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In 1971, Uruguayan journalist and writer Eduardo Galeano published his landmark work Open Veins of Latin America, in which he comprehensively described the centuries of economic exploitation of Latin America. Almost 40 years later, filmmaker Gonzalo Arijon reevaluates the situation. His search takes him from the soybean plantations of the Brazilian Amazon to the tin mines of Bolivia to the deep jungles of Ecuador. Arijon’s politically committed film allows the local populations to speak for themselves, interspersing this with archival footage of speeches by Hugo Chávez, Lula da Silva and Evo Morales. Galeano himself also speaks—sometimes in poetic language— about how the rise of socialist governments in the early 21st century is benefitting Latin America, and what more can be done.
An experiment in style over substance. It attempts to present the actual medium of film as the focus as opposed to the bland subject matter. The film looks to gain the viewers interest by drawing attention to the fact they are watching a film. It is a comment on the quick cutting and style prevalent in popular film.
In his quest for fame and success, Ismail, a driver for a newspaper company, tries to take some unauthorized photographs of the inside of a German rocket undergoing a technical test. He accidentally launches the rocket into space, taking with him Dr Sharvin, a German scientist.
An inventor and his mom hit the road together so he can sell his latest invention.
The tale of five Uruguayan villagers who embark on a journey to see the ocean for the first time. They depart in a broken down freight truck, property of Rodríguez, a taciturn man who loves the sea. Their point of departure is a local bar, and at the last minute, an unknown man from the bar joins their adventure.
A man goes to hell after driving his car off a bridge and returns to Earth as a vampire.
Tsunokichi and Ken face off against a rival yakuza in Kyushu.