The Frenc

In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?

Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.

To get a job and marry the nice Yvette, a quilt teacher, Julien goes to Paris. On the station platform, he swears loyalty to her, but as soon as he arrives in the capital, the seductive provincial wreaks havoc. His insatiable landlady, all the saleswomen of the shop where he is hired as an accountant, at the slightest pretext, solicit him, undress and abuse him. Finally arrives the boss, Joëlle... who is the exact double of Yvette, without her pigtails! Julien then loses his head and falls in love with the double.

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.