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A portrait of a broken family.
In Resampling the Past, the filmmaker uses a modern perspective to re-edit archival footage showing Taiwan between 1945 and 1985. Creating a contemporary musical out of historical images, this film reflects the filmmaker’s understanding of Taiwan’s history.
At the end of the 17th century, Georgia, weakened by war with foreign enemies and internal feudal disorder, came under the influence of Iran. Georgian kings had to fight under the Iranian flag. A similar fate befell King George XI. He was forced to spend most of his life in Afghanistan and Baluchistan to quell the revolts against Iran.
Based on three stories by R.J. Peskens.
After several months of absence and without a clear motivation, an adolescent suddenly reappears in a hospital to meet up again with the mother of his newly born daughter.
Stefan is a man with a violent past. His skills come in handy when he tries to help a Bosnian stripper find her father who is hiding somewhere in Sweden.
The Gejog mythology has been flourished mostly among amongst the Javanese. This myth is believed as the spirit army of Nyai Roro Kidul, searching for tumbal, or victims, to be turned into spirits of the abdi dalem. Dipa, a 10-year-old child who lives in one of the villages in Java, is always overshadowed by the appearance of Gejog itself. Dipa is curious with how the spirit army looks like.
Memories of student days caused by a classmate gathering
The whole world knows his pictures — the Victory Banner over Berlin, the traffic controller, the Victory Parade. Printed in millions of copies, minted on gold coins, included in all encyclopedias and textbooks, neither became signs, symbols of the Second World War. Only few people remember the name of their author.
In search of information about his mother's student past, Marcos makes discoveries that strongly change his perception about her.
Mahmoud is arrested while disturbing counterfeit money with the help of Hussein, who fled. Years later, Hussein wants to forget the past and works for Sahar's father, but Mahmoud reappears in his life after his release from prison.
A contemplative trip down memory lane with one of the leading voices of the Second New Wave of Taiwanese Cinema. Saw Tiong Guan clearly established a very personal bond with his subject, and also found many of Tsai Ming-liang’s colleagues prepared to complete this portrait of a quiet yet outspoken artist.
A triptych set in three different time periods about fathers who find themselves in borderline situations in which one is forced to make a decision among several contradictory choices.
Fram is in a German POW camp where brutal, cold-hearted Gestapo officers like Weber or Von Steinhagen terrorize and execute their Polish prisoners. One day Fram sees a way to escape the camp and he takes it, heading out to find his fellow resistance fighters.
In the 1990s, Chen Min and her husband Lin Zhuyu had a daughter, Lin Yun, but the couple had to give birth to their son Lin Qin Nian due to the pressure of inheriting the clan. Lin Qin Nian grew up in a blink of an eye... Lin Qin Nian and Li Guang are classmates and, to many others, they're besties who share everything. However, only they themselves know the changes and undertow in their hearts. When Li Guang starts dating another schoolboy, Lin Qin Nian decides to distance from him despite still having strong feelings. As the college entrance exam approaches, are they one step closer to the young adult they dream to become? Or further away from how they're remembered in each other's heart?
Iván, a young newspaper delivery boy, discovers that Vera, a girl who receives his deliveries, puts them to an unexpected use. Intrigued by her, Iván decides to get to know her.
This documentary follows the legendary Japanese photographer as he continues to find new ways of seeing the visual assault of Tokyo’s streets and reminisces about his life and work.
This documentary depicts the life of Safa Önal, who has wrote 400 scenarios during his almost a century-long life, directed 36 movies, entered The Guinness Book of Records within his 395-filmed scenario, and virtually a living history. It focuses more on Yeşilçam adventure of Önal, who witnessed blackout nights in his childhood; started writing during his secondary school years and worked for many years in the Babıali; established friendship with master writers such as Peyami Safa, Özdemir Asaf, Kemal Tahir; and his path intersected with names such as Yahya Kemal, Ahmet Hamdi Tanpınar, and Necip Fazıl Kısakürek.