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At Nemunoki, children and young adults with physical, intellectual or familial difficulties are gently encouraged to discover and develop their talents through such activities as painting, music, tea ceremony and dancing.
After witnessing his wife's illicit affair, a humiliated businessman flees deep into the countryside where he encounters a reclusive war veteran. Together, they strike a maniacal pact to take revenge on the man who cucked him.
The story develops into a lonely town in the middle of the desert, where the only person awake, a man in a suit, is always trying to start a car, but he never can. One day, after walking throught the desert for a long time, a woman and a kid end up in this town. The man in a suit offers them to stay the night. The days go by, and they almost don't trade any words between them. The town is always empty, but functioning. They just pass the nights and days inside, dancing without music, playing videogames or walking on the street, under the neon lights of empty shops, making calls without any answer.. The title (Ballad for a Kaiser Carabela) refers to the first family car manufactured in series in Argentina.
A fox and a panda enter the sheet music of the piece they're playing.
"I filmed my boyfriend at the time and tried to strip him, but in fact it's a film about ecology." -Soukaz Soukaz's first film, though lost for many years until it was finally recovered.
'A Ballad for dead children' is a tribute to Andrés Caicedo and Cali and it's group, as the seed of a cinematographic phenomenon, but it goes one step further. Testimonies and fragment readings compose, together with a very powerful archive material, the story of a story that has a deep sense and cinematographic interest: the story of Andrés and his eternal fascination with horror literature and cinema b, the of the boy who was born to write, that of the young man who decided to mock death by planning his own ending. A film that tries to maintain the difficult balance on the fine line that separates and unites the two: man and work, work and man, in an eternal and indissoluble way.
Since his wife left him, Jun has been a wandering soul who wonders what purpose all his suffering serves. In a simple farming village surrounded by barren hills, he takes care of a small temple. He looks at his hands: his right is blessed, and his left is deformed. He believes he has healing abilities and goes from house to house to help the sick. As the seasons pass, this gently-paced portrait of the wandering Jun is interwoven with impressions of village life, with its rituals and festivals, and poverty that makes many people desperate, and some defiant. Two sheep, destined to be sacrificed, add a grimly poetic note to this uncompromising and moving meditation on fate and the search for meaning. The body cam worn by one of the sheep also makes for some surprising shots. Meanwhile, Jun’s musings gradually reveal more about the crises he has had to endure and the reason for his self-sacrifice.
Balada Bala Sinema is a story about the journey of FFP (Purbalingga Film Festival) crews in their hardship of managing the festival for more than 10 years. In 2016, Yuda Kurniawan decided to record the journey of FFP crews in producing Layar Tanjleb. The shooting process of Layar Tanjleb that takes more than a month to complete is going to present us a delightful story.
An old woman from Caucasian Mountains goes to the front line do give her sons weapons of their ancestors.
A film impression, in which the images of ruined Warsaw (1945) are accompanied by Fryderyk Chopin’s ballade.
Pieces of wood are captured by a crow and dance in celebration of spring in this animated short film.
Temnikar's family prepares for Christmas, but to him, it's the time of dark premonitions and anxiety. In the mountain cave, hidden by snow, the wounded partisans are hiding, and Temnikar suspects the treason. Once the White Guard patrol shows up at Temnikar's doorstep, he finds out about their plan to go and finish off the wounded partisans.
A young man sets out to make a Super 8 film, but isn't sure what the film should be about.
Guntur confronts his uncle Rahardja, accused of involvement in his brother's execution during the 1965 suppression. As Rahardja denies guilt, they embark on a conservation of truth and redemption, unearthling secrets and confronting consequences to heal their fractured family band.
A new Musifants episode! Grandpa Günter – a retired circus elephant – and grandson Charlie take another musical excursion into the songbook of the 1920s and 1930s. This time, it’s the little green cactus’s birthday and Charlie bakes a cake. No sooner is it on the table, smelling delicious, than a bit is missing. Charlie wants to know who has been sneaking a bite …
Hüderchuluun was dating a girl with his teammate Timur, and when both of them fell in love with her, the girl chose Timur and married him, and the sad life of the three began. A tragic film that tells the story of an unforgivable event that unfolds after 25 years of hiding from his only son.
When Jhargalmaa was at home, Sangi, the repairman of the apartment, came and the girl, bored alone while fixing the water pipes, showed him her drawing and they got to know each other. Dulamsuren is reluctant to let his daughter get used to him when, during a check-up, he attacks her mother and reveals that the two are old acquaintances. Because the girl did not know this reason, Sang was rejected. Sangi was good to Dulamsuren, but Dulamsuren did not understand her feelings. She was married to another man, and although she gave birth to a daughter, she was unable to enjoy happiness and lived with her daughter. Seeing all this, Sangi, who still loves Dulamsuren in her heart, wants to get closer through her daughter. But life did not turn out as Sang thought. Jhargalmaa represented the sad truth of being separated from everything that people used to love.
A ballad about the love of a girl and a young man taken to distant lands for war. The animation is created in an original way from lace motifs as a tribute to the Slovak textile artist Elena Hollá-Holéczyová, who is featured in the film.
On October 24th, a concert named "Yellow River Ballad—Wild Children Band 20th Anniversary Concert," organized by Shu Music, will be held at the Workers' Gymnasium in Beijing. It will feature an extravagant lineup of folk music's golden generation, including Wan Xiaoli, Xiaohe, Zhou Yunpeng, Wu Tun, Hu Defu, and the "King of Chinese Rock Stage," Xie Tianxiao, taking turns to witness and participate in this extraordinary musical event. In addition to Beijing, the Wild Children Band's 20th-anniversary concert will also take place on a grand stage in Shanghai. However, the significance of the Wild Children band within the folk music community over the past twenty years far exceeds the significance of this performance.
The local yakuza gangs dominating the port of Yokohama do not take well the invasion of their territory by a daring biker gang, led by a girl in black leather outfit and cowboy hat - reminiscent of the earlier war victors. Old and new grudges lead the two girl gangs to clash in several fights. However, when one of the leaders dies, the girls end up by uniting against the male gangsters that had been using them as puppets - and it all ends in a great finale mixed battle by the seashore.