The Abyss

In the Jaintia Hills of Northeast India, boys and men descend into the abyss of the 'rat-holes' to scratch coal out of hard rock, with nothing more than a pickaxe and a head-torch. One of them is Suraj, an 11-year old boy. Born in the mines to Nepali immigrants, Suraj cherishes the hope of getting out of the coal-pit someday. With his mother no more, an unsupportive father and no place he can call home, the odds are stacked against him. And yet, he battles to eventually put himself in school. The film follows Suraj through his tumultuous journey, while revealing startling stories and lives under unusual - perhaps extraordinary - circumstances.

Exploring hydrothermal vents, cold-seep habitats, and food-falls including whale-falls and the communities at shipwrecks

The events of the series revolve around (Umm Mubarak) who suffers from the injustice and injustice of her husband (Abu Mubarak) and his constant insult to her, and the son (Mubarak) who suffers from the influence of bad friends, through his friend (Nasser), who swept him into the world of gambling and drugs, what will be the fate of that family?

Maya is accompanied by Glória, her best friend, who promises that she will always be with her, into a clandestine appointment. Both trans women, Maya wants silicone, but a timely intervention leads her to change her mind. When they leave, it’s Christmas night and it’s pouring rain. They take refuge in a bar, owned by a Nigerian refugee named Kakule. Bia also takes refuge there, fed up with constant fights with her boyfriend. And so their paths cross.

What’s worth remembering? Who decides what is worthy of remembrance? Through images shot at the beginning of the 20th century by women filmmakers, the director questions her references, what she has been taught and passed on. Between past and present, memories and omissions, the audience (re)discovers women who have made cinema what it is today. A sensorial and poetic journey that takes the spectator back to its own knowledge and personal and social constructions.

Wildlife film about sperm whales, revealing the secret lives led by these often misunderstood ocean giants. Scientists all over the world are now learning about the secret lives of sperm whales, the world's largest hunters that spawned the legendy of Moby Dick. Although Mellville painted them as fearsome beasts of the sea, they are actually shy creatures, and cameraman Rick Rosenthal needed patience and persistence to film them at close quarters. They turn out to be efficient hunters with a close family network involving sophisticated and vocal social lives.

Crusaders: Call of the Abyss is a Norwegian low-budget off-beat feature film that takes place in the Norwegian countryside. This is the first of two films about the urbanized aristocratic boy Rolf who moves back to the farm after his father mysteriously dies in the forest. Together with childhood friend and pig farmer Einar, they begin to investigate the circumstances surrounding the death. Soon they are drawn into a dark and horrifying mystery.

An animal, which appears to be a fox, was seen outside the containment of the Fukushima nuclear power plant’s No. 2 reactor, where radiation levels can reach more than 10 sieverts per hour. It appeared in front of surveillance cameras on the morning of December 21, 2015, and spent 7 to 8 minutes there before disappearing.

The deep sea – the biggest single habitat on Earth, marked by eternal darkness, icy temperatures and immense pressure. This gripping 50-minute film follows the biologists Christian Lott and Nicole Dubilier into the inhospitable depths of the ocean in pursuit of new species and groundbreaking discoveries. What they find is truly revolutionary: a mussel capable of using hydrogen to feed itself – something previously thought impossible. It opens up new possibilities for life, not just on Earth, but even in space where hydrogen is a common element. It’s a discovery that challenges the way we think about the very building blocks of life.

Unidentified Submersible Objects are the new UFO. USOs traverse the skies but also traffic in the oceans depths seemingly outside our current understanding of the laws of physics. USOs exhibit no discernible propulsion system, maneuver in and out of water at unfathomable speeds withseemingly no resistance. The phenomenon has captured the attention of the main stream media with the USS Nimitz encounter, but in truth, has been mystifying military factions for decades. Multiple questions arise with these objects. What are they, where do they come from? Who isoperating them and can they be captured or destroyed? Are they from another dimension, or a civilization living among us now, hidden from us under the canopy of our own oceans? the only thing we know now is that they are real and they are here.

Based on the story “The Abyss” by Leonid Andreev. A young couple spends the day on a walk, enjoying the timid feeling of falling in love for the first time. However, the heroes walk too long. The road home goes through a dark and ominous forest. Romantic feelings fade when the couple encounters the instincts of love and destruction in the face of three tramps in the forest. The fatal “meeting” and the fall into the abyss of the unknown reveal the secret desires of the main character, who discovers a dark beginning in himself and makes a fatal choice.

Evocations of a space in the mind – limitless, soundless. Blackness punctuated by bursting water bubbles ascending and descending into the unknown. The color red evokes feelings of the inner self – a microcosmic viewpoint for an expansion of time and space.

Nina loses her mother and then takes some time to lose herself. In the forest she enters, unusual encounters lead her into an eerie and alluring abyss that becomes increasingly difficult to leave.

A woman goes to see a movie to which she appears to have a strange connection.

Second compilation movie of the TV series which covers episodes 9-13. Riko and Reg descend to the third and fourth layer where Riko has her first experience of the Curse.

A planned first-time feature film from Callum Lonergan.

This installation, assembling photographic works from the 1980s, highlights Sayadian’s favorite subjects: consumerism, sex and surrealism. In these controversial shots, the artist was able to express the «unreal» of a society marked by the exponential growth of capitalism and the backlash of 1970s feminism. Between overconsumption and post sexual liberation, explicit and monetized hyper sexualization made its grand entrance into Western society. At that time, sexuality and consumption are intimately linked, and this is what Sayadian gives us to look at through his critical, surrealist and quirky eye, revealing the absurdity of American society in the eighties.

An in-depth look at La Quebrada cliff divers’ ritual, featuring their daring 35-meter jumps into the sea, complemented by their own recited poetry and reflections from participants on faith, life, and death.

Across the globe, strange happenings, borne out of the oceans, are mystifying and imperiling the world’s population. A group of scientists undertakes a terrifying mission to the depths of the Arctic Ocean to confront a deadly intelligent life force bent on human extinction.