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Шесть лет назад он отчаянно вырвался отсюда, задыхаясь в узких стенах провинциального театра. Из актерского прошлого в новый коммерческий мир он взял только кличку «Лицедей». Но желанная личная свобода оказывается еще более призрачной. Ему надлежит стать разыгранной пешкой в чужой игре, где на кону огромные деньги, а ставка - жизнь. Заблудившемуся человеку суждено сделать круг. Лицедею приходится выживать именно здесь - в стенах некогда покинутого театра, с помощью людей, с легкостью забытых им когда-то...
Giorgio Mainardi, a womanizer, plans to rid himself of his wealthy wife Norma. He happens to see a sinister figure disposing of a body and seizes the opportunity to make a deal in which the killer will murder Norma. The deed is done but a young couple, Luca and Laura, unwittingly steal the killer's car, complete with Norma's corpse in the boot. They head for the beach and break into an abandoned old house. The killer tracks them down and while Luca is out having sex with a blonde stranger, he terrorises and rapes Laura. When the young man and the blonde turn up for a threesome they are both quickly despatched. After a struggle, Laura manages to fatally wound her attacker. Back in the city, the police become increasingly suspicious of Giorgio Mainardi...
In "Forbidden Killing" Melinda Chen Man-Ling plays a highly trained swords woman who gets involve in a power struggle between two groups mandarins in the government.
A crazed killer wanders around killing several young women with various weapons. Is there a motive for these crimes or is it purely for the joy of killing?
Kilink is between 2 rival gangs and manages to turn one against the other. All of them are after a precious microfilm and a big foreign treasure. Kilink proves to be the most perfect Fantomas of them all, changing disguises more often than he changes socks. At the same time, it's raining gorgeous ladies all over the place. Most of them rivals....All of them falling for him or off balconies, pushed by him. In a brilliant sequence, he punches a treacherous pussycat, strangles her with his bare hands and chucks her off a balcony. The film features the classic torture-the-tied-woman scenes. In one of them, even a snake is used for a quicker confession. Endless shootouts, car chases, murders, beat ups and plot twists make this sequel one of the best Turkish auctioneers ever.
In 2050, a nuclear war broke out all over the world. With the help of a military industry family, Tanahashi, Japanese Imperial Army plans to conquer the world and sets up new government NEO YAMATO. In order to against the tyranny of the new government, a rebellious army of the government fights for peace.
For being unable to find any decent job, an unconventional young man of working-class background gives up of all sorts of employment, and accompanied by his girlfriend, he tells his story in front of film cameras.
The two million Spanish women who are victims of domestic violence and the death each week of a woman at the hands of her partner is not fiction but pure reality.
The story is a duel between criminal-on- the-run and the cop who put him behind the bars the first time around.
Three friends - a police officer from the traffic police Nika, a family man and a marketer Stas and a seller of children's toys Tyomich - decide to arrange a gift for themselves for the New Year: to deal with their bosses, who got them incredibly. They only have 24 hours to plan three perfect murders.
A blog on a mysterious website quickly spreads like wildfire, starting a dangerous online game. At 3:00 in the afternoon, a teddy bear stuffed with rice and nails is sunk into a bathtub. The lights go out and the player is required to stab the bear with the knife, then write their experiences in the blog. But lately the comments have taken a dark, demented turn, as if the players are being possessed.
Hong Kong crime movie from 1981
During the Tang Dynasty, the demon was in power, and Wu Chenzi, the head of the Tianshi Mansion, protected the world, and sealed the demon king Mu Feng with his own primitive spirit, trying to influence the demon king. Unexpectedly, Mufeng's beloved man, the Flower Demon Wind Siniang, came to seek revenge, and washed the Heavenly Master's House with blood. In desperation, Wu Chenzi turned his spirit and demon king demon into Zhong Kui. Zhong Kui, who is half-human and half-natural by nature and good and evil, faced with the mentoring and apprenticeship of Wuchenzi in Heavenly Master's Mansion, the temptation of the demon world should be threatened.
The Kanto Ichienkai sways under the administration of Chairman Sakai. The fire of internal conflict did not know that Dane would die. Hitoshi and Yoshiro are taken out of the trivial mess that happened between the long-established Tatsuno group and the emerging Ginseikai. The battle between the two groups of Shima suddenly develops when Tatsuno is shot by someone. In order to suppress the runaway of Wakasugi, a member of Tatsuno who has risen in blood, Jin, who is also a former brother, persuades him. However, in the meantime, Daimon, the young head of the Ginseikai, offers to take action on the condition that Hoshiyama, the chairman of the Ginseikai, retires.
The ultimate power struggle between the greatest detective who never lived and the writer who came to resent him. Lucy Worsley explores an extraordinary love-hate relationship.
A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.
Trevor Ou is The Killer Who Never Kills, an assassin who earns the trust of his targets before snuffing their lives – and he does it without killing them! Trevor fakes the deaths of his targets and gives them new identities, but when his first target Grace returns – and reveals her love for him – Trevor may need to find a more permanent solution.