The Gospel Of J

Pippo is a stage director who visits a refugee center to see how the refugees spend their days, in a sort of limbo made up of painful memories and fears for the future. Little by little, the refugees open their hearts to the director and tell him their stories, some of which will be in this film, others staying secret. In the end, the idea of staging the Gospel takes shape, as incarnated in these individuals, who inevitably find themselves key players in a new age.

Filmmaker Jean Donohue unravels the story of an underground gay, gender bending community rooted in the Civil War and on a continuum through the closeted Old South homosexual society, gay liberation of the 1960s, the ecstatic 70s, to the grip of fear at the rise of the religious right and HIV AIDS epidemic of the 1980s. In 1970, the Old World Southern gay culture was changing, enter The Pagan Babies, a loose group of artists and drag queens who set out to challenge the hierarchical homosexual society with guerrilla theater interventions and fantastic costumes. Before Robert Mapplethorpe's infamous photos, there was R. Michael Walker and John Ashley who documented the Pagan Babies. The film also features a Kuchar film and this is what happened.

Liz and her brother, Joey, bring their friends, Casey and Steve, along on their family's camping trip. They were planning on a relaxing vacation, but a river excursion ending in a popped raft leaves them stranded in the forest with no way to get home. Helplessly lost and confused, they meet Chuck - a failed forest ranger who knows less about the forest than a squirrel knows about the South Pole. They get further lost along the way and have some frightening run-ins with nature while Chuck teaches them about something that he actually does know a lot about, the spiritual armor that God gives to believers to fight off the schemes of the devil. Join Liz, Joey, Casey, Steve and their new friend Chuck as they discover more about who God is, the salvation that He offers, and the armor that He gives to His children!

Ok, let's admit it. We all miss him. Sure, there's Jan & Paul Crouch and even Pray TV's "hair apparent," Pastor Benny Hinn - but nobody, nobody, nobody can hold a collection plate up to "Brother Bob" Tilton. You know it. we know it. And most of all, he knows it.

Machanic Manyeruke is the founder of gospel music in Zimbabwe—though, his influence reaches far beyond the borders of his African country. Filmmaker James Ault places Manyeruke in his contexts and explores his influence on gospel music worldwide.

Long before Elvis was heralded as the king of rock ‘n’ roll, he was a faithful fan of gospel music. Although it was instrumental in shaping his spiritual life as well as his career, no documentary has truly chronicled this facet of his life…until now. He Touched Me: The Gospel Music Of Elvis Presley features more than 30 of Elvis’ gospel recordings and never-before-seen footage. This 3-hour collection, filled with personal stories by those who knew him well, goes behind the scene of Elvis’ career. Discover how Elvis was dramatically influenced by two of southern gospel music’s premiere quartets, the Statesmen and the Blackwood Brothers. Learn the controversy surrounding this performance of "Peace In The Valley" on the Ed Sullivan Show and hear the surprising story behind the recording of his signature hymn, "How Great Thou Art." You’ll see Elvis in a new light as you witness how deeply he was touched by gospel music.

For decades, scholars have increasingly placed The Gospel of Mark in an oral context, believing it to be a written document intended to be read aloud to an audience. Concordia Seminary’s dramatic presentation of The Gospel of Mark is not simply a recitation of the text, nor is it a play based upon it. Instead, you will hear the text of Mark come alive as never before in an interpretation of the way in which it might have impacted those who first received it.

Gabriel, a young Georgian man, has a love relationship with a transgender woman Amaia, who lives in the Tbilisi suburbs. Embedded in the reality of Georgia, their relationship is threatened. They are given over to the sheer strength of their feelings and are fragile in a violently hostile environment. A narrative of exemplary discreetness.

Evangelio mayor is almost entirely shot in the building which was being renovated in Madrid between 2019 and 2020 to house the Josete Massa LGTBIQ+ public residential care home for the elderly, the first of its kind in the world. The film takes advantage of the site under transformation to stage two things. The first is the lucid and harsh testimony of Ramón Barreiro, struck by AIDS in the early eighties and a survivor after many years of struggle and serious aftereffects. The second, a series of dialogues taken from the four Gospels, in which elderly members of the LGTBIQ+ community cite “the old words anew and in a new way”, as one of the notices which can be read at the beginning of the film states. Provocation is by no means the primary intention behind showing them; nor are they composed of irony. Rather, the film understands that the biblical text, as the basis for rituals and stories shared by generations, is a vast framework or grand code which can be harnessed dramatically.

The unmistakable voice of Whitney Houston is powerful and timeless. She reached the pinnacle of pop success becoming one of the most accomplished recording artists of all time. But her heart was always in Gospel music, and it profoundly influenced her life and career. From her first public performance to her best-selling Gospel album of all time, The Preacher's Wife, experience how profoundly Gospel music influenced her personal life and helped shape her career.

A series of tragicomic events during the three last days of a Greek Easter.

In 1959, a body of a flight attendant of an international airline is found, strangled. Detective Rokuro Fujisawa takes charge of the investigation with a young detective Ichimura and his investigations lead him to Father Tolbeck as a suspect. But the police are forced to move very discreetly as the time was right after the Second World War, when a sensitive situation that involves Western people and religion is likely to become an international issue. The investigation leads to an unexpected discloser of a shadowy business behind the church that reflects the uncertainty of the time.

Soul-stirring, groundbreaking gospel musicians, including several who've rarely graced the screen, perform in this spirited compilation that showcases the depth and emotion of this musical genre. Highlights of the powerful collection include numbers by Melba Moore, Bishop Richard White, Sister Katie Sankey, the Brooklyn All-Stars, the South Florida Gospel Singers and the Violinaires.

Raymond Anthony Myles was the electrifying Gospel Genius of New Orleans. Like a comet shooting across the sky, he was here one minute – brilliant, incandescent and unmistakably unique. And then, just as quickly, he was gone… But Raymond was more than a maverick musician. He was also highly representative of a vital but scorned minority within the Black church: a queer man who struggled with dogma and Scripture that said, "God's love does not apply to you."

Albertas, a lift-operator, sits all day waiting for someone to ring the elevator. His wait transcends his sense of community and symbolism, a sign that someone needs him. The film, rife with surreal humor, is the documentary version of Samuel Beckett’s ‘Waiting for Godot’.

A cinic director and his assistant come back to Basilicata, their homeland, looking for redemption. 50 years aged and aristically loser, they try to shoot a rickety investigative movie titled "Il Vangelo secondo Mattei" in the same location where Pasolini filmed his "The Gospel According to St. Matthew" but focusing on the disasters caused by oil extractions in their wasteland of Basilicata, in the south of Italy. As main character, they choose Franco, 70 years old, that was an extra in Pasolini film...

A universal anti-religious satire which occurs in the latter of 2001 and deals with the life of God and his son Jesus. While Jesus is trained and sent to bring redemption, God is desperately seeking for the meaning of his only incomprehensible creation - Love.

In the palimpsest of a city like Naples, which holds countless stories in its heart, we stumble upon that of Ciretta, the 27-year-old son of a prostitute and an unknown father, who occasionally sells his body too, but also worships the Madonna and has an almost heavenly voice. The outcast child of a society that often has no room for those who do not fit into molds, Ciretta will find refuge and companionship among the people who gather around an old theater in Naples, now closed due to the pandemic. There he will dream of the possibility of a better life, until the theater is sold to become a hotel. Ciretta will be forced to find a new haven for both himself and his beloved statue of the Madonna, in this tender, melancholy tale of battered people who seem born to be movie heroes, and a city that changes almost before your eyes.

An innovative approach in retelling the tale of Judas Iscariot, known for his biblical betrayal of Jesus when he disclosed his whereabouts for 30 pieces of silver. About to die, Judas reflects on his life and his relationship with Jesus and the disciples.

In 2003 an all-star cast of gospel singers took Bob Dylan's gospel compositions and created a GRAMMY-nominated album. Now Gotta Serve Somebody: The Gospel Songs of Bob Dylan features roof-raising performances by these spirited artists while documenting the making of the album of the same name, interweaving bracing reinterpretations with interviews of these celebrated gospel artists. It also presents commentary by musicians including Jim Keltner, Spooner Oldham, Fred Tackett, and Regina McCrary, who recorded and performed with Bob Dylan during his gospel period. Legendary record producer Jerry Wexler and respected music journalists Paul Williams and Alan Light also offer insights on this fascinating body of work