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An attempt to talk about death and loss by juxtaposing images of architecture with shots of cemeteries.
The most mysterious and significant phenomena in the history of mankind, the fate of people, the great secrets of great civilizations, unexpectedly revealed to us through the prism of architecture. Palaces and temples, lost in the space and time of the city.
Southern California’s Coachella Valley, including the communities of Palm Springs, Palm Desert, Desert Hot Springs, boasts hundreds of extraordinary midcentury modern homes, public buildings and commercial structures. Modern designers such as William F. Cody, Albert Frey, William Krisel, John Lautner, Richard Neutra, R.M. Schindler, Donald Wexler, E. Stewart Williams left their collective mark on this desert paradise. Desert Utopia: Mid-Century Architecture in Palm Springs traces the history of modern architecture in Palm Springs from the first bold forays into modernist design to the preservation challenges facing the region today. Director Jake Gorst’s film features rare archival images and footage as well as interviews with historians, homeowners and the architects who helped create this mecca of modernism.
The old world is gone. Our landscape bears scars. Entire cities have been levelled. Is it possible to regenerate the city without covering over the warnings of war’s aggressions? Or can these ruins provide a unique chance to reinvent the city thoroughly? The art historian Heinrich Klotz took precisely these questions, concerning the reconstruction of Germany’s historical districts after World War II, as the departure point of his practice.
'Make Do With Now' sheds light on an emerging generation of architects and urban practitioners in Japan. Largely entering professional practicefollowing the 2011 Great East Japan Earthquake and Fukushima nuclear di-saster, this generation is developing a range of critical, ecological, and social approaches that creatively 'make do' – with limited resources, found materials, and existing spaces – while seeking appropriate responses to the urgent problems of the present. Turning their backs on the traditional image of the architect-author, these practitioners are articulating a new architectural agency in working from the periphery, exploiting gaps in the system, and occupying new roles in the process that have previously been overlooked.
We imagine many things when we think of this word. However, we do not think about Islamic Architecture, which influenced the art of Europe so profoundly. This documentary tours through the Muslim world, in search of that "atmosphere of Paradise," hidden away in mosques and palaces.
A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.