The Garden Of Allah

Dr. Nam, in his will, requests that his eldest daughter, Jeong-hui(Choe Eun-hui), marry a painter named Dong-su (Nam Gung-won). Jeong-hui is at risk of losing her house due to her father's debt, and a young physician Sun-cheol (Kim Seok-hun) who received his college education with the financial support of Dr. Nam, helps her by selling his own house. Despite his love for her, Sun-cheol cannot express his feelings because he knows of the request in her father's will. When Jeong-hui looks for a job to support her family, Bang, whom Dr. Nam once cured, offers her a position of saloon madam. Meanwhile, her younger sister Myeong-hui (Choe Ji-hui) promises Dong-su her hand in marriage. Jeong-hui, now running the saloon, wishes them happiness. It is only when she gets a proposal from Bang and decides to accept it that Sun-cheol confesses his love for her. Moved by Sun-cheol's true affection for her, Bang gives her up, and Sun-cheol and Jeong-hui exchange vows of marriage.

The Servamps and their pact-bound "Eves" are finally getting back to their normal lives as they recover from their injuries from the previous battles. However, when it starts snowing in the middle of summer, one of the Eves, Mahiru Shirota, suspects vampiric interference. Concerned by the strange phenomenon, he sets out to gather the group once more to try and solve the mystery; however, they suddenly lose contact with Misono Arisuin, the Eve of the Servamp of Lust. This movie delves into the untold past of Misono and his brother Mikuni Arisuin, as well as the many mysteries of the grand Arisuin Mansion.

Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, Juan heads for Madrid to work for Franco. Juan also leaves behind his impoverished cousin, Ángela, pregnant with his son. Jump ten years. Juanito, the lad, has rheumatic fever. The doctor says to pamper the boy. Ángela, Ana, and his grandmother comply. As Juanito recovers, his father returns in desperate need of cash; Juanito witnesses a theft blamed on his innocent mother. Things come to a head at a saint's-name party for father and son. Jealousies, betrayals, and a bullet converge.

The film tells the story of an endless night with Alsa, a central character with insomnia and continuous delusions, while an impossible movie is shot behind her back. Mental illnesses, pills, the fear of the future and the present, suicide as an escape door to darkness, the mediocrity of the artist and the despair of Spain today and the obsessive search for endurance and infinity.

When As’ad, a 12-year-old rubbish picker, adopts an American sex doll from the Baghdad dumps, he crosses into a perilous red zone, finding himself caught in the crossfire between abusive forces of commercialism and fundamentalism in a world where defenders of humanism have lost their power. He embraces the courage it takes to not just survive, but live.

A small picturesque town at the turn of the century. The conservative views of the townspeople are shaken when they find out that the school teacher Franzén published his own poetry anonymously many years ago. At the same time he acknowledges his love affair with a waitress at the city hotel, Fanny. What is most upsetting is the fact that Fanny has a grownup daughter, Anna, with no known father. Could their poet teacher be the father although he and Fanny are not married?

Throughout the seasons, the work of a farmer in his vegetable garden, from the seed to its fruit.

Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, the autonomous Jewish zone in Russia, leaving him a valuable art collection and the hand of a huge sculpture of a Golem. The uncle's will instructs Danny to find the rest of the statue, so Danny, who speaks no Russian, embarks on a trip that takes him (and the Golem's hand) to Moscow, St. Petersburg, and Siberia, fumbling with hotel clerks, taxi drivers, and bureaucrats, following leads, and making discoveries about myth, story telling, art, and hope.

A solemn flower, dried out and left in shadow.

A middle-class couple’s marriage is called into question during a quiet getaway when a gardener’s unwitting comment stokes old resentments. Much that has been suppressed over the years spills out, as the wife mulls over all her sacrifices through the years. Language: Hindi (subtitles available)

Using variations of color and light, this is a method that I attempted to translate how I feel for a special someone on her special day.

One of the lead characters is Maria, an inn keeper; always a bride but never a wife. She meets the newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. The film is full of fireworks of lovely colours, and a warm feeling. It is like a carousel of humour and human situations that carry us away, from the very first frame to the unexpected ending, making the viewer laugh gaily. Using a mosaic approach to the traditional narrative line, the film director creates a picture of fairly anarchic glee. “Celebration in the Botanical Garden” is a world of fantasy, full of summer fun, good humour and delight. E. Havetta´s debut was inspired by naïve art, French impressionism, and silent slap-stick as well as Western Slovakian folk traditions.

In the center of the story are middle—aged women who live far from the capital and fight every day for a decent existence , one of them was lucky — despite everything, she allowed herself love.

The moon shines, a young couple plays in the forest. Their game leads them to an unfamiliar garden, in the middle of a clearing. Unaware of danger, the young lovers enter the maze of a garden at midnight. Little by little, they are submerged by a intoxicating spell. They lose themselves in the strange labyrinth. Will they manage to break the spell that keeps them prisoner?

In the garden of a Baroque villa, a chamber orchestra is playing Mozart’s wonderful quartets and quintets, and everywhere is pervaded with echoes and references to the composer’s world. As if by magic or conjured by the imagination, figures emerge from the shadows of the labyrinthine garden: they are Mozart’s characters, and they play with – or perhaps make fun of – the guests at the party, embroiling them in their well-known amorous dalliances. This piece, in which the spectator encounters among the dreamlike medley many well-known protagonists from Mozart’s operas (including Figaro, Don Giovanni, and the Queen of the Night), is a full-length choreographic work by Massimiliano Volpini, who himself performed on stage for many years as a dancer with the Scala ensemble.

Nicholas is a boy who loves detective stories, after moving into a new apartment he becomes convinced that the caretaker has murdered one of the tenants and is trying to get rid of the body.

A collage of memories, still photography and narration, reflecting on family, home and the importance of a garden.

Amal and Mustafa are an Iraqi Turkman couple that have shared a long life together in northern Iraq. When Amal decides to renovate their home after a decade of war, Mustafa retreats to the garden, where he encounters the curious gaze of his grandniece and her camera.