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In an unspecified time when epidemics run rampant, botanist Yan Guo and his fiance-assistant Baobao move to Moon Island, a nature reserve, to research the curing properties of rare plants. As is customary, they pray to the magical Eros Tree to cement their love, unaware that they have to undergo a severe trial, in which Baobao must remain unseen to Yan for three years in exchange for his life.
Ebi promises his friend (Essi) to take care of his beloved girl (Maryam) while he is in the prison. Ebi unexpectedly falls in love with Maryam and that complicates the situation.
This film is a portrait of a highway rest stop in the middle of the Picardy countryside. A place like in a dream, rustling with the thoughts and lives of those who pass through it and who work there, but also a real place, a genuine observation post of today's Europe and where the violence of single market competitiveness is bluntly visible, along with contemporary rootlessness and solitude.
Bartholmus is the mayor of a medieval coastal city. He is not interested in governance, but he is very fond of people applauding him. One day he learns that all mayors from the surrounding towns have bought new clocks for the town hall. Bartholmus only has a small and ugly clock, so he calls the great sculptor Hans and his helper Friday to the city. Together, they create an unusual clock, the beauty of which turns out to be dangerous.
“Farocki’s ten-minute short film is composed of shots of an AFN DJ at work…and of a car ride, whereby the camera points out of the car (through the windscreen or the side windows) or it captures and tracks a passing car.” –Gero Günther
Number 10 in the Nazi film series "Die Frontschau" (The Front Show), which was produced to supposedly prepare German troops for the 1941 assault on Soviet territories.
On a winter evening Billy Brakko buys a paper and reads: "The famous Billy Brakko is dead!" An early short film from Jean-Pierre Jeunet and Marc Caro.
In 1970, Dennis Hopper shot 'The Last Movie' in Chinchero (Peru), an enigmatic Western about the possibility of an indigenous rebellion against a Hollywood film crew. 44 years later, two filmmakers arrive at Chinchero with the intention to make a new film with the villagers about Hopper’s legacy.
Italian comedy about a guy who won't be dragged OUT of bed.
How animal friends taught a poacher a lesson.
Shots of pre-war Rotterdam, both the city and the port.
A 16mm film conceived in the format of a TV Play and set in an older peoples care home. Part documentary, part fiction, the script for the film was a collaboration with writer and critic George Clark and was constructed from verbatim transcripts of a discussion group held over a period of five months with the residents of four of Camden’s Care Homes. Taking B.S. Johnson’s 1971 experimental novel “House Mother Normal” as its formal departure point and employing the structural logic of a score, the script is edited into a vertical structure, in which eight voices or eight monologues occur simultaneously. — Anthology Film Archives
When craftsman Dummy learns about his impending death, he seeks a traditional burial, which clashes with China's funeral reforms. His friend Roach aids his quest, but it leads them into even greater trouble...
A former bourgeoisie family's preoccupation with socio-economic identity continues even into death as they decide what the best burial plot for their aunt is.
Old man awakens in a lonely mans life. A path must be made, "Here Rests My Home" is a symbolic will. In vastness they burst alienated, bass solos.
Because Ayoub is greedy for Al-Zafarani's wealth, he agrees to marry his second daughter, Salwa, who is engaged to her colleague Ahmed. And because Salwa and Ahmed are stumbling in marriage due to their lack of income, they agree to Salwa’s marriage to the shopkeeper after he writes to her half of his wealth, provided that they kill him after the marriage.
