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Koizumi Kyoko stars as Asako, a 32 year old woman working for a Beer Company. She gets set up with an affable 38 year old man named Koichi (Yanagiba Toshiro) who tries to win her love against competition like a younger co-worker and off-putting best friends!
After her mother falls into a coma and her gambler father tries to seize the family fortune, Gu An'an agrees to marry Huo Siwen to protect her inheritance. However, she meets Huo Siting, the overlooked second son, and as they form an alliance, a forbidden romance quietly unfolds.
Lisa, a beautiful Hollywood starlet, grows tired of her playboy husband, Charlie, and attempts to seduce her newlywed neighbor's husband. Lisa settles for a lesbian bout with the wife when her advances are spurned by the husband. Charlie likewise begins to look elsewhere for satisfaction. He goes to Hollywood swim parties with his employer and witnesses him seduce a virgin by hypnosis. Lisa and Charlie decide to engage in group sex with their neighbors, but after a short time the newlyweds' feeling of guilt forces them to withdraw. Lisa and Charlie then engage in mate swapping with Charlie's employer and his new bride, his hypnosis victim. Eventually, Lisa becomes tired of the same sex partners and begins to search for new lovers.
To divorce, or not to divorce. That is the question pondered by a married couple of 10 years who miss their burning desire for each other (Clive Brook and Diana Wynyard) in this 1934 film directed by Worthington Miner.
Guests step out in smart hats and sumptuous furs for a Jewish wedding at London’s Central Synagogue.
Anyway, I Just Want to Stamp the Marriage Registration (2021)
A woman awakens after an accident to discover she has amnesia. Recent events have been wiped from her brain, including just marrying the handsome man at her side.
Psyche, the daughter of a king, and a mortal, is so beautiful that even the God of Fame is fascinated by her charm. He hurries to tell Venus, Goddess of Beauty, that her loveliness is surpassed by a mortal. The jealousy of Venus is aroused and she orders her son, Cupid, the God of Love, to avenge the indignity. One glance at Psyche and Cupid revolts. He beseeches his mother to relent, but Venus is deaf to his pleading and swears to destroy her rival's powers. While joy reigns in the court of Psyche's father, Venus strikes at Psyche by inflicting an illness upon the king. His malady baffles all, and in desperation the queen consults the oracle. The oracle decrees that when Psyche marries a mortal her father will be saved. However, Psyche's husband will be a monster who will devour her.
The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film. The film has now been lost.
Film directed by Jack Nelson
A documentary that highlights the religious left and the fight for marriage equality in Minnesota. The director spent nearly a year interviewing faith leaders across a spectrum of beliefs, along with scholars, politicians, and everyday people—all discussing how their views of religious texts and traditions support marriage among any two consenting adults. The title, "God Votes No," stems from the effort to defeat a proposal on the November 2012 ballot to define marriage in the Minnesota state constitution as the exclusive domain of one man and one woman. "God Votes No" features interviews with U.S. Rep. Keith Ellison, practicing Mormons Alan Sparhawk and Mimi Parker of the Duluth band Low, and author Jay Michaelson, among many others.
A History of Dancing visually follows the transmigration of the soul after death, going through several states before reaching a final destination similar to Nirvana. (A similar transmigration occurs in my films, None Saved, and Alaska.) For the film, I created my own “wipes” to use as transitions, following a tradition developed in the silent era. Ultimately, A History of Dancing explores trauma I’d gathered from an insecure childhood growing up in suburban Connecticut—during which two of my siblings had died violently as teenagers. The lesson for me was that one must come to terms with death, for it is always nearby, even among the well-to-do and supposedly sheltered.
A Shaw Brothers comedy starring Pearl Au Kai-Wai
