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The novelette was written by I.Huseynov. In the film, the problem of war is viewed from the perspective of love. Almost all of the men of the village are at the battlefront. The women who stayed in the night and day to support their efforts. Children wake up in the middle of the night, crying for bread. All of the villagers feel anxious for the men to return. Mothers are waiting for their sons; wives, for their husbands and children, for their fathers. When Sayali's husband dies at the front, her husband's friend Jabrayil proposes to her. The people of the village are furious. Jabrayil's brothers leave home, convinced that their family has been disgraced. One brother goesw crazy; the other fall ill and dies. The only person who doesn't blame Jabrayil is the "agsaggal" (the wise old man) of the village - Isfandiyar Kishi. In this film, note single sound of weaponry is heard, not are any battle scenes depicted, yet we still witness the inherent tragedy of war.
Ten-year-old Kwong is a Primary 5 student who has to contend with "Internal assessment for Secondary Places" and parents who constantly argue. He is at a loss. His grandma, who lives alone, is always patient and happy to learn about his world. Grandma passes away suddenly, Kwong suffers from insomnia. At night, when he looks at the boundless sky, he feels secure, as if many friends are talking to him. He keeps all this to himself. To his parents, Kwong is just a naughty boy. They have no inkling that Kwong may be experiencing emotional problems.
Tells about a little violinist who played so wonderfully that his violin was considered magical.
A couple prepares a meal for their guests. The apparent tranquility of the night will be altered when she goes out to buy soy sauce. “The construction of a sound” is a sensory experiment that seeks to break the way we watch a film.
The musicians of a show hire the impersonator of a famous singer and have great success.
İstanbul’s religious music scene has always been tremendously assorted and colourful since the city was not only the capital of empires, but also the heart of main monotheistic religions. On this scene, Hellenes, Jews, Armenians, Syriacs, and Muslims contributed to and significantly nourished each other. Regardless of whoever influenced or affected whom, followers of different religions have had a convergence, a common art and style of expression throughout history. Music that brings humans together and connects them with the divine, despite different languages and religions, has been the most essential, effective, and dominant expression throughout history. Art, in that respect, happens to be our common cultural heritage as the most virtual product that humanity has brought forth.
The story is about a deaf child named Najden and his mother Nevena (Snežana Koneska - Rusi). The journalist (Magdalena Rizova) wants to make a documentary about Najden.
Production and sale of Fujichrome RT200 sound film stock ended in 1999. It was the ultimate analogue technology allowing audio to be simultaneously recorded. As the director develops his film shot with expired RT200 stock, unique visuals and sounds begin to emerge.
Noiy, a deaf boy struggling to survive on his own in Luang Prabang, takes refuge in a small school where he learns with other deaf children — and befriends Jane, whose parents do not want her to socialize with the deaf children at the school. When the two find themselves in serious trouble, Jane's father blames Noiy and threatens the school itself.
'El sonido del bandoneon' is a documentary film about the instrument that is most associated with passion: the bandoneon. The film is a search for the soul and special sound of this magical instrument that is so inextricably linked to Argentina and its most famous musical expression, the tango.The story of the bandoneon now seems to be headed for a dramatic ending. The old bandoneons from the beginning of the 20th century break down or are bought by collectors, and new bandoneons are made only in very small quantities. These new bandoneons lack the quality and special sound of the German originals and are expensive. So there are fewer bandoneons around, the once so popular instrument is played by fewer musicians, ad the bandoneon is in very real danger of disappearing altogether.
The greatest horror movie ever made
The story of Cândida Raposo, an 81-year-old widow who still has a desire for pleasure, or the 'vertigo of living'.
Bilal and Aylin, a young married couple, overhear a domestic battery occurring in their neighbourhood late at night. Despite his initial negligence, Bilal works up a curiosity which paves the way for an unwanted exposure.
A group of Taiwanese who were born before World War II still insist on writing poetry and haiku in Japanese language. Director HUANG Ming-chuan has been documenting them for 22 years since 1994. Unlike Korea, another previous colony of Japan, Taiwan retains emotional and cultural ties with Japan even after the War. Over 40 years, these poets and writers get together discreetly under the ban of speaking and publishing in Japanese. More than half a century later, despite aging, they remain using Japanese in the final years of their lives. This film gathers memories of local Taiwanese who have been ruled by several colonial powers since the Dutch arrived on the island in late 17th century. And the path to obtain their own voice became a long way struggle, and so as the national identity.
Byeong-seo, who works as a boom operator at a Chinese movie site, is unable to concentrate on work due to a breakup notice from her girlfriend in Korea. Bingbing, a kind policewoman, helps Byeong-seo, who is in trouble after dropping the boom under the wall, and she guides Byeong-seo to her favorite dumpling shop. There, he meets Sun Ying, who has a crush on Bing Bing, and Bing Bing and Sun Ying develop feelings for each other due to Byeong Seo's mistake. A love story between Korean and Chinese young people who are seemingly different. (Source: The 18th Bucheon International Fantastic Film Festival)
This short film on the waters of Switzerland does not show conventional landscapes. Without literary commentary, only by means of image, rhythm and music, it tries, on the contrary, to make the life of an element, water.
The first part of a trilogy focusing on the northeast Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. Impromptu interviews were carried out with disaster victims mainly along the Sanriku Coast, which had been ravaged by tsunamis several times prior to the Great East Japan Earthquake of 2011, and makes emotional discoveries within dialogues between close-knit people including families and workmates.
Solitude in the Haut-Jura. During the days and nights of winter, Max and his companions split their time between farming activities, skiing, and the pub. Everything is muffled, by the snow and the silence. Up until singing cuts this silence and reunites the community. This is a film that is fascinated by the forms of the landscape and the presence of men, but also by an ambiance that opens the imagination.
Vibol and his brother Kea sell noodles on a motorized cart every night on the streets of Phnom Penh. They often face troublesome threats from gangsters and thieves, even if these very people are their only customers. As the city is growing around them, they consider their unstable income and imagine a different future.