The Evil In Us

- 1879. One thousand five hundred men walk in the desert under the orders of General Roca. They are going to build the space of the Argentine nation. They move forward undoubtedly to the big South, there where there is nothing, by carrying with them the civilization. A century later, in 1980, in the city now named General Roca, the military junta in power organizes a national congress of history to celebrate the centenarian of the conquest of this desert.

The Evil Principal Svint, a vindictive madman is rampaging through middle schools in Trøndelag, Norway stealing the teachers knowledge and their joy of life. Anna and the rest of the children starts the intense fight to stop the evil Principal, and thereby releasing the stolen knowledge and joy from his life-sucking machine.

Lyda is a prostitute with no education and no hope for the future. Unfortunately, this ungrateful job leads her to have an unwanted pregnancy, and once born the child abandons her. Lyda becomes obsessed with the life of her only child.

A boy sits alone in his room, but he hears a noise. What is this noise, who is making it?

Laura and her family arrive at an isolated house in the middle of a forest. After a few hours in the house, Laura will realize that something horrific happens in the house and try to convince her parents to leave the house and never return.

The basis of the story is the presence of the young writer Branislav Nušić in the salon of King Milan Obrenović. Apart from depicting the situation in Serbia at the end of the 19th century, it describes Nusic’s release from prison and his request for pardon from punishment for his satirical poem.

The film is a black comedy that deals with privatization in Southeast Europe.

Lieutenant VB, disguised as a laborer, is looking for a young woman killer among the staff of a wheel loader. But which of the possible motives found is the right one?

A vagabond arrives in a Flemish village. He's looking for his childhood love, but the villagers believe he has the evil eye.

Hiroki Matsukata plays Ogata, an Osakan restaurant worker that gets sent to prison for murder. The film details his subsequent attempts to escape. It's the third and final entry in the "Hiroki Matsukata Toei Jailbreak Trilogy" following Escaped Murderer from Hiroshima Prison (1974) and Riot in Shimane Prison (1975), both directed by Sadao Nakajima.

Two brothers in love with themselves and their youth spend an afternoon around the city. Two bodies united in hedonism and blood, condemned to break and save each other in eternal adolescence.

Chrissimo and Luisa are driving to his parents. During a break in a wonderful flower field, Luisa doubts the young relationship and the journey becomes a disaster. Who is overly sensitive? Is someone overreacting? And why the hell Baudelaire?

Wo Tin travels from Hong Kong to Thailand for business, having been invited by his brother. A young Thai woman, Lala, accompanies him and they pick up a wounded young woman before being embroiled in crocodile evil…

Specialized in abstract art, Hsu Pao-Ching is a middle-aged painter who struggles in his career. By chance, he begins giving at art lessons in a prison, where he discovers that Chou Chang-Ting, one of the inmates, has great talent for painting. He holds am exhibition of Chou’s works, however as Chou committed random attacks and killed several people, a protest is staged against it. In the end, Hsu gets hurt and the exhibition is withdrawn. Hsu cannot understand why the public cannot appreciate art without prejudice and decides to approach the victims’ family. Moreover, Hsu goes to Chou’s old family home in search of the inspiration for Chou’s paintings.

In 1984, Moncerf, a village in the Haute-Gatineau region, is stricken by cases of porphyry, the werewolf disease. Several families evacuate the region, where teenagers who have morphed into wolves may have devoured a sheep and a dog. Some of the residents in Moncerf attribute the apparition of this phenomenon to unemployment and general misery among the youth of the region.

A 1981 Hong Kong thriller from actress turned directed Kao Pao-Shu.

Citing Nietzsche, Müller defines intellectuals as the "ploughshares of evil," whose task it is "to create chaos, to destroy conceptions of order." Not "trace elements of reason," but rather chaos can perhaps bring about enlightenment.

The bus driver Nakatsuka Yukihiko saw in his dream the sexual fantasies involving one of his regular female passengers - Noriko Otomo. On the other hand, she sees the same dreams.