Tell Me A Me

Gekidan Hitori, First Summer Uika and DJ Matsunaga of Creepy Nuts host a variety show, interviewing ordinary people too weird and interesting to ignore.

In the year 2006, Yumi develops a crush on a video store clerk, Ji-hwan, who can’t speak. As they get closer to each other, one day, Yumi has to move to a different city. She confesses her true feelings for him but receives no answer from Ji-hwan. Five years later, we meet Yumi, and she´s slowly losing her sight. She decides to embark on the journey to see him before it´s too late.

Things aren’t going well for Esteban. His record shop on the outskirts of San Telmo has gone bust. Esteban has had enough. On the bicentennial of Argentina’s independence he decides to call it day and put an end to the shop – and his marriage to Elisabeth. He wants his freedom – for Esteban has fallen in love again.

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Martyna returns to her family home for a three-week “vacation” to take care of her mother, who is suffering from amyotrophic lateral sclerosis. Barbara, even though she can only communicate through eye movements, tries to convey as much as possible to her daughter.

Magda grew up in an orphanage. She never met her parents. Entering adulthood, she finally decides to find them.

The story of how a high school teacher overcomes all the problems and difficulties with problem students as well as other unfavorable circumstances in his teaching.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.

Laura Simms has an exciting job as a top magazine editor, but her love life's a disaster. Her luck seems to change when she meets Gabriel, a handsome but mysterious man who believes in old-fashioned love and marriage.

After finding she was adopted as child, a young woman sets out to look for her biological parents.

How do we talk to each other online? Based on authentic chats from an internet forum.

Chinnathambi, the only son of estate owner Sundaram Pillai, falls in love with Kalyani, the daughter of a poor clerk, but their romance faces obstacles.

Following separation from his boyfriend, Andy meets Dédé, an intriguing young woman who makes a real impression on her. For a day, she is all aflutter.

After his ex-wife Addolorata's death, Giuseppe called "Cicci", a fifty years old manager, has to custody his son and doughter Matteo and Sara. Cicci has a long time relation with his partner Nikolas, a sincere and smart plumber. Cicci has three sisters Giuditta, Silvana and Norina: they grow him up as a son and they will put him in a very severe test on the way and how he has to grow up his childrens. The three women move to Cicci and Nikolas' house dictating their religious morals about the traditional family, inspired by don Paolo's words, a priest.

That's my Mr.Right! Glasses for reading books, hoodie strap tied in ribbon shape, long legs, story worthy scars on the arm and good looking face in addition to all above. I fell in love with him at first sight, and I'd like to tell him about it today.

In parallel with Now Tell Me Something, his second book about the cinema of Straub-Huillet, Philippe Lafosse follows the meetings in 2007 and 2008 between Jean-Marie Straub, from this point onwards without Danièle Huillet, and the public. This film thus allows us to hear with pleasure words that break with cultural gossip, that question and throw light – a verb, a man that resist here and now. We learn a great deal from it, whether or not we are familiar with Straub-Huillet’s work. Tell Me Something tells us a story, or stories. Stories about cinema, stories about faithfulness and honesty. The story, also, of the setting up of a people rising against ruling state of things. The story, moreover, of an irreparable absence – that of Danièle Huillet. In short, the story of a filmmaker in winter, and of an international community that is enlightened in the darkness.

Opera singer Enrico Ferraro, tired of his too many engagements, jumps off the train escaping from his manager and changes to another going to the Riviera. He makes a friend and stops at a village, where (it seems) he can at last have some well deserved holidays, with the added interest of meeting a beautiful girl in the surroundings.

A family of farmers has to deal with the retarded elder son. He gets everybody bored and tired of him, even his cow to whom he goes to talk to several times a day.