The Return O

When Scientists discover Sun Spores, an alien plague that instills a hatred so overwhelming that anyone infected won't stop until everything in their path is destroyed. Soon, the scientists decide that it's time to rid the Earth of the Transformers and plan to use Optimus Prime's lifeless body to lure every Transformer to their lab and infect them with the Sun Spores. When the Sun Spores outbreak rages out of control, the universe's only hope is to revive Optimus Prime. But even if Optimus recovers, he and his Autobots will need to rely on Galvatron and the remnants of his Decepticons to help reclaim the Autobot Matrix of Leadership from an infected Rodimus Prime and use it to unleash a new Golden Age of Cybertron.

The story of the pied piper, the German legend of the rat catcher of Hameln, retold as a punk invasion of a Polish small town.

Through the power of a good barber, The Tramp is reborn in the streets of Recife.

A mother is waiting for her boy, not knowing that he is dead. An escaped convict falls exhausted at her door, and she gives him food and drink while the story is told, in flashback, of how he committed his crime. An unfaithful wife, a bar room, a dude and self-defense; these were the elements that made him a convict. The mother learns that it was her boy that he killed. Although the mother helps him to escape, the prison officials capture him.

A crusty old rancher hires three young women to pose as his daughters. However, the real father of one of the daughters finds out about it, and kidnaps her to hold her for ransom--which the rancher can't pay.

Days after her friends disappear during a trip to a mysterious cave, a girl is approached by a grown man claiming to be one of her missing pals.

The Goodies finally return to television after nearly 25 years with a compilation of classic clips, interviews and new material.

Sami Al-Gohary works with an international drug-dealing gang that operates in Egypt. When he gets arrested, the gang manages to break him out, and the police tirelessly try to re-catch him.

In the 21st century many ancestral beliefs are struggling to survive in a hostile, fast-changing world. In southeast Ivory Coast, some Akan communities still make contact with the spirits through Komians or animistic priests who go into a trance and are possessed by the spirits of the Forest and the Waters. Jean Marie Addiaffi (1941-1999), a writer and intellectual from Ivory Coast, fought to conserve the Akans’ oral literature, myths and legends, and the knowledge and uses of the plants. In the film “Return to the land of souls”, Yéo Douley, a disciple of Jean Marie Addiaffi , will set out on a journey to visit his master’s grave and carry out a ritual libation. On his travel, he will attend the initiation rites of three people chosen by the spirits and witness one of them proclaimed as the new Komian or high animistic priest.

A year after the first movie, the four friends are enjoying their lives to the fullest, get in trouble once again with Bholi, who is released from prison earlier than expected and is broke.

A young soldier is discharged from the service and has trouble making a living. However, when he inherits a great deal of money, he finds his troubles only beginning.

The discovery of a perfectly preserved caveman prompts a mad scientist to attempt a daring brain transplant.

Eduardo lives in Ciudad Juárez, Mexico, after his deportation from the United States. With a camera in hand, he embarks on a journey to the center of the country, where he works in a transnational customer service center. He documents his commutes to work as he encounters other deported and returned individuals who also grew up in the U.S. Through his lens, Eduardo reflects on his own reintegration process.

An evil scarecrow slumbers until its evil cannot be retained.

A group of students stuck inside for the holidays, unable to drive home due to bad weather conditions, soon find themselves conducting a modern day witch trial.

Ruiz, rediscovering the things of his past in Chile ten years after the Coup, regards them now with the eyes of another world. This other world is cinema, the mechanical gaze of a Super 8 camera. This eye sees very deeply, even beyond reality and brute memory.

The Christmas Kid stars Craig Roberts (Red Oaks, Submarine,) in a warm-hearted comedy from writer/director Jamie Adams (Black Mountain Poets), about a former child star who learns what’s really important at Christmastime. Anthony Richards (Roberts) – you know, the Anthony Richards, The Actor – is depressed. His agent (Dolly Wells) has just dropped him, he’s unemployed, and he has little choice but to go home for Christmas - home to his doting mother, his jealous brother and a claustrophobic Welsh community that still reveres him as the home town boy who made it big. Back in his childhood home Anthony has demons to confront. But when Patricia (Erin Richards), the Head of Drama at the area’s most prestigious stage school, presents Ant with an offer to write and direct a play, Anthony finally has the chance to leave his Christmas Kid’s baggage in the past, once and for all.

A small town marshal’s secret past as an outlaw comes back to haunt him when an old associate shows up and threatens to expose his former dark deeds.