The Making Of Mulholland Drive , Streaming avec sous-titres en Français, the making of || Regardez tout le film sans limitation, diffusez en streaming en qualité.
The story begins with an experiment. A filmmaker in the country of Georgia posts an ad inviting youth to audition for her film. Facing the camera, the hopefuls confess their struggles and dreams. These raw interviews unfold seamlessly into cinematic slivers of Georgian life.
Pablo walks through the city, checking his watch and realizing he won’t make it to his appointment on time, until he runs into a group of gang members in a narrow alley.
Tony is fascinated by Neisy during the Rolling Stones concert in Havana. As he follows her around, he decides to make a secret documentary about her life. He infiltrates her house and starts recording her privacy from under the bed. Thus, he becomes a witness to Neisy’s generational conflicts with her mother, her bisexuality and her ways to earn a living. This privileged approach makes him fall in love with her. But one day he will be discovered and the story will change radically.
Jake Makes it Easy provides viewers a step-by-step process for creating a main course and dessert that incorporate aspects from classic dishes and unique flavors all while keeping it simple. Having worked in some of New York City?s top restaurants and test kitchens, Jake brings his impressive culinary background and love of hosting to create inspired meals fit for any table.
A behind-the-scenes look at the making of Sai Enterprise's Ginî piggu 4: Pîtâ no akuma no joi-san.
An age-obsessed daughter of a plastic surgeon takes a journey through America's $60 Billion a year anti-aging world. In this Alice-in Wonderland tale, McCabe spends 2 years traveling across America visiting doctors, experts and lives with a cross-section of characters from Minnesota to Texas who've gone to varying lengths to "beat the clock", to paint a funny but troubling portrait of a country that desperately needs to stay young.
Phoenix Wright
Making of documentary for the second live-action adaptation.
Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.
Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.
Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.
Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.
Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.
Edmund Husserl observed: "All perception is a gamble", which Robert Anton Wilson expands upon when he suggests that "[others] just have a different reality tunnel, and every reality tunnel might tell us something interesting about our world, if we are willing to listen." All seen through the mirror of João Queiroz’s art.
Things are very exciting in the land of toys, today is the day for the big parade. Everybody is getting prepared to participate in the big event - but who is going to lead it all?
Christian Fuhlendorff follow up on critical acclaim with the new one man show: "To make a short story long" "I have a dog and a house, a girlfriend and a daughter. I live even in the world's happiest country, Denmark! I have all the pieces to be for. I just do not know if I'm happy. For a house also means also debt and concerns that a dog does chores and to take the piss on the floor, a girlfriend means expectations and compromises, a daughter means responsibilities - and sometimes to take the piss on the floor, AND we must not forget that Denmark thus also one of the countries with the highest suicide rate. Let me put it another way: Do I be happy? " The question put Christian Fuhlendorff himself in his third one-man show "To make a short story long," which premiered at Bremen Theatre in Copenhagen 19 September 2014. In its previous shows, he took the audience on a journey into in his quirky and comedic universe. This time is no exception.
"This was my first student documentary. I shot it over the Easter vacation in 1980 on 16mm, black-and-white reversal film. Apart from two five-minute exercises, it was destined to be the only film I ever finished at the College of Film and Television of the German Democratic Republic (Hochschule für Film und Fernsehen der DDR, HFF) in East Germany’s Potsdam-Babelsberg. It was quickly banned from being shown publicly and it remained in storage until the end of 1989. The film tells the story of a mother and her sons having coffee and cake while they try to remember –in vain– when the first time was that they tangled with the police. The reason it was banned was the casual way the film portrayed those young men living their lives untouched by ideology, including taking their careers as petty criminals for granted, meaning the film’s author accepted their existence, as is, and simply wanted to explore it.”
"A humorous slice of educational instruction on refurbishing and painting" (MoMA).
It has hardly been seen before that a 83-year-old actor has starred in a Danish film, but it is the case here, where Kai Holm says goodbye to a long life in film and theater service. He plays an old peasant who on his deathbed is waiting for his son (Jon Bang Carlsen). In a few days he relives the village life, he comes from, and which was marked by a hard and authoritarian upbringing. He is at his father's deathbed despair because it is still impossible to make contact, and in a crisis situation, he recognizes his father's brutality in itself. The film draws a bitter picture of human relationships where dreams while they die, degenerates into power relations.
