The Marriage Of Molly O

Four wedding anniversaries serve to chronicle the beginning and end of a thirty-year marriage.

This highly acclaimed cycle of documentaries observing changes in the lives of married couples from their weddings to the present day,. The series of six full-length films directed by Helena Treštíková met with an extraordinary reception when it was presented on television. Almost a million spectators watched some of the life-stories, a number never previously reached by any documentary program. This enormous interest is well deserved; the films have so many layers that they will maintain their relevance and value even into the future.

co-production with the Teatro Real (Madrid).

The film follows a young girl “Yasmin Abdel Aziz” who is searching for a husband, due to her constant loneliness and feelings of negligence by men. After a lot of attempts she meets two men who fall for her at the same time, and she doesn't let go of one of them and decides to keep both to her benefit.

Shizuka's friends are worried that her shyness will keep Mr. Right from noticing her beauty and character. They persuade her to join a dating service called The Wedding Club, but when her first match seems to be quite a dud, Shizuka wonders if a trip down the aisle just isn't in her future. Kiyomi seems to have no interest whatsoever in finding a husband. Her sisters have other ideas, though, and when a co-worker asks her out on a date, the women convince the suitor to propose marriage that very night.This is easier said than done, however, as Kiyomi's attitude can be quite intimidating.

Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight during the war, living together unmarried, her mother's hunger strike when they won't baptize their son. Regitze is passionate and forthright; she speaks her mind. He remembers her inviting a derelict for Christmas dinner, and the man shows up with five bashful friends. He recalls her taking on their son's teacher when the man slaps the lad. He remembers her love of dancing and his fear that his social clumsiness might end their relationship. Now, in twilight, he has other things to face.

Another boring evening at the Baron's home; he sits and reads a magazine, while his wife sits across the reading table, reading a newspaper. The housemaid enters, bringing a message from Franz, who convenes the Baron to an urgent meeting at the Club. Excusing himself, and thoroughly kissing his wife good-evening, the Baron leaves - to meet some lady of the night in the club's private room, with champagne and a sofa for two. At home, the Baroness gets bored, until she has an idea, soon put to practice. She sends a man a letter, signed Divine Lola, giving him rendez-vous at a discreet pension. The modern Eve is not taking her husband's infidelities sitting down. She lays in her undershirt on a bed inviting her lover in, in a long embrace.

In 35 years of one couple's shared life, a lot of things happen: from the moments of an absolute harmony to the dramatic falls. For the most of the time, the couple cares for common daily life issues and joys that come together with raising the children, running the household or running a business. And this is exactly the life of furniture shop owners Ivana and Vaclav Strnadovi, 2 characters that a director Helena Trestíková follows with her camera as of the year 1980 within a project The Marriage Story. Her new feature documentary about Strnad family is linked to TV films from this cycle, but most importantly it shows further shocking twists, that life brought to the couple and their children.

Keitaro Sato is a nerdy 30-year-old factory worker who is still a virgin and has never been in a real relationship before. When his parents arrange an “Omiai,” the Japanese formal system of introducing prospective marriage partners, Keitaro is surprised to meet Shimako Akio, a stunningly beautiful woman who would obviously be viewed as way out of his league. Keitaro falls in love with Shimako at first sight, and Shimako seems to be open to pursuing marriage plans with Keitaro. Can the mismatched pair really have a happy marriage, or is Shimako hiding a dark secret that could derail everything?

In Shibamata, Tokyo, Tora-san's family prepares for a wedding. Meanwhile, the traveling Tora-san meets an old acqaintance in Iwate Province. Tora-san refuses to drink with him, afraid that the acquaintance, now settled and married, will again become attracted to Tora-san's wandering existence. Tora-san becomes attracted to a female barber, but must break off their relationship so that she too can live a secure life. She instead gets into an abusive relationship with a motorcyclist.

The untold, emotional story of how philanthropic activists made history by changing hearts and minds to help advance marriage equality in the United States.

Based on the comedy of the same name by Nikolai Gogol. Succumbing to the persuasion of his friend Kochkaryov, a middle-aged court adviser Podkolyosin wooed to the overripe girl Agafya Tikhonovna, a merchant's daughter. At the very last moment, having gone through a painful period of matchmaking, and bringing the matter to a wedding, indecisive grief — the groom escapes from under the crown, jumping into the window...

Divorce has become common, and the perception of the world has changed a lot. However, the divorce process that includes not only real problems but also emotional parts is still too hard. Therefore, 'Caught Between Marriage & Divorce' portrays couples contemplating going separate learn how to break up well during their divorce deliberation period.

To save the hero in her play, the intelligent and pretty screenwriter travels to the script by accident and meets a shy prince, a vicious rival in love, a scheming contender for the throne, a mischievous emperor who loves to mess up with lovers, a kind empress, a cousin whom she grew up with and an open and modern mother... Will the heroine be able to save the day and get what she wants?

In a small village during the early 2000s, happy twins Mallikarjuna and Padmavati find their lives changing on their 25th birthday.

The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.

The story of the couple from the very first meeting to break up told from a view of a woman, Francoise. The film shares the same plot with "Jean-Marc ou La vie conjugale", that tells the same story from another perspective.

Ahmed (Ahmed Ramzy) is a hard-working young man in love with Samira (Nadia Lotfy), a girl from a wealthy family. Both want to get married, but Samira's aunt rejects, given Ahmed's social status. Meanwhile, a belly dancer in love with Ahmed is trying to keep them apart.