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Margherita Sarfatti, Mussolini's lover and advisor, was a woman who exerted a great influence on the Duce and on Italian cultural life. Through archival documents, autobiographical texts and love letters, the documentary paints a portrait of the woman who helped create the myth of the Duce.
The testimony of the men who unwittingly became war photographers on the streets of their own towns in Northern Ireland, when violence erupted around them. Instead of photographing weddings and celebrities, as they expected, they produced the images that crudely show the suffering of ordinary people between 1968 and 1998, the worst years of the conflict.
1935. Two families — Davydov's with three children and the newlyweds Lida and Dmitri Kashirin's — enter the new house on the outskirts of Moscow into a common communal apartment. The children grow up, and they and the adults around them are looking for their place in life, looking for answers to the questions of who to be and what to be, quarreling, making peace, building relationships, destroying them. Six years later, the peaceful lives of characters, with their joys and misfortunes, quarrels and reconciliations, and complex personal relationships, are blown up by a war that connects everyone at once, forcing them to see the meaning of their days, their attitudes to each other and their life values in a different way. For some of them, war is a fatal trait.
Ms. Frizzle's class sees every show on a pop star's New Year's Eve tour, learning about time zones as they attend all her concerts on the same night.
A man recollects the conflict in the middle east through his personal memory. In this short documentary, Amiralay reflects on the first time he heard of Israel. Through recorded conversations with filmmaker Mohamed Malas, both Amiralay and Malas share their own unique stories and experiences about Israel and Israeli occupation. In the company of fellow Syrian filmmaker Mohammad Malas, the ground-breaking director Omar Amiralay revisits the ruins of the destroyed Golan village of Quneytra, occupied by Israel and then abandoned following the 1973 war.
Cunégonde's husband is trying to leave his wife, but Cunégonde does not want to let him go. She catches him with a lasso and hides herself in the chest he has packed with his belongings. Eventually she can not prevent him from getting out.
A U.S. Treasury Department agent is sent to Morocco to find a fortune in counterfeit money hidden by the Nazis during World War II. The agent escapes from prison with the only man who knows the location of the bogus bills. The duo is shadowed by a group of former Nazi soldiers who hope they will lead them to recover the lost loot. The feature plays as a crime drama with overtones of international espionage.
