The Light In Th

Director Nakamura is mesmerized by a piece at the Teshima Art Museum called "Matrix," a major work about the mysteries of existence by the artist Naito, and she goes to cover her work. However, Naito calls off the shoot in the middle, saying that her creations are getting lost because of the filming. There, the film turns a new corner to depict the women who gather at the "Matrix."…

A Demon that Slips into Your Telescope While You’re Dead Tired and Blocks the Light (2020) is one in a trilogy of multimedia projects (Material, 2016-23). Reflecting on how scientists and technologists impact our understanding of the world, this body of work reveals the social constructs and systems of power that shape fields of “objective” knowledge through the contemplation of phenomena at the edge of human perception. The film comprises interviews with experts in astrobiology, astrophysics, and sociocultural anthropology alongside aerial images from NASA’s archives and original scenes dramatizing a speculative fiction by Janani Balasubramanian.

It's been nearly 10 years since Jamie Lynn Spears was in the spotlight, and, for the first time ever, she and her family invite the world to hear her side of her story.

The hosts of the TV show are Piggy and Stepashka, familiar from childhood to the inhabitants of the USSR, who have only grown up and gained life experience, turned into Piggy Morzhov and Stepan Kapusta. These are computer characters who, together with the presenter, broadcast from the kitchen of the Pig or from the studio about political news and everyday problems. Hryun and Stepan are assisted by a regular correspondent, Philip Sharikov, and Genka's neighbor.

Not long after, Benzene’s wife, Lady Benzene arrived to try her luck. Sending her evil Ultraman Shadow to attack the hero, he was ambushed in Antarctica, easily being pummeled and being given a bloodshot eye. Finally, he was struck by the Shadolium Beam, which due to his fear, overwhelmed his own, knocking him out. The battle left Zearth emotionally crushed and unable to fight due to complete terror of Shadow. But, after receiving a message from his father, as well as a capsule monster named Miraclon, Zearth decided to train and become powerful enough to face the evil android.

Third in the River series, the Danube. The works of this trilogy feature stories about rivers linking three themes: rivers, sound, and human encounters.

Video as closure. Puzzle with only two solutions.

In the heart of the city, the current Light Park emerged where the old municipal cemetery used to be. However, Júlia, Maitê and their friends, completely unaware of this peculiar story, decide to have a fun picnic. But what seemed like an innocent prank soon turns into a horrifying adventure when an eclipse triggers an unexpected invasion of shambling zombies.

Shyamal Uncle, an eighty-year old retiree living with his wife in Paikpara (an old Kolkata neighborhood), notices one day that the street lights near his house are left on even during the day. He finds it unconscionable to let this waste go and decides to take action. He talks to a number of people - from the local vendor to the local political leader; from the electricity officer to the police officer. But no one even bothers to listen to him and he is given the runaround. Even his wife is skeptical of his endeavor. Drawing a contrast with the mundane existence of his personal life, the film is a story of Shyamal Uncle's journey as he fights the brush offs, insults, and skepticism with one single goal - turn off the lights.

A documentary that explores how to cope with fear, the excitement of searching for interesting news, and the unexpected consequences of this devotion. The heroes are the director himself and military journalist Andrii Tsapliienko, who record various aspects of the life of a military journalist - from a report about the shelling of Kyiv by Russian army, subsequent injury, and to Andrii's journey through cities and towns in search of a lost friend and inner light.

Enfants du Paradis, a naively iconoclastic enclave of prostitutes, slowly turn their gleeful attentions away from their customers and towards ever greater colour, performance and obtuse poetry.

The poor child Inger must endure trials of an almost biblical nature before her heart can be saved by true love. First, Inger is rejected by the love of her youth, Hans, who chooses a rich man’s daughter instead. Because of this, she gets thrown out into the street by her own mother but finds refuge with an acrobat in a travelling circus. When the circus performer dies in an accident, Inger gives birth to a fatherless child who doesn’t survive the night, for which she is even accused of infanticide. Guilt overwhelms Hans as he hears about Inger’s tragedies. Can Hans’ repentance save the lost Inger? (Stumfilm.dk)

This short film made by László Moholy-Nagy is based on the shadow patterns created by his Light-Space Modulator, an early kinetic sculpture consisting of a variety of curved objects in a carefully choreographed cycle of movements. Created in 1930, the film was originally planned as the sixth and final part of a much longer work depicting the new space-time.

Ilja Richter, showmaster of the cult programme Disco on ZDF until 1982, was considered the darling of the nation. During his television career, no one suspected that Ilja was the son of a persecuted communist resistance fighter who survived years of imprisonment in concentration camps: Georg Richter. The film accompanies Ilja Richter on his search for clues. The story of his father as a concentration camp inmate is revealed in fragments and is representative of the story of many prisoners.

Maria, forced to marry a bandit, escapes into the woods with El Toro, fleeing her fate. Rosario, in love with a murdered general, watches her grave at the foot of a volcano.

A father and his son become the hunted ones in a hunt because of their rifles.

A masterclass in the art of digital cinematography thanks to the efforts of Mexican maverick Nicolás Pereda (director of Perpetuum Mobile), it's a highly unusual 'behind the scenes' record of a film-shoot in Mexico City - namely, Michel Lipkes' Malaventura. Bussmann concentrates on the elderly gents who appear in one atmospheric bar-scene, observing them between takes and interviewing them about their lives. The gently-paced results cast a steadily hypnotic, and intoxicating spell.