The Tu

After her husband dies suddenly, Myeong-ja heads to a temple on a beach in Busan to release a turtle he raised while he was alive. Her daughter and grand-daughter must tag along reluctantly.

In this fable by Jean de La Fontaine, the hare was the undefeated winner of all races. With each competition, she collected more and more trophies, prizes and glorious images. However, she had less and less incentive to run, so certain was her victory. Until an unexpected proposal from a turtle appeared for a change in the disputes and in their lives.

Grade-schooler Jason meets a Mecanimal, a transforming minicar from the alternate world of Triforce, named Evan. Jason and Evan are both searching for missing family members, and team up to help each other. Together, they meet more Mecanimals as they battle across dimensions and learn important lessons along the way.

A world renowned botanist uses his secret scientific techniques for magical purposes.

This film portrays a blind boy whose eyesight is trapped in the darkness. When he was a child, he imagined the only he couldn’t see were the dark nights; just like a game of hide and seek with his eyes blindfolded; the echoes of countdown still rings in his ear, the only thing that didn’t bore him were the sounds of the world. Music opened another road for him, and with music he was given a miracle that took him out of that closeted space and out into the world.

A different take on Aesop's fable "The Turtle and The Hare".

Experimental short by Fahmi Farahat

John and his class go on a school trip to the Tower of London. While he is there he loses his pet mouse and vows to return and find her later. Back in school, he is not very attentive and falls asleep during a lesson about electricity so his teacher sends him home. On the 'tube' there is a sudden flash, and John, the train and all of the passengers turn yellow. With the help of Nick (short for 'Electronic') John learns about electricity, invades the Tower of London and saves his pet mouse ... or was it a dream. This is the Powell & Pressburger touch applied to children's films.

In this short film, Ginger Lynn Allen plays the night club stripper/prostitute who is trying to raise her 12 year old daughter. We see daily scenes from her daily life. We hear the story both from the daughter's point of view and her mother's. The mother who is over 35 says she always wanted to be rock star. Her daughter indistinctly and unconsciously questions his mother's way of raising her. For instance, she says things sort of "my mother tells me that I should never start smoking but she smokes a lot" while her mother is smoking as her daughter is asleep or "my mother tells me not to watch a lot of TV because there is too much garbage on TV but she just watches TV more than I do." Ginger Lynn Allen's acting is quite good. Her striptease polo dance and the brutal sex she had to suffer at the end of the movie are among the most memorable scenes of the movie. I guess these scenes could have been more careful if the movie had not been shot in documentary-like voice-over.

A personal exploration of one's lost identity, reflecting upon the oral literature passed through generations within the Gor-Banjara tribe

In his first feature-length documentary, filmmaker Sébastien Wielemans heads into the Sahel Desert in Niger and immerses himself in the world of the Tuareg, a traditional nomadic people. Wielemans does not travel along with the different tribes, but focuses his inquisitive camera on a small store in the desert. On a micro level, this meeting place constitutes a socio-economic gauge of the Tuareg's living conditions and manners. At the same time, it is the reflection of some tribesmen's underlying desire to abandon their wandering existence. Owing to a combination of stills that momentarily freeze a couple of tribesman and loosely shot images of meetings, anticipated or not, Tchissète, le miroir Tuareg transcends the common ethnographic documentary. With philosophical reflections on the influence of his camera lens on both subjects and filmmakers, the young director explores the cinematic language.

Far from civilization, where there still have no gap between human and natural world, one can feel the true breath of the earth, the unity of living and nonliving matters. The picture directs towards the world of ones sensory experience, induces to try breathing with the tundra, adding video and audio series with their own feelings, experiences and associations. This is an experimental film also, trying to find new ways of cinematic language.

Tupada '92 is a coverage of the 1992 Philippine national elections that juxtaposes the hysteria of the campaign season with the precarious state of 31 million Filipino voters. Unsure of what the future holds, the documentary inserts a seer’s ominous visions, including the return to power of the Marcoses.

An intoxicating flower; a metaphorical insect; a longing reach across the centuries. The Parable of the Tulip Painter and the Fly is a philosophical search drenched in luminous colours and sparkling light. The film was shot on colour reversal, entirely hand-processed and re-printed on the optical printer. "Having grown the exquisite tulip, I feel deeply under its spell--an affliction shared by an artist from another time and place, yet the dilemma we faced was shared: to fall for such a luxurious and temporary beauty raised a fear (a reminder--a fly) of the transience of life" - CP

Kang Hyun-Ho has never had a boyfriend in her life. She begins swimming lessons at a sports center. There, she develops a crush on Jo Woo-Jin . Meanwhile, Han Yoo-Ra is Kang Hyun-Ho's swimming instructor. He develops feelings for her.

For over 4000 years fishermen have been catching tuna during their migration through the Mediterranean. During the antiquity they were hailed as the "manna of the oceans". We take a look at the long journey of the tuna to its mating grounds and witness their struggles including massive amounts of hunters and the strong presence of fishing boats.

Inuit traditional face tattoos have been forbidden for a century, and almost forgotten. Director Alethea Arnaquq-Baril, together with long-time friend and activist Aaju Peter, is determined to uncover the mystery and meaning behind this beautiful ancient tradition. Together they embark on an adventure through Arctic communities, speaking with elders and recording the stories of a once popularized female artform. Central to the film is Arnaquq-Baril’s personal debate over whether or not to get tattood herself. With candour and humour, she welcomes us into her world, to experience firsthand the complex emotions that accompany her struggle. Past meets present in this intimate account of one woman’s journey towards self-empowerment and cultural understanding.