The Sounds Of Dune Behind The Scenes With Denis Villeneuve

A journey through the history of electronic music from Cologne – from the 50's until today.

Silvia, a young Peruvian woman, finds herself in a world that seems strange, distant even. She feels she doesn't belong. It's always been like this. But in front of a protest against sexual minorities, she is going to find out, even if the tide is stronger than her, she is not alone. A meaningful and queer student short weighing in on the values of tolerance.

When a singing super heroine isolates herself from her surroundings by screaming because of her tragic past, she is forced to overcome her trauma to save the world from a meteorite impact.

A father-son duo embarks on a quest for wealth, launching a family-run restaurant. But their dreams fall off when their eatery is shut due to illegalities, leading to a series of events, yielding control of their lives to a local criminal.

Curious and intrigued by technological advances, Fischinger here also experiments with "synthetic sound" (he would not be the only one: later Norman McLaren played a lot with it). Thus he contructed the optical sound track directly onto the film. But beyond identifying harmonics and noises, he sought to understand to what sound emissions corresponded the geometrical and regular designs which, visibly, appear in their turn synchronously on the screen as true and proper "ornaments" of the sound which is being produced.

Hypnotising audio tracks dance to the soundtrack of Canapa’s previous film Jérôme Noetinger, for which Canapa filmed a solo performance by the French sound artist. As a member of the renowned Cellule d'intervention Metamkine, Noetinger manipulates magnetic tape creating bewitching sounds, now enriched with stroboscopic effects. Cinema for your ears!

O SOM DO SILÊNCIO documents the lack of communication between people of different generations, using the example of ten-year-old Binho and his father Osvaldo.

Afe lives with his father. There seem to be problems communication at home. Afe plays rugby in a local club. There seem to be communication problems with them his teammates. Afe wants to prove he is good in front of his coach. They seem to exist communication problems between them. Afe is struggling to maintain his composure.

A man lost his headphone in the forest...

The documentary starts with a diva of a tragic family history related to a history of migration. The rare archival footage reanimates her history reverberating with the current world crisis. Sound of Nomad: Koryo Arirang is a testimonial – a witness to injustice and tragedy, but it is also a declaration of survival – a survival that is not static but transformative – not brittle but fluid. The trains that displace, the deserts that separate form one harsh horizon – a historical limit – but within that limit, against it and across it are people, are a culture, not escaping but flourishing unofficially, with the affective majesty of a melody, a rhythm, an Arirang

Bong-su, who has been missing since the Korean War, returns to his hometown. A death notice for him has already been sent to his hometown, and his fiancée, Jeong-sun, has already married another man, Sang-ho. Bong-su tries to persuade Jeong-sun to forget about Sang-ho and return to him, but she tells him that it's something that cannot be undone. Tormented by his pain, Bong-su begins to show signs of delusional behavior and ends up strangling Jeong-im, Sang-ho's younger sister, who had a crush on him. Later, it is revealed that the death notice for Bong-su was a fake, created by Sang-ho so he could marry Jeong-sun.

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.

After swearing off music due to an incident at the middle school regional brass band competition, euphonist Kumiko Oumae enters high school hoping for a fresh start. As fate would have it, she ends up being surrounded by people with an interest in the high school brass band. Kumiko finds the motivation she needs to make music once more with the help of her bandmates, some of whom are new like novice tubist Hazuki Katou; veteran contrabassist Sapphire Kawashima; and band vice president and fellow euphonist Asuka Tanaka. Others are old friends, like Kumiko's childhood friend and hornist-turned-trombonist Shuuichi Tsukamoto, and trumpeter and bandmate from middle school, Reina Kousaka. However, in the band itself, chaos reigns supreme. Despite their intention to qualify for the national band competition, as they currently are, just competing in the local festival will be a challenge—unless the new band advisor Noboru Taki does something about it.

Ji-hye the outcast and Hye-seong the newcomer chase after a molester.

From 26th April to 16th July 2004 Marillion were joined on their Marbles World Tour by THE boom boom BOYS. Marbles on the Road shows you the polished live show after 3 months of touring - but Colours and Sound takes you behind the scenes to show you how it all works in the first Marillion documentary in over a decade. From the Marbles album campaign, to the album's release and the subsequent tour, follow the band and crew on the road across Europe featuring interviews with the band, staff, touring crew, plus producer Dave Meegan and graphic designer Carl Glover. The 2 DVDs also contain over 6 hours of extra material, including featurettes going into the full story of Marbles - from the music and technology, individual songs explained by members of the band to the artwork. Also included are a band audio commentary, crew diaries and hidden extras.

A reporter and a detective investigate a homicide case on the beach. Witnessing many horrible happenings, they find out that the murderer is not human, but is a ghost.

The 5 and 10 street crossing, it's boiling-up cars, stories, nights and days, connect the four corners of Tijuana. It is in this intersection where the road trip to Tijuana Nortec's Sounds starts, which leads us to penetrate a tremendously alive city, with special flavor of a well seasoned music. Here, the Nortec encounter with the Agua Caliente band, formed by fellows from Michoacan, Sinaloa and Tijuana, whom hit the metals with urban fruition, appears to take place in the solar plexus of Tijuana. The Nortec sound is presented as a faithful and happy reflection of what is real in the social and musical fabric. Members of the Agua Caliente band teach neighborhood children about the breaths, strings, percussions, singing and dancing. In Tijuana the educational, cultural and artistic projects start from a collective essence, the true secret of the border city.

Bardhi, an orphan boy, goes to the city to work in the house of a rich man, where he learns how to play the violin.

A badly recorded story that we don't really know how to fix. Be careful, the rest of you, with the mistakes, because then the critics will eat you like piranhas.

In the 1990s, Chinese composer and educator Bao Yuankai began composing Western-style symphonic pieces rooted in traditional folk music. One of his acclaimed pieces is Sketches of Taiwan, which Bao was inspired to write after falling in love with Taiwan’s people and culture. Tsui Yung-Hui follows as he retraces his musical journey, decades-long love affair with Taiwanese culture and how he came up with brilliant, groundbreaking work that artfully bridges East and West.