The Moons Of Palaver

Mania Akbari collaborates with British sculptor Douglas White to coin a tender fusion of langauge, where a meeting of cinema and sculpture investigates the processes of physical and psychological destruction and renewal. Begun a matter of weeks after first meeting, the film charts a deepening artistic and personal relationship exploring the nature of skin, family, death, water, desire and, throughout, a powerful will to form. Akbari looks into the connection between her body and the political history of Iran, investigating the relationship between her own physical traumas and the collective political memory of her birthplace. As she undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicized, and yet ultimately remain a site of possibility.

A young man of property is engaged to two women at once.

Part-Time Moon documents a fantasy of an artificial moon that is created inside the artist’s studio. The film is initiated from glazing over on a filmmaking tool. Compare to the real moon, the part-time moon carries an anthropomorphic character: it moves, changes luminosity and color on its own. The camera chases after this organic moon from far to close. It dances, playing hide-and-seek with the camera. The film takes the apparatus usually behind the camera back to the front of the lens, producing a visual-driven narration which is out of the norm.

A ruminative, understated drama on the nature of overwork versus an "unachieving" life away from the city, Pelnia examines the experience of one man. After leaving his high-pressured existence as a successful architect, the newly resolved dropout goes to live in a small community of cabins and summer homes in a lake-filled region north of Warsaw. His interactions with the villagers, including a drunkard and other eccentrics, provide an informative background for what happens next. The ex-architect's wife is a professional singer who has not abandoned the city or her life -- and she soon arrives to spend some time with her very changed husband.

"The late Edo era. A tale of a new, dangerous area & those washed up on the wrong side of the river, that draws on the pathos and beauty of the world of Edo."

The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.

A serial killer who slaughters campers is on the loose in Sweden. The lead detectives make a breakthrough when the killer, a cloaked figure wielding a sword and a strange mask, sends the police a video recording.

A short animated film, adapted from the Jack London story "Moon-Face."

A family in their summer house in the Stockholm archipelago. The two daughters fantasize they are adults, representing different colors - red, yellow, blue, green, violet, black and indigo.

Ivan Semciuc (a journalist), is a charismatic man nonetheless guilty of cynicism and lack of compassion. A seemingly meaningless sexual encounter with a translator in a hotel room in Kabul produces a vital revolution in Ivan’s unshakeable lifestyle. After Ivan’s arrival back to Bucharest, Ioana is found dead, with her wrists cut. Ivan starts living in the absent presence of Ioana, who is starting to be more vivid in death than in life.