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A lonely and frustrated old woman offers a young student a deal that is difficult to fulfill: a house and food in exchange for a fluid daily conversation.
A cheerful short about a sprightly old woman who refuses to obey Death when he comes to call.
An old man and his old woman live in a remote Kazakh village. People call the old man Shorty Kairgali without malice. Kairgali has known his old lady, Kulpash, since high school. So they've been together for forty years. And maybe even more. Shorty also has two restless friends: Baybet and Saskebai, who were once in love with Kulpash. And then one day…
Old woman leaves her fishing village to sell a chicken in a nearby town.
The Story of an Old Woman was filmed in one shot without any cutting or pasting. Annotation from author: In this film I wanted to show how the one person can be violent and aggressive, and the other one helpless and defenseless. Our heroes hide their flaws behind the beautiful words and actions. Unfortunately a betrayal of the family became more common, and the opportunity to get hit in the back from the nearest person is already a reality. The film is about the family relationship, happiness and sorrow. The main thing is to stay human in all circumstances.
Hornclaw is a legendary killer in her 60s. Her mundane yet bloody life takes a sharp turn when she encounters Bullfight, a promising young killer. 25 years ago, he was there when Hornclaw killed his father. However, his feeling toward Hornclaw is something unexpected since he recalls her as the first person to show him kindness. Despite this, Hornclaw does not recognize the young man and his real intentions. Misunderstanding unresolved, their very last face-off involves weapons pointing at each other.
Mok Ming moves into Po Tak-yan’s old mansion. Po's mistress, the songstress Tsi Law-heung, has died in it. Her spirit haunts the mansion as she is unburied. Mok sees her ghost and notes that she resembles his late wife Kit-ching. Mok dreams that his wife has possessed Tsi's body in return. Mok asks Uncle Tak to take him to the coffin. Tsi resurrects as Kit-ching. Mok accepts that his wife has returned from death, but he is suspicious. He brings her to a nightclub, where they chance upon Po and his mistress, Chan Mei-chu. Po is suspicious. Mok explained that his wife has returned through Tsi's body. Two reporters are there and the news is reported in the papers. To resolve his suspicions, Po goes to the old mansion. He meets Mok, his “wife,” and Uncle Tak. The wife denies that she is Tsi. Po retrieves a pistol and goes to confront the woman. Mok intervenes. In the struggle, Po falls down the railing to his death, but Tsi is shot. Now it is time for her to tell Mok of her past.
In this modern adaptation of H.P. Lovecraft's classic story, The Terrible Old Man, a trio of would-be burglars target an ancient reclusive lady at her run down house on the outskirts of town, drawn in by rumor of her hoarded wealth. Predator becomes prey as the burglars discover that there is more to this old woman than they bargained for. Coming full circle, it was all a set up - a ploy to offer up souls for the terrible old woman's amusement.
"I did the takes for this film in the fall of 1966 and in the summer of 1967. I came to know and love the 'old woman' who gave her 'face' in one of the city-run dining halls in Zurich to the first part of the film. I was looking for poets for the film 'Robert Walser' and was hoping to find one in one of the places Robert Walser used to go to decades before, but it proved to be a complete failure. The woman who gave her 'face' attracted my attention because she bad something radiant about her and, despite her advanced age, still had a roguish way of looking at the world. She must have seen me several times before during test takes, because she told me later that she had seen me getting thrown out ('Filming not permitted') and that this had happened at another city-run dining hall. Because the woman appealed to me so much, I asked her on the spur of the moment if she would be willing to let herself be filmed, even though I did not actually know what I wanted to film." (HHK)
An elderly woman is determined to board an omnibus that does not want to stop for her.
Chip the Wooden Man meets the old woman who lived in a shoe
A twist of the classic 18th century English nursery rhyme where a Bullfrog Landlord threatens to evict a Washerwoman Mouse and her children when she's unwilling to marry him. One of three striking cel-animated hand-drawn cartoons Pal made for Lever Brothers' Rinso soap powder.
A woman's unique method of coping with fear becomes a liability when someone else's attention unnerves her.
Frustrated by her husband’s absence, an old woman summons a God to rot his fishing nets. This brings him home but what are they to eat?
Once leaving the house, Misha got lost. Not that he has forgotten where he is going, no. Misha completely lost control of what was happening. The string of visions in his head spins and does not want to stop. And here the pertinent question arises: if there is an end to life, can there be an end to death?
Last ride of an old beggar woman around the old São Luís city revealing the helplessness of both under the sign of an unjust time.
