The In Between Film Vf Streaming

Alessio and Edoardo have always been friends, united by a bond that seems indissoluble. During a late summer afternoon, under a gray sky swollen with rain, the two take refuge inside an abandoned shed. Guiding them is the desire to be together, to honor a promise, to share a challenge. To cling to the past, to deny the future. As far as possible.

The film takes shape through the form of a video exchange between Hirokazu Kore-eda and Naomi Kawase. Each films the world around them and intimately reflects on their individual struggles with making films. Kore-eda self-consciously reflects on his process, “What does a camera shoot? What does a film capture? The emptiness in my life reflects in my work.” Kawase concentrates on her everyday life and candid moments with her friends, who say, “Hang in there Naomi we are all on your side,” and, “You never keep the promises you make, but I love you anyway.”

A documentary about a young woman who is at a crossroads in her life.

The documentary Segredos de amor (Just Between Us) is a beautiful testament to the struggle of lesbian lives and loves in Brazil.

Between the Fist and the Stove is a hilarious, fictional film, a melodrama and a tragicomedy based on clips from old Finnish films from the 1940s and 1950s. It is a synthesis of Finland’s Bold and the Beautiful – of a time when the swing of the haystack band made the public wild. Passion, jealousy, lust and forgiveness meet in the surges of the rapids and at the gates of heaven.

From a screeching lo-fi sound to luminous pop songs; from a split with Juana La Loca to a Le Mans tribute EP; from a cassette tape with a red star in the groundbreaking film Rapado to the lead singer's main role in Silvia Prieto. In sum: from 1989 to 2001, Suárez rode the scene and stages of Argentine indie rock with great freedom, elegance and intelligence. Also during all those years, its members recorded on video many of its intimate moments and public tours. Blanco wisely sticks to organizing and polishing that analogic repertoire without adding anything else, and he lets Suárez dazzling mystery reveals itself slowly amidst jokes, music videos, dodgy video-camera effects, and lots and lots of other answering machines.

Elusive, unconventional, on a quest for the absolute: painter and photographer Dora Maar left a unique and still largely under-appreciated body of work behind her. Maar’s extraordinary life saw her working alongside the greatest names in the Parisian art scene; she was also the lover of Picasso and the wife of Georges Bataille. Toppling conventions and shattering norms, Dora Maar breathed strength and character back into the image of 20th-century women. Hailed by critics, this film is an intimate portrayal that handles its subject with skill and sensitivity.

A Italian documentary by Luca Comerio.

Off-frame. A combination of physical shots. A trace of hands joining film with film. A 200-ft lengthy question about 'something' existing between film cuts.

In-Between Takes is a story of what happens in between two takes on a film set, and showcases the subtle conflict that arise between cast and crew, told from the static observations of the film set's camera.

This reconstruction refers to a meeting that allegedly took place on 25 November 1804 at Fontainebleau between Pope Pius VII and Napoleon to discuss the coronation.

CREATION BETWEEN TWO SURFACES A Film By Hossein Rajabian Statement I've tried my best to make a film about wisdom, rather than insanity. I firmly believe that we may not believe in wisdom and that's why we continue to live in madness. We have to admit that almost all of us are - one way or another - the inheritors of our predecessors' insanity. To get rid of madness, we have taken a big gamble - i.e. thinking - in our lives. Hossein Rajabian

We remember dates and facts, while losing tiny details – like a bouquet of summer wildflowers, tears from onions, winter cold on a bus stop bench. We remember the birthdays of our beloved and how they like their tea, but we forget unexpected touches, floating glances, casual chats. And sometimes – when we are rapidly torn apart from each other – we engrave such moments into our memory.

Two years after the mysterious disappearance of their eldest son, Lukasz, an immigrant family is still distraught. Kasia the mother, Tomek the father, and youngest child Patryk cope with their loss.

A documentary about dreams that run away when you wake up, but above all about fragments from dreams that linger. And about fears as driving forces.

The camera pans slowly through the deserted streets of a middle-class suburb: singlefamily houses with nothing unusual about them, well tended gardens in front, fences, road signs. The voice of a young woman reports on the way her family spent their days when she was a child and how this was characterised by punctuality, exclusion, limitation and conformity.

Short film deals with the relationship of a peasant couple from Majdal Shams in the occupied Golan Heights, through their journey towards their cherry-trees orchard adjacent to the Syrian-Israeli border, torn apart in between two fires; echoes of the constant shelling in Syrian and decades-old Israeli forced occupation.

Within a circle humans exploit animals--predators and victims share the same vital space, for good or for evil. Was the first weapon created to kill, to hunt or for defense? Do we stand innocent or guilty in our treatment of animals? With its brilliant reds and blues exploding within the heartbeat of the circle, now a radar screen, now a target, now a planet, Between Red and Blue explores the dichotomy inherent in life.

Bina (46), religious woman from Jerusalem, arrives panic-stricken at the hospital after her son Oliel (25) was severely injured in a stabbing attack. This is the first time she sees him since he became secular and lost contact with the family. Her husband, Meir (50) comes later only after their daughter Ester’s (28) insistence. At the hospital, Bina meets Amal (24). While Meir searches for answers to revive Oliel, the two despondent women bond with one another. However, Amal hides a secret from Bina and Meir. While waiting for Oliel’s revival, they will learn about truth, faith, understanding, acceptance, and love that can and maybe should replace fear of the unknown.