The Life Is A Casting La Vita è Un Prov

Fermín intends to kill Fausto, who is his boss, but Matilde thwarts his plans. Soon, Fausto and Matilde realize they are in love with each other.

Twenty-Six Days in the Life of Dostoyevsky was entered on February 16th at the 1981 Berlin Film Festival to commemorate the 100th anniversary of Dostoyevsky's death on February 9th, 1881, and won a "Best Actor" award for Anatoly Solonitsyn as Dostoyevsky. Solonitsyn was a favorite actor in Andrei Tarkovsky's films, and this was to be his penultimate role. This brief imaginary period in the famed Russian writer's life encapsulates one of his darker moments in 1866. At that time he was still a relatively unknown writer whose first widely acclaimed work, Crime and Punishment, was just on the horizon. His life was at a very low ebb as he struggled with debts he could not pay, and as he fought depression over the loss of his wife to tuberculosis, and the death of his brother, who was very close to him. His first literary journal had to be scrapped because of political reasons, and the second venture needed funding.

“A future historian, if he or she is honest, will feel a legitimate need to place the decade 1968 to 1978 alongside the great events that changed the world, such as the French and Russian Revolutions”. This was the guiding idea to which we entrusted, with considerable emotion, our personal memory and the archive footage that we took and collected during those years and which represent the physical body of the battles fought and victories gained everywhere during those ten years. Their value, in a country like Italy which has lost its memory, is a rare witness to the power of human dignity in a constant struggle for its redemption.

A biography of Karađorđe, the famed leader of the rebellion against the Ottoman Empire in 1804, tracing his whole life from childhood until his death in 1817.

Traditional Romeo and Juliet re-telling with a funny twist. Lovers from two families at loggerheads thrive to find peace between them by bring them into consonance with one another.

In their childhood, our heroes became orphans, and it resulted in their mental and social deficiency. For years, they stay inmates of closed psychoneurologic nursing homes: Natasha – for women, Guera and Kolya – for men. Now they’ve got a chance to become self-dependent. On this path they’ve met together and even felt love in their life.

The anonymous man wrote down all the events he lived to keep the memories of his deceased friends alive. When he reaches the last 5 days of his memories, he realizes that he will complete his mission and decides to say goodbye to his life. While thinking about how to say goodbye to his life in this five-day period, he starts to clash with his own soul. On the one hand, he tries to hold on to life. While the memories he has accumulated are playing games with his mind; He decides to silence all the voices in his mind and face his past for the last time. The footprints of the past do not meet him as he expected. Now there is only one thing left to do; Saying goodbye to your life and leaving your memories where they belong...

A portret of the Cobra artist Svavar Guðnason. His life and his art - sources - influences and how he became one of the greatest abstract painters amongst Nordic artists.

Admittedly, it is not so often possible to see the birth, flowering and extinction of some creative direction in art during the life of one generation. Perhaps one of the rare examples of this kind gives us a creative direction that has gone down in history under the name "social art", which is regarded in the West as the most significant contribution of Soviet fine art to the world artistic process of the second half of the twentieth century. In our film, the fate of this creative direction is reflected by its brightest representatives – Vitaly Komar, Alexander Kosolapov, Leonid Sokov, Boris Orlov, Rostislav Lebedev and Mikhail Roshal. Their collective story about the fate of "social art" unfolds against the background of the chronicle of the political and artistic life of the 70-90s.

A determined girl, a hook and lots of worms are the perfect combination to catch a fish... or not.

A French documentary charting the life of the Spanish artist Pablo Picasso through the events of 13 significant days of his life, including his marriage to Olga Kokhlova, the birth of his daughter, the bombing of Guernica and the death of Stalin. Archive footage of Picasso, his lover Françoise Gilot, writer Jean Cocteau, photographer Brassat and critic Pierre Daix is accompanied by new interviews with Picasso's daughter Maya and son Claude.

Apirana Ngata, Member of Parliament for Eastern Māori, was keen for the museum group to visit the East Coast to obtain records of his people of Ngāti Porou. In March 1923 the expedition, which included Te Rangi Hiroa (Sir Peter Buck), James McDonald, Elsdon Best and Johannes Andersen, set out for the Ngata homestead at Waiomatatini which was to be their base. From Waiomatatini visits were made to Whareponga, Kahukura, Rangitukia, Te Araroa, Ruatoria and other parts of the district. MacDonald recorded on film traditional skills retained in the area for making fishnets and traps, methods of netting and catching fish, weaving, hand games and music making. Also shown is the digging and storing of kūmara and cooking food in a hāngī.

Victors of the Balkan Wars returned in August 1913 to the army camp in Banjica field in Belgrade. Their next of kin came to visit them there after a long period of time. After family lunch, the officers took the lead in the army dance together with the soldiers, thus celebrating in friendly manner the return to the homeland.

The life of a barn swallow is not easy. Everything gets mixed up while returning from Africa: bigger birds are pesky, ghastly shadows from previous centuries annoyingly stalky; the clay is all gone and the barn locked at night.

Junko is a single working woman in her forties. One day, a marriage registration lands in her hand, which only contains the husband’s name.

This documentary explores the life and thought of the Iranian “anti-Western” philosopher, Ahmad Fardid (1910-1994).

Yana and Sylvia. Two women. Two mothers. Every day is a new stage that must be overcome on the way to a happy life.