The Book Of Water Streaming Avec Sous Titres En Français

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Dalia, the daughter of a famous writer who has recently died, inherits the legacy of finishing his book. To do this, Dalia will become part of the book and will come face to face with the characters who have taken the theme of the book in order to be the protagonists.

Journey inside White House history to unveil fascinating truths behind secrets known only to the President.

A Romanian immigrant uses good food, good humor and good conversation to break down the walls around a reclusive woman's heart.

sequel to "Heremias Book One : The Legend of the Lizard Princess"

Nine-year-old Max Topas wakes up much too late one morning and finds that his parents and sister have vanished without a trace. Monsieur Quidam, a peculiar stranger, appears just at that ...

The film shows the manufacture of a luxury edition of "Mein Kampf" on real parchment, handwritten.

The 1960s, Netherlands. Thomas doesn’t realise it yet, but he has special powers. The nine-year-old sees things others cannot. He lives in a strict, religious family where his father, quick to cite the word of God, often resorts to violence. As a sense of injustice grows within him and a longing for freedom takes hold, Thomas begins writing his Book on Everything. In it, he wishes for his father’s punishment and encounters a host of unusual characters: Jesus Christ, a levitating lady with a piano-loving cat, tropical fish swimming in city canals, a young peg-legged witch living next door, and many others.

When, Birdie, fragile teenager with an overactive imagination is placed in an isolated Midwestern convent on the brink of closure, her strange and in some cases grotesque obsessions begin to consume her attention. Outside life beckons when she meets Julia, the confident, spirited maintenance girl, inspiring a growing infatuation. But privately, Birdie can’t turn away from her fascination with the gory and whimsical hallucinations that plague her. Birdie sets off on her spiritual quest to discover if the source of her visions is something saintly or a dark heresy. The convent itself holds ghosts of nuns who’ve met untimely deaths. Are they calling Birdie to the same fate?

Shinichi Tsuda, a Naoki Prize winning author, is working to publish his newest story. It revolves around Tsuyama, a driver for a call girl business in Toyama Prefecture, who comes across a mysterious counterfeit bill and has his life targeted by underworld kingpin Kurata. Is his story fact or fiction? His editor, Nahomi Torikai, decides to verify whether his latest work is mere fiction based on real-life experiences. She looks into a family that vanished, a post office worker who went missing, a shady load of cash, the whereabouts of the doves, and the fateful encounter from that night... A series of shocking facts are revealed from Tsuda’s stories. Why did the counterfeit money end up in Tsuda’s hands? What is the “ending” that Tsuda wished to portray?

Gabrielle is writing an illustrated guide book on sex called 'How To Do It.' At a book signing she meets Saul, an established male writer who is straight. She both loves and hates his work which has seeped into her secular Jewish life from childhood. The more Gabrielle tells him about her book the more he wants to know about her life; the relationship with her younger girlfriend Olivia and her determination to "stop using my penis in sex". As her book takes form, is Saul jealous or desirous? Their friendship is tested as is Gabrielle's relationship with Olivia. The film muses on how we write, how we draw. And the nature of "story" and what it makes us do.

Based on the first book of the Bible, Genesis is a sweeping and poetic look at the beginning of man's relationship with God. While Jochebed (Venus Monique) hides in a shelter to protect her son from being murdered, she tells him the story of her people over the course of a dangerous night. This film explores the idea that mankind will one day return to the place where we started, but that the journey will be filled with hardship, beauty, and a desperate need to trust the Creator.

Depicts the factual accounts of Vincenzo Di Francesca and Parley P. Pratt and how they came to appreciate the contents of the Book of Mormon.

The power of Satan is highlighted in four historical tales: the betrayal and subsequent arrest of Jesus, the Spanish Inquisition, the French Revolution and the execution of Marie Antoinette, and the Finnish War of Independence in 1918.

The Book of Leah is a coming of age story, a drama about love, culture, and above all a witness to history.

Ruth Coker Burks lives a busy life, devoted to her work, her six-year-old daughter Jessica, and her faith. When a handsome new neighbor turns out to be a gay New-Yorker who has fled the City and returned home after the death of his partner to AIDS, she decides to educate herself on the epidemic sweeping the country.

A dysfunctional family documents their discovery of an ancient Egyptian mummy on film. This trashy home movie soon merges with a sunday-afternoon tv-documentary and questions cinema, and the search for immortality throughout the ages.

The Book of Acts is a 10-part series of short Bible films dramatizing the 28 chapters that comprise the Acts of the Apostles. The series was produced in 1957 by Family Films on behalf of Broadman Films, based in Nashville, Tennessee.