The Making Of Forty Rectangular Pieces For A Floor Cons

Jocelyne Saab, a young Lebanese journalist and director, interviews the director and the film crew while filming Nahla in Beirut.

From Taiwan, a story of two young friends trying to figure out their relationship as one struggles with his sexual identity and the fear of coming out.

A young Palestinian girl will do whatever it takes to buy a birthday cake.

Because his single mother criticised the state, Alex was sent to a special children’s home at the age of eleven, in order to shape him – like almost 500,000 children in the GDR – into a “socialist personality”. He escaped and ended up as a punishment at the Torgau Closed Juvenile Detention Centre, more prison than social institution. His life was now dominated by military drill and violence … Reduced rotoscope images follow Alex’s memories and show how the trauma affects him even today.

After many years together, a couple decides to have a baby. Throughout their relentless efforts, the partners try to maintain their love and unity. MAKING BABIES is a minimalist comedy drama that takes a bittersweet look at a couple’s life, with its doubts, its challenges and its resilience.

The evolution of a boy named Nicolas seen through the wishes he makes at his birthdays.

Chattanooga’s remarkable rebirth: from a polluted industrial city to a vibrant mountain bike hub, all thanks to the tireless efforts of dedicated volunteers. A story of urban renewal through collective action.

Film directed by Hisashi Saito.

A magic pen that can grant any wish falls into the hands of a young woman.

Through a box of memories, the search for father figures in different relationships is explored and with it, the development of these until reaching excessive toxicities that develop the sexuality of those who witness it, a documentary of female sexual awakening, loss, and fear of abandonment.

First there was ‘Picnic at Hanging Rock’, then ‘My Brilliant Career’, and now best of all ‘The Getting of Wisdom’. It is incomparably moving and powerful.

Kirk Cameron is our host for the 1994 TV Special, “The Making of The Twilight Zone Tower of Terror” celebrating the opening of Walt Disney World's newest attraction. With interviews from Michael Eisner, then the Chairman, President, and CEO of the Walt Disney Company and Marty Sklar President of Walt Disney Imagineering we get a sense for what goes into creating an attraction like the Tower of Terror. Additional interviews include Michael Sprout, David Durand, Jack Blitch, Catherine Moulton, and Ken Gomes.

A magician takes stuffed animals out of his hat and sees if there is any blood in them. Screened at the Edinburgh Film Festival in 1999.

An inside glimpse into the making of Lindsey Buckingham and Christine McVie's first ever album as a duo.

Kazuma kills his father in order to protect his mother and younger sister from violence. He begins life at a halfway house with an aim toward social rehabilitation and also works diligently at a scrap mill, but society has labeled him a “murderer”. Gradually, Kazuma loses hope.

When the good citizens are already in bed, things get busy at the local pub. The regulars have a lot going on and no skirt is too short and no girl too young for these horny guys. Of course, things can go wrong, especially when the girls are willing but inexperienced and the punters are too lascivious. Fortunately, there is a disreputable but very popular establishment in the small town. There you can let off steam to your heart's content.

Caught at the window just before an air-raid warning (WWII) composer Paul tells how he met his wive Anni, a revue star and song writer, how he handled the courtship and the early years of his marriage, inspite of some professional conflicts - his operas were flops, while his wive had one success after the other - they finally found out how they could help each other.

Twelve short stories about racism in every day life.

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.