The Light In Th

What is involved in investigating and interpreting the meaning of light, seeking through symbols and mnemonic paths what light is when it is interior. The boundary between light and shadow becomes the boundary between past and present, and their boundary line is a possibility of encounter.

Two paranormal researchers go on a quest to explore the legends of the light phenomena. On their way, they learn of eyewitness accounts, research the legends and possible explanations, and attempt to document the spook light phenomena.

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

An ex-prosecutor comes to provincial hotel to commit suicide there. Prior to this act, he first calls persons who made him bring up such decision. Conversations over telephone reveal the causes and circumstances that led to tragedy.

A Christmas Eve power outage provides a collection of troubled Tokyo denizens the opportunity to come clean on the misdeeds of their past.

Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime

Between 2022 to 2023, the artist embarked on four filming trips into the Changbai Mountains and the upstream region of the Songhua River. She captured documentary footage of activities such as logging, hunting, ginseng digging, fishing, and more, using video mediums like 16mm film, digital camera, drone, and GoPro. Throughout this process, the artist not only experienced the changing seasons of nature but also encountered immense challenges posed by extreme weather conditions, particularly the harsh cold, which tested her physical and mental resilience as well as the filming process itself. The film A Darkness Shimmering in the Light portrays the frozen Songhua River as a gateway to a journey through time and space. By integrating segments from ethnography of Siberia and the Xing'an Mountains, Northeastern literature, and folklore into the documentary footage, the artist constructs a series of fictional ecological narratives.

Putri Cahaya tells the story of good and evil. Kindness is marked through Putri Cahaya, a sweet and kind fairy, and Shinta, a beautiful mute girl who is bullied by her stepmother and stepsisters. The Putri Cahaya always fights for good, while evil and greed are represented by the Putri Hitam and her mother, Ratu Jahat, as well as Shinta's stepfamily. The selfish Putri Hitam wants to have a crystal ball that can open the Gate of Wrath. If the gate is opened, all difficulties and disasters will arise on earth. Meanwhile Putri Cahaya, who knows the evil of her own younger sibling, tries to continue to spread goodness on earth. They became enemies when Putri Cahaya became Shinta's guardian angel from evil attacks.

Light was sexually assaulted by his stepfather and always lacked love in his childhood. After his mother — his only blood relative—was killed, he could no longer escape and was forced into prostitution. One day, he meets a new client who beats him up on the street. Shuo is an undercover cop trying to reach the drug cartel’s boss by working at a tailor shop. During a mission, Light catches his eye. He brings back the unconscious Light and provides him with shelter. But can Light really face his trauma and live with it? Or will he eventually go back to the streets and keep pursuing false love from clients?

Ingmar Licht collects messages from a bygone era. Shopping lists, letters or ads which people put in books and then forgot about. The senders of these bookmarks are long gone because the literature comes from estates that the relatives wanted to get rid of. Ingmar Licht sells these books. This has become his job after almost anything in life went wrong. Alcohol, bankruptcy, looking in trash cans for returnable bottles. He tried to hide for a long time, but that's different now. "Seen in the light" is a film about seeing and being seen. Ingmar Licht observes the lives of others with an alert eye, just as he explores the stories behind the notes, the postcards or newspaper clippings, he discovers in the old books. - He wants to show himself, despite and because of his story.

At the end of the Han Dynasty, the aura of heaven and earth disappeared for no reason, and the exorcist division, which was in its prime for a time, fell apart, and was known as "all the ways to be silent." In the four years of Jin Taiyuan, the only surviving exorcist in the world, Chen Xing, came to Xiangyang to find his destined guardian. Relying on the heart lamp of the magical tool lodged in his soul, Chen Xing worked hard to find a way to restore the spiritual energy of the heavens and the earth to fight against the imminent resurrection of the demons, and also forged a deep friendship with the guardian of the martial arts Xiangshu during the journey. The animation will integrate elements such as ancient style, gods and demons, fantasy, and battle, to present a magnificent, ups and downs heroic legend to the audience.

For Sarah, it was just a job that started off like any other babysitting gig. But Sarah wasn't the normal babysitter, and Jack wasn't quite the normal boy that he appeared to be. He has a secret, a secret that he keeps trying to share, if he could only find someone to listen to him about the monsters in his room. As the night goes on and things start to turn from cute and harmless to creepy and haunting, Sarah can't help but wonder... what if he's telling the truth? What if there are monsters in his room? Because sometimes there really are things out there that go bump in the night in here. Sometimes there really is something very scary under your bed. And sometimes, just sometimes, there really are monsters hiding in your room. But even monsters are afraid of something. So remember, DON'T let the light in, because if you do... then the darkness can get out.

Biomorphic shapes at play in this film reiterate and expose the persistence of vision, frame flickering and illusions. The random cycling images question who is the projector and who is the projectionist, while light forms the sound frequencies.

In the 1980s Chuck Connelly was recognized as a key figure among the New York-based Neo-expressionist painters. Chuck Connelly Into the Light captures Connelly in his essence: manically painting in his deteriorating, claustrophobic home packed with more than 5,000 original works — and trying to overcome a lifetime of failures, regrets, and missed opportunities.

On Saturday, November 3rd, 2007 Barbara and her band performed a special sold-out, one-off concert for fans at the Spilsby Theatre in Lincolnshire. The concert was recorded and the evening is presented here in its entirety as ‘Into the Light,’ Barbara’s first ever live DVD release. The DVD features all eighteen songs, mixing hits such as ‘Caravans,’ ‘I Know Him So Well’ and ‘Another Suitcase in Another Hall’ with favourites from her theatre work including ‘Easy Terms’ from the musical ‘Blood Brothers’ and ‘In The Bleak Midwinter/Here Comes The Sun’ from Willy Russell’s ‘John Paul George Ringo… & Bert’. Also included are ‘Love Hurts’ from ‘Band of Gold’, Gerry Rafferty’s ‘The Right Moment’ and Bob Dylan’s ‘Don’t Think Twice It’s All Right’ and ‘The Time They Are A-Changin'’. Barbara is joined on stage by her band - Pete Zorn, Troy Donockley, Brad Lang and Nick Holland.