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"You're right. There was a bug–I killed it." Late at night, only one voice wafts around the room. What lies on the other end of the telephone line is anyone's guess...
Peter Taylor explores the impact and legacy of four major acts of terror from the last 30 years
The scene takes place in Paris in March 1793 during the Reign of Terror. The Knight of Maison-Rouge, posing as Citizen Morand, is organizing the escape of Queen Marie-Antoinette. He is assisted in his undertaking by Dixmer, a master tanner who passes himself off as an ardent revolutionary and his wife Geneviève, who also happens to be the Knight's sister. While on mission with her brother, she is saved from arrest thanks to the intervention of Lieutenant Maurice Lindey. Geneviève, who is married without love to Dixmer, falls for the young man, who requites her love. A tunnel is dug between a house rented by Dixmer and the Tower of the Temple but the various attempts to rescue the queen attempts fail. Marie-Antoinette risks the guillotine/ Moreover, Lindey finds himself involved in the plot...
Fernando Almada is 'El Griego' a world famous ventriloquist now on the brink of madness. Because he can no longer find an audience for his show, his strange personality makes him abuse the puppets he works with. But they seem to have a life of their own. Now Fernando is swep into a world of terror as the puppets seek their revenge!
A man suffers from the curse of lycanthrope and seeks help from doctor and wife team. They both turn out to be vampires and end up dueling it out with the werewolf star.
An escaped prisoner flees to the South American jungle, where he must survive not only wild animals and disease but also a ferocious Indian tribe.
The young Evelyne lives with a man, her fiancee Frank, with whom she has a child. But her fiancee is a rundown drunk constantly hanging over the bottle. Evelyne wants to leave Frank.
A 35 minute SOV short from the German underground.
A bus making its precarious way across a winding mountain road picks up some unwelcome passengers.
The story of the hijacking of the Italian luxury liner Achille Lauro by four Palestinians.
First "The Story of Terror" film by Junji Inagawa.
Survivors and insiders recount March 11, 2004's terrorist attack on Madrid, including the political crisis it ignited and the hunt for the perpetrators.
“A … film about terrorism, injustice, lies, corruption and love. … The widow Matara Harmine and her three children live in fear of terrorist activities by both the rebels and the internal security service. Matara suspects that the rich and corrupt businessman Akmon knows more about the disappearance and death of her husband. Akmon has supplied weapons to the rebels, to ensure he can continue his illegal activities without too many problems. Contrasting with this relationship filled with mistrust, are Matara's daughter Panduka and Akmon's son Manjula: they are in love with each other. The relationships between the two families become increasingly complicated. … The many characters and vicissitudes - occasionally reminiscent of a soap series are characteristic of Sri-Lankan cinema.” - IFFR
To gain fame quickly - three actors - Mino, Giacinto and Mirella, stage a fake murder (Mirella is the "victim"), then plan to find the "body" at the most opportune moment. Unfortunately, a real murder takes place in Mirella's apartment when a young woman named Margaret is killed. Having left abundant clues to the fake murder, Mino and Giacinto realise the only way to save themselves from jail is to find Margaret's killer. Despite the intrusions of a stupid police inspector, the two men discover she was killed by a mysterious "organization". Although every witness they try to question is killed by a hitman, they eventually unravel the mystery...
Seventh "The Story of Terror" film by Junji Inagawa.
Third "The Story of Terror" film by Junji Inagawa.
Aliens from a dying world plot to conquer earth by praying on man's superstitions. Bringing two dead scientists back to life, they use their knowledge to re-animate various earth monsters, including the werewolf, Frankenstein's monster, the mummy Tao-Tet, and the vampire Count de Meirhoff.
Second "The Story of Terror" film by Junji Inagawa.
A biopic on the author M. R. James. If M.R. James wrote his ghost stories purely to entertain his friends, why do they seem to strike such resonances in readers? Why are they so terrifying? Clive Dunn's fifty minute documentary sets out to try to answer this question. In the words of its fictional narrator, nicely played by Dangerfield's Bill Wallis, "was there something that made [Monty James] believe that evil and malice could become palpable?"
The Presnyakov brothers, playwrights, wrote a play about how terrorism arises. From what depths of the human subconscious? Or is he born in the usual rhythm of everyday everyday life? Kirill Serebrennikov turned the play into a tragic farce and made a powerful performance on the malice of the day.