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Tai Che Ni is a cheerful and diligent delivery worker in the year 2000. He has been given an item to deliver to a man named Hai Yi. But something very strange happens to him – and he suddenly finds himself transported 22 years into the future...to the year 2022! He finds Hai Yi, the young heir to a massively lucrative business group empire.
At first, Tai Che Ni is utterly distraught by the fact that he has been brought to the year 2022 – and longs to return “home” to 2000. But as he begins to spend time with Hai Yi, he starts to become attracted to him – and discovers a tender side to the business heir that many of his acquaintances have never seen before. Could he find happiness here in 2022? Or will the pull of the past separate this duo? Meanwhile, love could also be set to bloom between a seemingly cold-hearted company manager Liang Wen Hsen, and the office’s newest recruit – a tender-hearted orphan named Lin Huai En.
The Ihme-Zentrum is a residential, shopping and economic center in the German city of Hannover. Planned in the roaring 1960ies the building has been subject of discussion for many years. The shopping mall is abandoned after the investor, the Carlyle Capital Corp went bankrupt in the Financial Crisis of 2007/2008. It is considered one of the ugliest buildings in northern Germany and a symbol for bad planning in Urban Science. In 2014 the journalist and expert on sustainabilty Constantin Alexander moved into the complex as an experiment linking a New Journalism approach with an environmental scanning. This blog documents his analysis. In spring of 2016 together with a group of inhabitants, architects, artists and other experts he founded the group Zukunftswerkstatt Ihme-Zentrum (future workshop). The goal is to transform the Ihme-Zentrum from a ruin into a new landmark for Hannover and a symbol for a modern, sustainable and creative city.
Choi Eun-hee’s directorial debut The Girl Raised as a Future Daughter-In-Law is the story of ups and downs of a future daughter-in-law who, due to poverty, married an infant rich groom. A ruined widow’s daughter Jum-soon has no time to rest, as her mother-in-law treats her like a maid, leaving her with all the kitchen chores, house cleaning, grinding grain, and sewing, while the mother-in-law smokes a pipe and nitpicks on her. What allows Jum-soon to endure is her ‘duty as a woman’ taught to her since young and her child husband’s lovable yammering.
Filmmakers that were selected at Visions du Réel in the past twenty editions celebrate the Festival's anniversary by each making a short movie in which they expose their view of the future.
A film about the band.
Yuuto Matsubara is a 27-year-old man who works in the sales department of a major toy maker, but he isn't able to pursue his dreams, and he feels hollow every day. He's even given up on love with his childhood sweetheart Ai. One day a "Time Driver" robot that runs on the power of dreams appears in front of him, and he is forced into the cockpit against his will. Inside is a 12-year-old version of himself.
The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.
1982. German film director Rainer Werner Fassbinder secretely arranges a temporary exit from the world : thanks to the pioneering technology conceived by a French physicist, he has his prematurely aged body cryogenised for posterity. He wakes up in France, in 2028. The country has fallen under the yoke of a depressing dictatorship
A look at the restoration of Ridley Scott's Blade Runner (1982) and the creation of its final cut, including the tweaking and/or erasing of some of the original's beloved goofs.
A man sits in his rundown apartment and watches a TV. After he has eaten his fill, he leaves. Through a seemingly never-ending corridor, past houses which are reminiscent of war photography. He boards a train. Keeps on straying by foot through a dark, dystopian world. Does he even have a destination? Eventually, he meets a woman. The eponymous Bright Future is nowhere to be seen, but maybe something like love?
Centered on a couple newly in love, the film explores why people time after time enter new love relationships.
1. A stream of water starts from the deep end of the mountain. The afterimage of its surface and the small life forms beneath the water. The static forest and rocks. As we pass this landscape, we enter a long-stretching two-lane road that leads to a memorial park surrounded in silence. 2. A present buried under the past. A future which will be filled with idle hope. A present from a distant past. A present from a future to come. A present in sequence where the past and future endlessly meet. A present surrounded by silence.
A warrior seeks his true origins in a seemingly prehistoric wasteland.
Tracing the Future follows In the Wake exhibition artist Naoya Hatakeyama as he photographs the devastated landscape of his hometown of Rikuzentakada after 3/11. Hatakeyama, who represented Japan in the 2001 Venice Biennale and is renowned for meticulous photographs that explore the relationship between humankind and nature, suffered enormous losses on 3/11: his family home was washed away in the tsunami and his mother lost her life. Tracing the Future delves into the artist’s deeply personal response to the disaster and explores his four-year-long mission of documenting the place of his upbringing.
Renato Nicolini is travelling along the Grande Raccordo Anulare. The traffic flows behind him like thoughts that have been triggered in a logic of free association. His story consists of memories and connections that span esoteric suggestions, city-planning considerations, and metropolitan legends.
The 3rd live-action Ensamble Stars
Nyancos are UFO-riding cat women from space. They are whimsical, charming, and love all things beautiful and artistic as they watch worlds blossom. The OVA contains no dialogue, only background music.