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Samad is a 14-year-old boy, living in a refugee camp in Imishli. After blacking out in the forest, he finds himself in the midst of the Nagorno-Karabakh War that happened ten years ago.
After the years of pointless and exhausting wars USSR fell into the deep economic and humanitarian catastrophe. The environmental pollution forced people to move into one mega-city and soon it was decided to develop and implement the AI analog of the government with a fully automated workflow. The transition into the cybercommunism has begun. Unfortunately, this technology has not justified itself and soon The Central Computing Machine slowly started to create its own army of obedient sitizens. As a result of repressions and general barrenness the biological population of country has reduced by two thirds during the last 50 years and is expected to be instinct by the end of this century. At the same time country is on the brink of war waiting to spread the ideas of cybercommunism around the world. But not everyone is willing to fight this war.
A documentary film about Erkki Kurenniemi (b. 1941), whose career represents a surprisingly natural blend of music, film, computers, robotics, science and art.
This film is based on incidents that took place in the country within the last 20 years and the impact they caused on the lives of people. It also focuses on the wide-ranging problems faced by the youth of this country.The youth focused on are two young hired assassins, Lionel and Dhammika, who are hiding out while their deed is on every television. The same television also shows them John Travolta's violence in Pulp Fiction--strictly amateur stuff! While they are hiding in Colombo, Bandarawela and Ahatuwewa drink, try on hip-hop clothes, befriend an upper class girl. It's only a matter of time until their acts catch up to them. Will they escape once again?
Nick, a jobless cook, falls in love with Anna, a film student. Some time after their adventurous first night she leaves him. Then time starts to run backwards - for everybody but Nick. He finds himself in a backwards world, everybody talks, runs, eats backwards. He accepts the situation, realizing that Anna is bound to return to him this way. He wants them to live together, him forwards, her backwards...
“Where are tomorrow’s opportunities? What’s ahead in America for you and your children?” asks narrator Lowell Thomas. Looking into the future, Thomas predicts economic revitalization made possible through industrial research. The “frontiers” are emerging fields such as aviation and television broadcasting that will create new opportunities and products for Americans.
A documentary about Kari Aro, the distinctive manager of Koho -hockey-stick factory, whose visions were to change the world. Story about the fairy-tale -like success, the destructive power of money and Aro's faith in goodness of people.
For Robert Gladitz and Elina Miller, the world suddenly turns upside down when they learn in 2021 that they are going to be parents. One thing is immediately clear to both of them: they want a better world for their son. So they establish a 'thrive village' in a small village in Bali. The community around the young couple grows quickly. A collective that has made it its mission to develop and promote projects that make the world a little bit better. Cooperation comes first. For many, this is also an opportunity to start over and let go of old burdens or traumas.
“If we vanished tomorrow, no organism on this planet would miss us. Nothing in nature needs us”. María Cañas meets the Anthropocene in this search-footage film starring the animals that (hopefully) will take over the world when the most harmful species (the human one) materializes its own destruction.
Some years ago, director Ina Pillat discovered the story of an early synthesizer from East Berlin. She is herself from the DDR, but lives in Norway. This early electronic sound generator was far ahead of its time. She gets curious, what is the story behind this unique invention?
Tai Che Ni is a cheerful and diligent delivery worker in the year 2000. He has been given an item to deliver to a man named Hai Yi. But something very strange happens to him – and he suddenly finds himself transported 22 years into the future...to the year 2022! He finds Hai Yi, the young heir to a massively lucrative business group empire.
At first, Tai Che Ni is utterly distraught by the fact that he has been brought to the year 2022 – and longs to return “home” to 2000. But as he begins to spend time with Hai Yi, he starts to become attracted to him – and discovers a tender side to the business heir that many of his acquaintances have never seen before. Could he find happiness here in 2022? Or will the pull of the past separate this duo? Meanwhile, love could also be set to bloom between a seemingly cold-hearted company manager Liang Wen Hsen, and the office’s newest recruit – a tender-hearted orphan named Lin Huai En.
The Ihme-Zentrum is a residential, shopping and economic center in the German city of Hannover. Planned in the roaring 1960ies the building has been subject of discussion for many years. The shopping mall is abandoned after the investor, the Carlyle Capital Corp went bankrupt in the Financial Crisis of 2007/2008. It is considered one of the ugliest buildings in northern Germany and a symbol for bad planning in Urban Science. In 2014 the journalist and expert on sustainabilty Constantin Alexander moved into the complex as an experiment linking a New Journalism approach with an environmental scanning. This blog documents his analysis. In spring of 2016 together with a group of inhabitants, architects, artists and other experts he founded the group Zukunftswerkstatt Ihme-Zentrum (future workshop). The goal is to transform the Ihme-Zentrum from a ruin into a new landmark for Hannover and a symbol for a modern, sustainable and creative city.
Choi Eun-hee’s directorial debut The Girl Raised as a Future Daughter-In-Law is the story of ups and downs of a future daughter-in-law who, due to poverty, married an infant rich groom. A ruined widow’s daughter Jum-soon has no time to rest, as her mother-in-law treats her like a maid, leaving her with all the kitchen chores, house cleaning, grinding grain, and sewing, while the mother-in-law smokes a pipe and nitpicks on her. What allows Jum-soon to endure is her ‘duty as a woman’ taught to her since young and her child husband’s lovable yammering.
Filmmakers that were selected at Visions du Réel in the past twenty editions celebrate the Festival's anniversary by each making a short movie in which they expose their view of the future.
A film about the band.
Yuuto Matsubara is a 27-year-old man who works in the sales department of a major toy maker, but he isn't able to pursue his dreams, and he feels hollow every day. He's even given up on love with his childhood sweetheart Ai. One day a "Time Driver" robot that runs on the power of dreams appears in front of him, and he is forced into the cockpit against his will. Inside is a 12-year-old version of himself.
The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.