The Room At The Top Of The Stairs

Is it a bad thing to have and like a lot of sex?' A woman with paraphilia is locked in a white room. In that room, the woman opens up about the turbulent sexual experiences she has had so far... Her paraphilia started from a trauma she had as a child As she becomes an adult, she is transformed into a form of sexual intercourse beyond imagination, and her ten hidden secrets are revealed.

Kate, a female college student, is in agony as she peeks into the intense sex between her sister and her husband in the room next to her. It depicts the greedy and open nature of modern female college students...

The man does everything to protect the still chaste population from the corrupting influence of consumer society.

A dizzying and special delivery begins.

Ji-young is a writer and has no time for house chores. Two women offer to clean her house when it turns into a mess. One is her mother, and the other is a lonely ghost named Mu-myoung who has been dwelling in Ji-young's home for a long time. Ji-young decides to write a story about these two women.

A cosmetic surgeon, Tanaka, who has fallen into the depths of debt, is coaxed by a debt collector into starting to film videos in his consultation room. He anesthetizes his female patients and records the entire process. Although Tanaka initially starts reluctantly, he gradually becomes addicted to it. He repeatedly engages in drug-fueled affairs with his mistress, who possesses the ultimate surgically enhanced breasts.

Fedati lives in a small room nearby Taichung train station, in which she makes Indonesian food and clay craft; it is also the favorite place of her migrant sisters in the area. They share about work as a domestic helper and a factory worker; they talk about being homesick and how much they miss their families. The journey of Fedati in Taiwan has been recorded in this 16 square meters room. She started as a domestic helper, and later became a clay artist, a migrant culture activist, and an owner of a take-away Indonesian food business. To be even better, she joined a master program in a university in Taiwan. In her room, we can have a peek into the possibility and vibrancy of migrant lives in Taiwan.

A documentary film dedicated to the art historian and curator Igor Zabel (1958–2005), focuses on Zabel’s work in the field of visual arts from the end of the 1980s until his death.

The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.

A Japan-set battle-royale comedy over a vial of sperm is centered around three women on the verge of a nervous breakdown from hearing their biological clock ticking away: a doctor and manager of a sperm bank, Sana Kobayashi, a single mother, Maron Kuribayashi, and an alluring receptionist, Mayumi Kujō. Unknowingly, the three shared a beloved partner and a sperm donor, Makoto, but lost him in a sudden accident. The night of Makoto's funeral they are shocked to discover each other in his room. In a rage of screaming, thrashing, and boasting about their own sexual prowess with Makoto, more fierce emotions erupt once Sana's plan to self-inseminate is exposed, but this leads to unexpected consequences. They affirm their real love for Makoto and reveal his true wishes.

Suspecting her partner of an affair, Helena goes to extreme lengths to discover the truth.

Agustín, a comic book illustrator, doesn’t want to continue drawing. Perhaps he’s a talentless man, or maybe he just doesn’t feel like it. One day he has a dream in which he barges in her ex-girlfriend’s place. That same day, he wants to prove if everything is still there, the way he left it.

Kong Bo-Mi (Ahn Seo-Hyun) ia miserable that she has to share a room with her older sister Kong Eun-Joo (Lee Young-Ah). Even though her mom (Park Hae-Mi) promised to renovate the storage room into a bedroom for Kong Bo-Mi, she realizes she will be stuck with her older sister forever. Kong Bo-Mi then gets the idea that if she can get her older sister married, the bedroom will be all hers.

Mister Jones, old blind painter and admirer of Van Gogh, is looked after in a rest home by Bob, a young male nurse with whom he falls in love. As their relation evolves between fantasy and reality, the small room is transforming into one of Van Gogh’s famous paintings.

Autumn 1937. On her wedding night Miss Betty locks herself in her room. She is joined by three men: her husband, her lover and her butler - and looks like things begin to heat up.

Zulaa, who was fired from his job, fulfills his dream and buys an Inn. From that day on, when extraordinary and terrible things happen in her life and she risks losing her only son, she starts to fight for her own things. But the girl did not know what caused the terrible thing to happen...