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Daisy's task as a new maid to a wealthy family is to watch over a young kid, but unknowingly she's being watched by the kid's father. When temptation kicks in Daisy and the wealthy family's lives start to shatter in pieces.
A piano composer's family moves into a new house; when his pregnant wife collapses from working to support the family, he hires a hot housemaid to help with housework.
Eun-yi is hired as a maid in a mansion owned by a wealthy businessman. He quickly starts seducing his employee who seemingly has little choice but to comply with his sexual advances. Soon the women of the family plot against Eun-yi who must fight an equally devious battle to protect herself.
When an orphaned Vietnamese girl is hired to be a housemaid at a haunted rubber plantation in 1953 French Indochina, she unexpectedly falls in love with the French landowner and awakens the vengeful ghost of his dead wife... who is out for blood.
The Housemaid tells us about a girl, Zhang Pan, who comes to Beijing from a small city with a big city dream. But she has to start with the lowly job as a housemaid. At a wealthy client's home, she is lured to wear sexy suits to work for more tips. She want to resist but her financial difficulties gave her no choice. Her younger brother came to her and saw his sister's living skills in Beijing.
By taking Jean Genet’s play The Maids as a point of departure, the film is a journey in the mind space of two sisters. The maids take over their vegetative Madame’s room and her wardrobe . Through the passage of their everyday dreams and reality, they enact a freedom that they will never feel.
French short film.
Comedy short (only fragments remain at LoC)
Eun Sangcheol and his four children encounter difficulties after the sudden death of his wife. Then, a suspicious housekeeper named Park Boknyeo appears. Because of the housekeeper, Sangcheol and his children faces various cases and family members who hate each other begin to experience love and reconciliation.
Woo-joo, who has a lot of work due to word of mouth as a prostitute, does all her work even if she got pregnant and dreams of a normal life. Sepn, the daughter of Woo-joo who is about to graduate from high school, stays in a palace-like house but feels unreal. She seems to smile brightly at her mother who seem to be the object of resentment all her life. Seon’s joy didn’t last long. It’s not easy to manage a house that big. She doesn’t want her mother to do the chores, so she’s not making excuses to stay at home. To look good for her boyfriend, her mom would give her money, but she feels uneasy to accept it. Good house, good food to eat every day, the more she wants to have more. Seon acts cutely to the quiet and kind-looking house owner to ask for money. He shows her the shoes he never wore, thoughtlessly looking cute. Seon gets quite a bit of money from a nice, older guy, but this guy seems to be a bit dark.
A housemaid and a young son of the family she works for has to come to term with the inevitable parting as the end of the day is fast approaching.
After the death of her grandmother, filmmaker Juliana Fanjul has to return to Mexico City, where she realizes how unfair is the relationship between housemaids and their employees.
Seven adolescents take on the mission of filming, for one week, their family's housemaids and hand over the footage to the director to make a film. The images that confront us uncover the complex relationship that exists between housemaids and their employers, a relationship that confuses intimacy and power in the workplace and provides us with an insight into the echoes of a colonial past that linger in contemporary Brazil.
When 52-year-old Nora plays her supporting role for the umpteenth performance and again undergoes the toxic behaviour of the theatre company and the bullying of the male lead actor, she decides to take matters into her own hands.
A housemaid is cleaning a studio. When she sees a sculpture of a nude woman in life-size, lying on a couch, she starts to compare this idealized body with her own. She takes off her clothes one by one, thus revealing her own naked body, and she compares the various parts of her body with those of the statue. The master of the house enters the studio. When he sees his housemaid naked, he tells her to go into the next room, and then goes into that room himself.
The Male Housemaid is a Danish film from 1938. With script by Fleming Lynge & Svend Rindom. Direction by Arne Weel.
A newly employed maid has trouble with her tasks, which becomes evident when grocery shopping is on the menu.