The Death Of My Two Fathers

Cemetery watchman, Francesco Dellamorte, is tasked with dispatching the recently deceased when they rise from their graves.

A group of tourists arrive to see the botanical gardens on a small island off the Italian coast. The only inhabitants of the island are the famous botanist Baron von Weser and his two faithful servants; all of the other residents fled after a series of mysterious deaths. When the car driven by the tourists' guide hits one of the baron's servants, von Weser explains that the death was due to a rare and incurable disease, not the accident. That night, the guide and Cora Robinson, one of the guests, are found murdered with all the blood drained from their bodies.

A determined TV reporter is out to find a maniac who is methodically attacking lone women drivers on the Los Angeles Freeway by pushing them off the road with his powerful van.

On his deathbed, the reigning king bestows power to an unexpected heir who must find strength within himself to unite his people against the violent crusades which threaten their freedom.

The four turtles travel back in time to the days of the legendary and deadly samurai in ancient Japan, where they train to perfect the art of becoming one. The turtles also assist a small village in an uprising.

Achilles, a normal man infected with a disease that will bring down the Erebus rulers (human/machine hybrids) escapes back in time from 2410 to the present day where he has a chance to stop the Erebus from ever rising to power. However he is followed by the Erebus-7 who will stop at nothing to hunt him down.

A comedy film that looks into the loosely connected lives of people with strange sexual fantasies.

Always Amazing is the story of The Amazing Johnathan’s storied career as a comedian/magician, the unlikely friendship that was cemented after meeting a 12-year-old boy while on tour in Australia and the unfortunate terminal diagnosis that brought them back together for one last run of shows.

James Iglehart is Doug Russell, an American who steals a shipment of gold in the Philippines with two Vietnam War buddies, who cut his throat and throw him overboard. Russell washes ashore an island inhabited by two Japanese soldiers stranded there since World War II. They nurse him back to health and he is taught martial arts and the art of the samurai. Back in the States, his treacherous pals, Marelli and Maghee, use their loot and viciousness to muscle their way into Los Angels mafia turf.

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

In an age of Gladiators, the power that was Rome held its empire together with the might of its armies, the sweat and tears of its conquests, and the cheers and bloodlust of its citizens – glorified in the deadly spectacle of The Arena. Stolen from their homelands, the fiery Druid maiden Bodicia, exotic slave girl Jessemina, and the powerful barbarian Flavius, are pitted against each other as gladiators by the sadistic Roman Governor Timarchus. Banished by Caesar, Timarchus unleashes his frustration on his gladiators, staging extravagant spectacles of combat, orgy and death. In a violent world where only the strong survive, love and hate, life and death, are separated by an instant.

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

Walter Paisley, a busboy at a cappuccino bar called the Jabberjaw, is praised as a genius after he kills his landlady's cat and covers it in plaster. Pressured to produce more work, he goes after bigger subjects.

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

In GLORIA! Frampton juxtaposes nineteenth-century concerns with contemporary forms through the interfacing of a work of early cinema with a videographic display of textual material. These two formal components (the film and the texts) in turn relate to a nineteenth-century figure, Frampton's maternal grandmother, and to a twentieth-century one, her grandson (filmmaker Frampton himself). In attempting to recapture their relationship, GLORIA! becomes a somewhat comic, often touching meditation on death, on memory and on the power of image, music and text to resurrect the past.

Two princes are seperated by birth; one is raised by the Prime Minister, the other by three mad Shaolin Monks. They both learn kung-fu. 23 years later, they meet and combine forces to defeat the tyrannical 9th Prince.

Miguel, a horribly disfigured young man, goes on a rampage at a masquerade party and rapes and then mutilates a girl. Institutionalized at a mental asylum, he is released five years later, into the care of his sister, Manuela who, along with their wheelchair bound mother operates a boarding school for young women. Miguel becomes obsessed with one of the girls at the school, and wants to resume his incestuous relationship with his sister.

Seven tourists sent by Satan to a castle are caught by a ghastly woman as they commit deadly sins.

After 23 years on Death Row a convicted murderer petitions the court asking to be executed, but as his story unfolds, it becomes clear that nothing is what it seems.