, held in Livorno, at the Goldoni Theater, from 15 to 21 January 1921, and which, on the last day, led to the split and the birth of the Communist Party of Italy...The representatives of the Socialist International, Turati and Terracini, Bordiga and Bombacci, Argentina Altobelli and Francesco Misiano, who escaped to the USSR gave life to the Mezrapom production house, for a decade, the most innovative studio of Soviet cinema, pass before our eyes...In the elections of November 16, 1919, the Socialist Party was the most voted party, the first party, with 32% of the votes and 156 seats, in those of May 15 it obtained 24% of the votes and 123 seats, the Communist Party of Italy 4% and 15 parliamentarians. The wind had turned, the march on Rome was almost upon us. The film arrived at the Cineteca di Bologna, thanks to Cecilia Mangini, who deposited a copy at the Cineteca.