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Documentary about 4 large architectural landmarks that projected Portugal abroad.
Directed by Manouchehr Tayyab.
For the first time in history, women are designing our world. They are the rising stars in architecture-previously an all-male galaxy--and they are literally and figuratively changing the landscape. MAKING SPACE captures the compelling stories and outstanding designs of Annabelle Selldorf (NY), Farshid Moussavi (London), Odile Decq (Paris), Marianne McKenna (Toronto), and Kathryn Gustafson (Seattle & London). Without script or narration, each woman tells her own story, enhanced by the insights of commentators including Pulitzer Prize-winning architecture critic Paul Goldberger; MoMA's Peter Reed and Paola Antonelli; and others. Meryl Streep makes a special guest appearance.
We came across traditional rituals of a mixed race of indigenous, black and white people, with their mystic practices, their shamans and healers that express a reality and a way of life that doesn’t belong to any kind of paradigm. This problem is extremely relevant in the current political situation of Brazil in face of the repeated environmental and social catastrophes that are being inflicted upon us.These people have a way of acting which favours a sustainable development, their knowledge should be respected.The world is divided in two categories, independent of any ideology:the rich world and the poor world.We related the religious rituals, the artistic and the mystic trances in a Brazil where poverty and hunger are invisible to a large part of the society. A country of people that has invisible myths and such a rich diversity is being transformed into a unison and melancholic chant. The Guardians Forest whose leader was murdered last Dec, tells us what motivates their fight.
This documentary provides an astonishing journey through innovative, futuristic, utopian and sometimes bizarre architecture projects—including concrete illusions of grandeur and Lego-like modular apartments to an Instant City Airship and round, grass-covered subterranean dwellings—from the beginning of the 20th century to today.
It took less than 10 years for Hitler to set up the concentration camps, many of which became centers for mass killing. As research and archaeological exploration continue, this documentary reveals the established historiographical elements of this Nazi system of genocide.
The Making of an Avant-Garde presents the creation and existence of the IAUS in the architectural, cultural, and political climate of the time, from the anti-War riots, the Women's Movement to the Paris May '68 revolution and the crime ridden and the bankrupt New York City of the 70's, through rich and abundant footage. The Institute, founded in 1967 with close ties to The Museum of Modern Art, made New York the global center for architectural debate and redefined architectural discourse in the United States. A place of immense energy and effervescence, its founders and participants were young and hardly known at the time but would ultimately become some of the most influential figures in the field shaping architectural practice and theory for decades. The Institute became the most significant and energetic crossroad in the path of rethinking architecture and the city and it's influence is still felt today.
Hans Scharoun has built houses which show not only structural substance and aesthetic forms but also how human beings should live in buildings. This depiction can only be imaginary - like reading invisible writing on walls. Bitomsky's film looks at several of Scharoun's buildings.
Architecture is a discipline plagued by its own insecurities, a curious mixture of optimism and pessimism, momentary successes and, more commonly, deep frustrations. In this new publication, Michael Meredith, Assistant Professor at the Harvard Graduate School of Design, tackles the problems facing the discipline head-on, interrogating its internal dynamics and searching for a mode of practice that can survive amid the confusing, conflicting demands of contemporary culture. Nominally addressed to students entering the field, "Notes for those beginning the discipline of architecture" is a scathing take on the profession from one of its emerging young practitioners, outlining its pitfalls, its excruciating failures, and in spite of it all its undeniable potentials.
The film arose from an encounter with Mario Botta during the 2013 Architecture and Memory exhibit held at the Charlotte, North Carolina Bechtler Museum of Modern Art which was designed by the architect. The exhibit gathered and then proposed to the public the Swiss architect’s most significant projects spanning the gamut from his first single-family homes, original expressions of the School of Ticino, to his large public buildings, libraries, theatres, museums, churches and synagogues which have been built across the globe and features more than 90 works. The film is a dialogue on the themes which characterize Mario Botta’s vision and practice: his relationship with history and the territory, the designing of collective spaces, encounters with the leading protagonists of the 20th century. The interview, conducted in Mario Botta’s studio in Mendrisio, is replete with photographic materials, designs and sketches which document his “spaces of memory”.
Follows architect Kazuyo Sejima's design and the construction of a new building at Osaka University of the Arts
What is under discussion is the actual construction of the state of Israel, its history and identity, besides the oedipal theme for an architect-filmmaker. An informed and intelligent man, Gitai manages to take his conversations to non-conventional paths, favoring open-minded thinking.
An intimate portrait and chronicle of a techno-political war challenging how information is created and shared in the digital age. A 7 year document trailing the Federal battles, personal struggles, growing 3D gun community, and illicit criminal case plaguing Cody Wilson's fight for the 1st Amendment freedom to share code online. Code that happens to engineer guns.
This exhibition presents projects of relevance to contemporary Chilean architecture such as the reconstruction of the Pereira Palace in the center of Santiago and buildings that inhabit nature, located in the Atacama Desert and Torres del Paine, through the lens of 15 photographers Chileans and foreigners. The photographs in Winter: Images of Contemporary Chilean Architecture portray the construction and restoration processes of the architectural works presented. In parallel, these photographic images are accompanied by small screens whose content is audiovisual fragments, with records of the architectural processes. These films seek to contribute to understanding each of the architectural works even more.
Thousands of tourists come to Barcelona from far and wide to admire the work of the great architect, Antoni Gaudí. What they don't know is that many of the photographs they take home with them are of works by Josep Mª Jujol, a forgotten architect and the other great genius of Catalan Modernisme.
The subject is the contrast between old and new Split. Journalist Duje lives in a new apartment in a large green skyscraper, but his heart is drawn to his childhood, where he meets old neighbors and for a short time experiences their sorrows and joys, witnesses their quarrels and misunderstandings, but also moments of togetherness and solidarity. Most of the action takes place in the common yard where the neighbors meet at every opportunity. The sudden illness of old Domina brings excitement into their lives and creates unusual complications that will bring changes to the peaceful everyday life of these good-natured people.
Documentary about Islamic architecture in six countries (Egypt, Jordan, Morocco, Turkey, Spain, and Lebanon)
This documentary explores the highly controversial subject of the design of America's capital. Was the city built to reflect the majesty of America's newfound freedom? Or the hidden agenda of secret societies? With every major cornerstone laid by Freemasons, was the city built in a Masonic pattern? Embark upon this incredible journey as Riddles in Stone interviews experts on both sides of the heated debate. Watch as Freemason apologists defend some of the most direct and hard-hitting questions concerning the influence of Masonry in America, and its symbolism in Washington, D.C. Alongside them are leading researchers who maintain that occult architecture permeates the city, and conceals a secret agenda. Was D.C. laid out according to the pattern of the stars? Does a Masonic square and compass extend from the Capitol building to the Washington monument? And why is the city filled with zodiac symbols, mysterious faces, and various god and goddess images?