The View From The Bottom Of The Lake Streaming Avec Sous Titres En Français

Akutagawa, the acclaimed mystery writer, is in serious trouble. His plot twists are clever, his tricks still flawless, yet the author’s recent novels ring lifeless and dull. A young stranger, Naoki, appears at the writer's remote lake-side home with a timely offer. He'll be Akutagawa’s assistant, cooking, cleaning, doing whatever necessary, just to be close to the great author and his work. Most fortuitous of all, Akutagawa finds his young fan has a surprising talent for writing and hires him to ghostwrite his next novel. Yet is everything as lucky as it seems?

Across the Border is a polyglot portrait of ideas about borders at the beginning of the 21st century. In an episodic journey five directors from Poland, the Czech Republic, Slovakia, Hungary and Slovenia, present their view and vision of nation, identity and Europe: By placing their personal cinematographic imprint on multifaceted portraits of their home countries, they open up a broad space for encounters with the strangers next door.

A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.

Experience the Cannes Film Festival from dawn until late night through the eyes and the voice of Messi.

First of a series of films showing visitors to the Paris Exposition 1900 standing on a mobile wooden platform.

People riding on a moving platform / walkway.

This rapid panorama isn't as smooth as the average 'Phantom Ride' - an early example of 'shaky-cam' war photography? Filmmaker WKL Dickson asked that the British public 'not too severely judge this picture,' demonstrating not only his awareness of the poorer quality of the image, but also his recognition of the importance of its content. The sequence is a military twist on the popular 'phantom ride' genre, captured from a moving train, and shows glimpses of the troops at rest. In sharp contrast to parade films this film shows soldiers and horses out of formation, providing insight into everyday life in camp.

[DUPLICATE of the other 'Panoramic View of Frere Camp']

He got to Kyiv from Luhansk through the Crimea. He came to us because he just had to live somewhere. Then he moved, because we could no longer be close, we could not find a common language. We are different - but have we really tried to understand each other?

The second secretary of the regional committee of the CPSU and the recently elected first secretary are discussing the problems of restructuring the national economy and the responsibility of each person for the events taking place.

The city of Brno is preparing the construction of a large-capacity cable car to connect the exhibition centre in Pisárky with the university campus in Bohunice. However, the implementation of the project could disrupt the lives of dozens of protected animals and destroy the roosting habitat of raven birds. All this in a situation where either a trolleybus or a tram can already be used for transport. Is the planned cable car an important piece of the Brno public transport puzzle, or an example of the failure of the responsible nature conservation authorities?

Annabel, a young woman who risks being ostracized from an insular New York clique led by her socialite best friend when she falls for charming photographer Theo. Grappling with the sudden loss of her father, Annabel finds herself torn between the comfortable opulence of her upper crust circle and the vibrant ambitions of the artists downtown. As Theo introduces her to unexplored sides of the city and of herself, how far will Annabel push out of her gilded cage?

From a search for the history of his unnoted, suburban neighborhood, Luca realizes that the place where he grew up was always the same. In times of quarantine, he faces another space that has also never changed: his home. Luca finds himself trapped in a place that carries countless painful memories etched into itself. It is impossible for him to see himself beyond those memories, and, at the same time, he feels different in a place that prevents him from being so.

“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog)

“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison film historian Charles Musser, this film features the first camera tilt among the company's surviving oeuvre.

Peasants talk about their friendship with the' "paulistas", militants of the Brazilian Communist Party that leaded the Araguaia Guerrilla during the military dictatorship, and reveal the atrocities committed by the army in the region between 1972 and 1974.

The first stage play adaption of Haruichi Furudate's Haikyū!! series. Described as a "hybrid performance," the play mixes manga, live-play, and video to create an unforgettable experience for its viewers.